Neil Murphy

Keith Hopper

Dermot Healy

Collected Plays

"Gallagher, Timothy O'Grady, Glenn Patterson, Patrick McCabe, and many others - offer creative reflections on Healy's work, while literary critics provide a wide-ranging foundation for future Healy scholarship. In total, over forty contributors. Writing the Sky: Observations and Essays on Dermot Healy is a comprehensive collection of critical essays, memoirs, poetry, and other writerly responses devoted to the life and work of the late Dermot Healy (1947-2014). Healy was an accomplished poet, short story writer, novelist, playwright, and editor, and so these essays and observations address the entire range of his eclectic and exciting oeuvre. While paying due tribute to the memory of the man himself, the collection primarily seeks to establish a series of important critical perspectives through which Healy's writings can be properly viewed and assessed. Contemporary writers and poets - including Colm Tóibín, Neil Jordan, Aidan Higgins, Alannah Hopkin, Kevin Barry, Annie Proulx, Michael Longley, Roddy Doyle, Tessors from more than a dozen countries provide insight into one of Ireland's most powerful and unique literary voices. This collection is absolutely crucial for everyone interested in the work of Dermot Healy and for all devotees of Irish literature" --

Observations and Essays on Dermot Healy

Writing the Sky

Flann O'Brien

Presents a collection of short stories and part of an unfinished novel by the Irish writer.

Short Fiction of Flann O'Brien

Gráinne Humphreys

Margot Norris

Margot Norris discusses the challenges that Ulysses, one of the greatest and most difficult novels of the twentieth century, posed to the filmmaker, along with the production and censorship problems that Strick encountered before the film was released to great contemporary critical acclaim. James Joyce, interested in drama from his youth, encountered early Italian cinema in Trieste and subsequently worked to establish the first movie-house in Dublin in 1909. He eventually discussed his cinematographic writing techniques with the great Russian filmmaker, Sergei Eisenstein. But although Joyce considered the possibilities of filming his famous 1922 novel at various times in his life, Ulysses was not brought to the screen until independent filmmaker Joseph Strick released his adaptation in 1967. Margot Norris discusses the challenges that Ulysses, one of the greatest and most difficult novels of the twentieth century, posed to the filmmaker, along with the production and censorship problems that Strick encountered before the film was released to great contemporary critical acclaim. Though rigorously faithful to Joyce's language, Strick's decision to set the story in 1960s Dublin subtly shifted its political focus while producing an intensified humanistic interpretation of Joyce's novel.

Ulysses

Flann OBriens The Third Policeman, completed in 1940, was initially rejected by his publishers for being "too fantastic," and only appeared posthumously in 1967. Since then OBrien has achieved cult status, although critical appraisal of his work has focused almost exclusively on his first novel, At Swim Two Birds (1939). By 1940 OBrien was confronted with two towering traditions: the jaded legacy of Yeatss Celtic Twilight and the problematic complexities of Joyces modernism. With The Third Policeman, OBrien forges a powerful synthesis between these two traditions, and the paraliterary path he chooses marks the historical transition from modernism to post-modernism. This groundbreaking study, first published in 1995 and now substantially revised, reconfigures OBrien as a highly subversive writer within a rich and fertile literary landscape: indisputably Irish yet distinctly post-modern. It identifies The Third Policeman as a subversive

Keith Hopper

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