Denise Varney

Peta Tait

Lara Stevens

This edited volume critically engages with ecofeminist scholarship. It tracks the ongoing dialogue between women’s issues and environmental change by republishing the work of pioneering scholars and activists in the field. Together with new essays by contemporary ecofeminist scholars, the book uncovers the dialectical relationship between environmental and feminist causes, the relational identities of feminists and ecofeminists, and the concept of ecofeminism as a rallying point for environmental feminism. The volume defines ecofeminism as a multidisciplinary project and will appeal to readers working within the field of Environmental Humanities.

Changing Environments in the Anthropocene

Feminist Ecologies

‘Hypergamy: marriage into an equal or higher caste or social group’ --Merriam Webster. Who are you dating? Have you considered hypergamy? Perhaps you should. There are real, consequential reasons behind women’s long-held preferences for mates of high breeding, wealth, and ability. My well-researched book discusses the nature, history, and current-day implications of this preference and practice, and draws some very interesting conclusions. Do you have a list of qualifications for your ideal date? A thoughtful read of this book just might change that list. Making hypergamy a requirement in your dating search will serve not only to provide access to a better standard of living but to screen out unsuitable prospects. Only men who fit the bill will bother to apply. And you’ll see a drastic improvement in your love life. Why? Because protective care is one of the greatest gifts a man can give -- and one of the greatest rewards of being a woman.

Hypergamy

Examining the ways in which contemporary Western theatre protests against the ‘War on Terror’, this book analyses six twenty-first century plays that respond to the post-9/11 military operations in Afghanistan, Iraq and Palestine. The plays are written by some of the most significant writers of this century and the last including Elfriede Jelinek, Caryl Churchill, Hélène Cixous and Tony Kushner. Anti-war Theatre After Brecht grapples with the problem of how to make theatre that protests the policies of democratically elected Western governments in a post-Marxist era. It shows how the Internet has become a key tool for disseminating anti-war play texts and how online social media forums are changing traditional dramatic aesthetics and broadening opportunities for spectator access, engagement and interaction with a work and the political alternatives it puts forward.

Lara Stevens

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