Kathryn Ma

A Novel

Chinese Groove

The Kong women are in crisis. A disastrous trip to visit her "home" orphanage in China has plunged eighteen-year-old Ari into a self-destructive spiral. Her adoptive mother, Charlie, a lawyer with a great heart, is desperate to keep her daughter safe. Meanwhile, Charlie must endure the prickly scrutiny of her beautiful, Bryn Mawr–educated mother, Gran—who, as the daughter of a cultured Chinese doctor, came to America to survive Mao's Revolution—and her sister, Les, a brilliant judge with a penchant for ruling over everyone's lives. As they cope with Ari's journey of discovery and its aftermath, the Kong women will come face-to-face with the truths of their lives—four powerful, intertwining stories of accomplishment, tenacity, secrets, loneliness, and love. Beautifully illuminating the bonds of family and blood, The Year She Left Us explores the promise and pain of adoption, the price of assimilation and achievement, the debt we owe to others, and what we owe to ourselves. Full of pathos and humor, featuring a quartet of unforgettable characters, it marks the debut of an important new voice in American fiction.

The Year She Left Us

Longlisted for the Joyce Carol Oates Prize A New York Times Book Review Editors' Choice An Amazon Editors' Pick People, A Best Book of the Year For readers of Less and The Wangs Vs. The World, a buoyant, good-hearted, and sharply written novel about a blithely optimistic immigrant with big dreams, dire prospects, and a fractured extended family in need of his help—even if they don't know it yet Eighteen-year-old Shelley, born into a much-despised branch of the Zheng family in Yunnan Province and living in the shadow of his widowed father’s grief, dreams of bigger things. Buoyed by an exuberant heart and his cousin Deng’s tall tales about the United States, Shelley heads to San Francisco to claim his destiny, confident that any hurdles will be easily overcome by the awesome powers of the “Chinese groove,” a belief in the unspoken bonds between countrymen that transcend time and borders. Upon arrival, Shelley is dismayed to find that his “rich uncle” is in fact his unemployed second cousin once removed and that the grand guest room he’d envisioned is but a scratchy sofa. The indefinite stay he’d planned for? That has a firm two-week expiration date. Even worse, the loving family he hoped would embrace him is in shambles, shattered by a senseless tragedy that has cleaved the family in two. They want nothing to do with this youthful bounder who’s barged into their lives. Ever the optimist, Shelley concocts a plan to resuscitate his American dream by insinuating himself into the family. And, who knows, maybe he’ll even manage to bring them back together in the process.

The Chinese Groove

Anne Lamott

Yiyun Li

James Patterson

Meghan Daum

Brian Doyle

Samantha Schoech

Good Writers on Bad Luck, Bum Deals and Other Torments Price: $16

Days Like This

Three generations of Chinese-American women in a San Francisco family must confront their past and carve out a future in this extraordinary novel, a “haunting” debut full of “shimmering and unforgettable” characters. (New York Times Book Review) The Kong women are in crisis. A disastrous trip to visit her "home" orphanage in China has plunged eighteen-year-old Ari into a self-destructive spiral. Her adoptive mother, Charlie, a lawyer with a great heart, is desperate to keep her daughter safe. Meanwhile, Charlie must endure the prickly scrutiny of her beautiful, Bryn Mawr educated mother, Gran—who, as the daughter of a cultured Chinese doctor, came to America to survive Mao's Revolution—and her sister, Les, a brilliant judge with a penchant to rule over everyone's lives. As they cope with Ari's journey of discovery and its aftermath, the Kong women will come face to face with the truths of their lives—four powerful intertwining stories of accomplishment, tenacity, secrets, loneliness, and love. Beautifully illuminating the bonds of family and blood, The Year She Left Us explores the promise and pain of adoption, the price of assimilation and achievement, the debt we owe to others, and what we owe ourselves.

How do we survive our family, stay bound to our community, and keep from losing ourselves? In All That Work and Still No Boys, Kathryn Ma exposes the deepest fears and longings that we mask in family life and observes the long shadows cast by history and displacement. Here are ten stories that wound and satisfy in equal measure. Ma probes the immigrant experience, most particularly among northern California’s Chinese Americans, illuminating for us the confounding nature of duty, transformation, and loss. A boy exposed to racial hatred finds out the true difference between his mother and his father. Two old rivals briefly lay down their weapons, but loneliness and despair won’t let them forget the past. A young Beijing tour guide with a terrible family secret must take an adopted Chinese girl and her American family to visit an orphanage. And in the prize-winning title story, a mother refuses to let her son save her life, insisting instead on a sacrifice by her daughter. Intimate in detail and universal in theme, these stories give us the compelling voice of an exciting new author whose intelligence, insight, and wit impart a sense of grace to the bitter resentments and enduring ties that comprise family love. Even through the tensions Ma creates so deftly, the peace and security that come from building and belonging to one’s own community shine forth.

Kathryn Ma

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