Kenkō Yoshida

Kenko

Moonlight, spring blossom, a woman's hair - a medieval Japanese monk reflects on idle moments and life's fleeting joys.

A Cup of Sake Beneath the Cherry Trees

Kamo No Chomei

'If our life did not fade and vanish like the dews of Adashino's graves or the drifting smoke from Toribe's burning grounds, but lingered on for ever, how little the world would move us. It is the ephemeral nature of things that makes them wonderful.' These two works on life's fleeting pleasures are by Buddhist monks from medieval Japan, but each shows a different world-view. In the short memoir Hôjôki, Chômei recounts his decision to withdraw from worldly affairs and live as a hermit in a tiny hut in the mountains, contemplating the impermanence of existence. Kenko, however, displays a fascination with more earthy matters in his collection of anecdotes, advice and observations. From ribald stories of drunken monks to aching nostalgia for the fading traditions of the Japanese court, Essays in Idleness ranges across the spectrum of human experience. Translated with an introduction and notes by Meredith McKinney

Essays in Idleness and Hojoki

'It is a most wonderful comfort to sit alone beneath a lamp, book spread before you, and commune with someone from the past whom you have never met...' Moonlight, sake, spring blossom, idle moments, a woman's hair - these exquisite reflections on life's fleeting pleasures by a thirteenth-century Japanese monk are delicately attuned to nature and the senses. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Yoshida Kenko (c. 1283-1352). Kenko's work is included in Penguin Classics in Essays in Idleness and Hojoki.

Zullen we de bloesems enkel bewonderen op het hoogtepunt van hun bloei en de maan alleen als er geen wolken staan? Verlangen naar de maan terwijl je het ziet regenen; de blinden neerlaten en niets van het verloop der lente weten is nóg bekoorlijker en aangrijpender. Wat valt er veel te bewonderen aan een twijg die net opbloeit, of aan een tuin bezaaid met verwelkte bloesems!"0De Japanse dichter en essayist Kenko leefde van ongeveer 1283 tot 1352. De 243 schetsen en essays die hij vergaarde in 'De kunst van het nietsdoen' hebben een blijvend stempel gedrukt op de Japanse cultuurgeschiedenis. Kenko was doordrongen van een diep besef van de aardse vergankelijkheid en een heimwee naar de gloriedagen van het keizerlijk hof, maar de anekdotes die hij vertelt bieden ook een kostelijk portret van de liederlijke monniken en excentrieke edelen die hem omringden. 0'De kunst van het nietsdoen' is de eerste volledige Nederlandse vertaling van een geliefd klassiek werk.

De kunst van het nietsdoen

Essays in Idleness

Chomei

These two works on life's fleeting pleasures are by Buddhist monks from medieval Japan, but each shows a different world-view. In the short memoir Hôjôki, Chômei recounts his decision to withdraw from worldly affairs and live as a hermit in a tiny hut in the mountains, contemplating the impermanence of human existence. Kenko, however, displays a fascination with more earthy matters in his collection of anecdotes, advice and observations. From ribald stories of drunken monks to aching nostalgia for the fading traditions of the Japanese court, Essays in Idleness is a constantly surprising work that ranges across the spectrum of human experience. Meredith McKinney's excellent new translation also includes notes and an introduction exploring the spiritual and historical background of the works. Chômei was born into a family of Shinto priests in around 1155, at at time when the stable world of the court was rapidly breaking up. He became an important though minor poet of his day, and at the age of fifty, withdrew from the world to become a tonsured monk. He died in around 1216. Kenkô was born around 1283 in Kyoto. He probably became a monk in his late twenties, and was also noted as a calligrapher. Today he is remembered for his wise and witty aphorisms, 'Essays in Idleness'. Meredith McKinney, who has also translated Sei Shonagon's The Pillow Book for Penguin Classics, is a translator of both contemporary and classical Japanese literature. She lived in Japan for twenty years and is currently a visitng fellow at the Australian National University in Canberra. '[Essays in Idleness is] a most delightful book, and one that has served as a model of Japanese style and taste since the 17th century. These cameo-like vignettes reflect the importance of the little, fleeting futile things, and each essay is Kenko himself' Asian Student

Kenko

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