Kathryn Scanlan

About one woman's fine, hard life at the racetrack, Kick the Latch-with its ruthless concision and artful mysteries-is lightning in a bottle

Kick the Latch

A collection of innovative and ambitious short stories from a visionary young literary artist In The Dominant Animal—Kathryn Scanlan’s adventurous, unsettling debut collection—compression is key. Sentences have been relentlessly trimmed, tuned, and teased for maximum impact, and a ferocious attention to rhythm and sound results in a palpable pulse of excitability and distress. The nature of love is questioned at a golf course, a flower shop, an all-you-can-eat buffet. The clay head of a man is bought and displayed as a trophy. Interior life manifests on the physical plane, where characters—human and animal—eat and breathe, provoke and injure one another. With exquisite control, Scanlan moves from expansive moods and fine afternoons to unease and violence—and also from deliberate and generative ambiguity to shocking, revelatory exactitude. Disturbances accrue as the collection progresses. How often the conclusions open—rather than tie—up. How they twist alertly. No mercy, a character says—and these stories are merciless and strange and absolutely masterful.

Stories

The Dominant Animal

A heartrending reassemblage of a life in its waning moments Fifteen years ago, Kathryn Scanlan found a stranger’s diary at an estate auction in a small town in Illinois. The owner of the diary was eighty-six years old when she began recording the details of her life in the small book, a gift from her daughter and son-in-law. The diary was falling apart—water-stained and illegible in places—but magnetic to Scanlan nonetheless. She became obsessed with the object. After reading and rereading the diary, studying and dissecting it, for the next fifteen years she played with the sentences that caught her attention, cutting, editing, arranging, and rearranging them into the composition that became Aug 9—Fog (she chose the title from a note that was tucked into the diary). “Sure grand out,” the diarist writes. “That puzzle a humdinger.” Followed by, “A letter from Lloyd saying John died the 16th.” A whole state of mourning reveals itself in “2 canned hams.” The result of Scanlan’s collaging is an utterly compelling, deeply moving meditation on life and death. In Aug 9—Fog, Scanlan’s spare, minimalist approach has a maximal emotional effect, haunting the reader long after the book ends. It is an unclassifiable work from a visionary young writer and artist—a singular portrait of a life that so easily could have been forgotten.

Aug 9--Fog

Tao Lin

Chelsea Hodson

Blake Butler

Sarah Manguso

David Nutt

Annie DeWitt

Christine Schutt

Ryūnosuke Akutagawa

Sam Pink

Yuka Igarashi

Mark Leidner

Raegan Bird

Scott Mcclanahan

Kristen Iskandrian

Nicolette Polek

Precious Okoyomon

Patty Yumi Cottrell

Mallory Whitten

Ann Beattie

This anthology collects original writing and art by novelists, poets, and academics about their pets, including a killer chihuahua, a catatonic toy poodle, a contraband cat, a backyard full of endangered desert tortoises, five forgotten parakeets, and a skinny ex-racehorse named Joe. From legends like Ann Beattie and Christine Schutt to cult figures like Scott McClanahan and Tao Lin, this anthology collects writing from some of today's best literary talent. Edited by Jordan Castro with contributions by Ryunosuke Akutagawa, Ann Beattie, Raegan Bird, Blake Butler, Ryan C. K. Choi, Michael W. Clune, Patty Yumi Cottrell, Annie DeWitt, Chelsea Hodson, Yuka Igarashi, Kristen Iskandrian, Mark Leidner, Tao Lin, Scott McClanahan, Sarah Manguso, David Nutt, Precious Okoyomon, Sam Pink, Nicolette Polek, Kathryn Scanlan, Christine Schutt, and Mallory Whitten.

Pets

Kathryn Scanlan

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