Kathryn Walchester

This book outlines the contribution made by servants to domestic and Continental travel and travel writing between 1750 and 1850. Aiming to re-position British and European travel during this period as a site of work as well as leisure, Katheryn Walchester provides commentary and analysis of texts by servants not addressed in current scholarship. By reading texts contrapuntally, this book draws attention to repeated tropes and common patterns in the ways in which servants are featured in travelogues; and in so doing, offers an account of alternative modes of experiencing and writing about the Home Tour and the Grand Tour.

Mobility and Employment in British Travel Writing 1750- 1850

Travelling Servants

Charles Forsdick

Zoë Kinsley

Keywords for Travel Writing Studies draws on the notion of the ‘keyword’ as initially elaborated by Raymond Williams in his seminal 1976 text Keywords: A Vocabulary of Culture and Society to present 100 concepts central to the study of travel writing as a literary form. Each entry in the volume is around 1,000 words, the style more essayistic than encyclopaedic, with contributors reflecting on their chosen keyword from a variety of disciplinary perspectives. The emphasis on travelogues and other cultural representations of mobility drawn from a range of national and linguistic traditions ensures that the volume has a comparative dimension; the aim is to give an overview of each term in its historical and theoretical complexity, providing readers with a clear sense of how the selected words are essential to a critical understanding of travel writing. Each entry is complemented by an annotated bibliography of five essential items suggesting further reading.

A Critical Glossary

Keywords for Travel Writing Studies

This study proposes that in their writing about the region, women travel writers made a significant contribution to the changing representation of Italy and to their own changing reputation as professional writers. Between 1800 and 1844 there was a significant shift in the way in which Italy was both perceived and discussed as the tradition of the 'Grand Tour' waned and new types of travellers made trips to Europe. Encouraged by changes in the cost, ease and motivations for travel, unprecedented numbers of women travelled to Italy and published their accounts. Focussing on the pivotal works of five women writers - Mariana Starke, Mary Shelley, Charlotte Eaton, Anna Jameson and Lady Morgan - this book assesses the developments made by these women to a number of genres of travel writing and to the political and aesthetic representation of Italy.

Nineteenth Century Women's Travel Writing and Italy 1800-1844

Our Own Fair Italy

In its attention to the ‘keywords of travel’, Keywords for Travel Writing Studies’ takes into account the established status of studies in travel writing and the field’s significance for an audience beyond the academy. It responds to what might be described as the ‘mobility turn’ in the arts and humanities over the past two decades. Each entry in the volume is around 1,000 words, and the style is more essayistic than encyclopaedic, with contributors providing a reflection on their chosen keyword from a variety of disciplinary perspectives. The emphasis on travelogues and other cultural representations of mobility drawn from a range of national and linguistic traditions ensures that the volume has a comparative dimension; the aim is to give an overview of each term in its historical and theoretical complexity, providing readers with a clear sense of how the selected words are essential to a critical understanding of travel writing. Each entry is complemented by an annotated bibliography of five essential items suggesting further reading.

‘Gamle Norge and Nineteenth-Century British Women Travellers in Norway’ presents an account of the development of tourism in nineteenth-century Norway and considers the ways in which women travellers depicted their travels to the region. Tracing the motivations of various groups of women travellers, such as sportswomen, tourists and aristocrats, this book argues that in their writing, Norway forms a counterpoint to Victorian Britain: a place of freedom and possibility.

Kathryn Walchester

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