Aldo Rossi

Kersten Geers

Jelena Pancevac

Rossi's urban theory of "collective memory" interpreted through 23 architectural projects The great Italian architect, designer, theorist and printmaker Aldo Rossi (1931-97) galvanized the postmodernist architectural movement in the middle of the 20th century with his unique synthesis of influences such as Adolf Loos, Giorgio de Chirico and Soviet architecture. From his publication Architecture of the City(1966) to his 1976 exhibition Analogous City, Rossi spent a decade developing a theory of urban design that focused on the "collective memory" of a city as an essential element of its urban planning and gave consideration to how buildings and urban areas age over time. Here, Rossi's theory is applied to his own works from that period, both built and unbuilt, in a careful selection of 23 projects that express this memory-based paradigm of civic existence and construction. Aldo Rossi: The Urban Factthus unifies Rossi's theory and practice, demonstrating the visionary dimension driving his singular brand of postmodernism.

Aldo Rossi. The Urban Fact A Reference Book on Aldo Rossi

2G Essays: Kersten Geers. Without Content.

Dieter Roelstraete

The first survey of internationally acclaimed artist Pieter Vermeersch's work Pieter Vermeersch (Belgium, 1973) is well-known for his gradual wall paintings that create powerful visual experiences. Vermeersch combines painting with architecture and works on a variety of surfaces such as canvas, marble and photographs. Beyond the traditional borders of the canvas, his investigations result in large-scale spatial interventions that manipulate the space. Time, colour and space are the building blocks of his oeuvre: these concepts lie at the foundation of his gradual murals and architectural interventions. Variations presents a complete survey of Vermeersch's work, from the beginning of his career until his recent solo exhibition at M - Museum Leuven (March 15-August 11, 2019), and includes a broad selection of painted works (canvases, stones, photographs, walls), installations and sketches. Each signature of the book is dedicated to a particular work or aspect of Vermeersch's oeuvre. There will be seven different cover versions of the book, each printed in a different colour variation defined by the artist.

Pieter Vermeersch: Variations

Jelena Pančevac

Andrea Zanderigo

In the 1960s, American architect Robert Venturi made a case for the difficult whole, opposing mainstream modern architecture that ignores all the intricacies of life and produces pure space, or "easy unity". The architecture Venturi was aiming for embraces diversities, inevitable in any project. This new book, edited by Architecture Without Content, a research group at Ecole Polytechnique Federale de Lausanne's School of Architecture, offers a fresh analysis and a thorough re-evaluation of Venturi s idea of "the difficult whole" as both a looking glass and a possible tool for architecture today. Through a radical re-reading of found material from the Venturi Scott Brown archives, the editors seek to propose a credible alternative to contemporary architectural discourse. Its format combines the ambiguity of interpretation with the factual material, keeping the precision of the argument. This elusive position is elaborated in essays, complemented by interviews with Kazunari Sakamoto and Alvaro Siza.Around 35 projects by Venturi Scott Brown, and also by Alvaro Siza and James Stirling, form a visual narrative with original plans and sections and other archive material as well as new perspective images and photographs especially produced for this book.

Kersten Geers

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