Lars Eckstein

Magical Realism, The Whale Rider and the Market

Think Local Sell Global

Andrew Wright Hurley

Remembering German- Australian Colonial Entanglements emphatically promotes a critical and nuanced understanding of the complex entanglement of German colonial actors and activities within Australian colonial institutions and different imperial ideologies. Case studies ranging from the German reception of James Cook’s voyages through to the legacies of 19th- and 20th- century settler colonialism foreground the highly ambiguous roles played by explorers, missionaries, intellectuals and other individuals, as well as by objects and things that travelled between worlds – ancestral human remains, rare animal skins, songs and even military tanks. The chapters foreground the complex relationship between science, religion, art and exploitation, displacement and annihilation. Contributors trace how these entanglements have been commemorated or forgotten over time – by Germans, settler-Australians and Indigenous people. Bringing to light a critical understanding of the German involvement in the Australian colonial project, Remembering German- Australian Colonial Entanglements will be of great interest to scholars of colonialism, postcolonialism, German Studies and Indigenous Studies. But for the editors’ substantial new introductory chapter, these contributions originally appeared in a special issue of Postcolonial Studies.

Remembering German-Australian Colonial Entanglements

Anja Schwarz

Across the global South, new media technologies have brought about new forms of cultural production, distribution and reception. The spread of cassette recorders in the 1970s; the introduction of analogue and digital video formats in the 80s and 90s; the pervasive availability of recycled computer hardware; the global dissemination of the internet and mobile phones in the new millennium: all these have revolutionised the access of previously marginalised populations to the cultural flows of global modernity. Yet this access also engenders a pirate occupation of the modern: it ducks and deranges the globalised designs of property, capitalism and personhood set by the North. Positioning itself against Eurocentric critiques by corporate lobbies, libertarian readings or classical Marxist interventions, this volume offers a profound postcolonial revaluation of the social, epistemic and aesthetic workings of piracy. It projects how postcolonial piracy persistently negotiates different trajectories of property and self at the crossroads of the global and the local.

Media Distribution and Cultural Production in the Global South

Postcolonial Piracy

The Atlantic slave trade continues to haunt the cultural memories of Africa, Europe and the Americas. There is a prevailing desire to forget: While victims of the African diaspora tried to flee the sites of trauma, enlightened Westerners preferred to be oblivious to the discomforting complicity between their enlightenment and chattel slavery. Recently, however, fiction writers have ventured to 're-member' the Black Atlantic.This book is concerned with how literature performs as memory. It sets out to chart systematically the ways in which literature and memory intersect, and offers readings of three seminal Black Atlantic novels. Each reading illustrates a particular poetic strategy of accessing the past and presents a distinct political outlook on memory. Novelists may choose to write back to texts, images or music: Caryl Phillips'sCambridgebrings together numerous fragments of slave narratives, travelogues and histories to shape a brilliant montage of long-forgotten texts. David Dabydeen'sA Harlot's Progressapproaches slavery through the gateway of paintings by William Hogarth, Sir Joshua Reynolds and J.M.W. Turner. Toni Morrison'sBeloved, finally, is steeped in black music, from spirituals and blues to the art of John Coltrane. Beyond differences in poetic strategy, moreover, the novels paradigmatically reveal distinct ideologies: their politics of memory variously promote an encompassing transcultural sense of responsibility, an aestheticist 'creative amnesia', and the need to preserve a collective 'black' identity.

On the Poetics and Politics of Literary Memory

Re-membering the Black Atlantic

Sam Selvon, The Lonely Londoners (1956)

Nicole Waller

Anke Bartels

Dirk Wiemann

The term ‘postcolonial literatures in English’ designates English-language literatures from Africa, Asia, the Americas and Oceania, as well as the literatures of diasporic communities who have moved from those regions to the global north. This volume introduces the central themes of postcolonial literary studies and delineates how these themes are reflected and elaborated in exemplary literary works by postcolonial authors from around the world. It also offers succinct definitions of key terms like Orientalism, hybridity, Indigeneity or writing back.

An Introduction

Postcolonial Literatures in English

Multi-Ethnic Britain 2000+ provides an encompassing survey of artistic responses to the changes in the British cultural climate in the early years of the 21st century. It traces topical reactions to new forms of racism and religious fundamentalism, to legal as well as `illegal¿ immigration, and to the threat of global terror; yet it also highlights new forms of intercultural communication and convivial exchange. Framed by contributions from novelists Patrick Neate and Rajeev Balasubramanyam, Multi-Ethnic Britain 2000+ showcases how artistic representations in literature, film, music and the visual arts reflect and respond to social and political discourses, and how they contribute to our understanding of the current (trans)cultural situation in Britain. The contributions in this volume cover a wide range of writers such as Graham Swift, Ian McEwan, Zadie Smith, Jackie Kay, Nadeem Aslam, Gautam Malkani, Nirpal Dhaliwal and Monica Ali; films ranging from Gurinder Chadha¿s Bend It Like Beckham and Bride and Prejudice to Michael Winterbottom¿s In This World and Alfonso Cuarón¿s Children of Men; paintings and photography by innovative black and Asian British Artists; and dubstep music. Contents Lars ECKSTEIN, Barbara KORTE, Eva Ulrike PIRKER, Christoph REINFANDT: A Divided Kingdom? Reflections on Multi-Ethnic Britain in the New Millennium Writers¿ Views Patrick NEATE: The Little Book of Tommy: Another Tommy Akhtar Investigation Rajeev BALASUBRAMANYAM: The Rhetoric of Multiculturalism Film I: Beyond the Burden of Representation? Ellen DENGEL-JANIC and Lars ECKSTEIN: Bridehood Revisited: Disarming Concepts of Gender and Culture in Recent Asian British Film Sandra HEINEN: Multi-Ethnic Britain on Screen: South Asian Diasporic Experience in Recent Feature Films Claudia STERNBERG: Babylon North: British Muslims after 9/11 in Yasmin (2004) Fiction I: Multi-Ethnic Utopias and Dystopias Lucie GILLET: Representations of Multicultural Society in Contemporary British Novels Sabine NUNIUS: `Sameness¿ in Contemporary British Fiction: (Metaphorical) Families in Zadie Smith¿s On Beauty (2005) Ulrike ZIMMERMANN: Out of the Ordinary ¿ and Back? Jackie Kay¿s Recent Short Fiction Daniel SCHÄBLER: Teenage Transformations in Multi-Ethnic Britain: Rehana Ahmed¿s Walking a Tightrope (2004) Nadia BUTT: Between Orthodoxy and Modernity: Mapping the Transcultural Predicaments of Pakistani Immigrants in Multi-Ethnic Britain in Nadeem Aslam¿s Maps for Lost Lovers (2004) Cordula LEMKE: Racism in the Disapora: Nadeem Aslam¿s Maps for Lost Lovers (2004) Visual Art and Music: Picturing and Sounding Identity Eva Ulrike PIRKER: Images of Muslim Britain Go Global: A Reading of the British Council¿s Touring Exhibition Common Ground Ingrid VON ROSENBERG: Female Views: Cultural Identity as a Key Issue in the Work of Black and Asian British Women Artists Christoph HÄRTER: The Dub Renaissance ¿ Reflections on the Aesthetics of Dub in Contemporary British Music Film II: Borderlines and Contested Spaces Sissy HELFF: Scapes of Refuge in Multicultural Britain: Representing Refugees in Digital Docudrama and Mockumentary Kathy-Ann TAN: `If you¿re not on paper, you don¿t exist¿: Depictions of Illegal Immigration and Asylum in Film ¿ on Michael Winterbottom¿s In This World (2002) and Code 46 (2003) Barbara KORTE: Envisioning a Black Tomorrow? Black Mother Figures and the Issue of Representation in 28 Days Later (2003) and Children of Men (2006) Fiction II: Reading and Writing the Metropolis Michael MITCHELL: Escaping the Matrix: Illusions and Disillusions of Identity in Gautam Malkani¿s Londonstani (2006) Ellen DENGEL-JANIC: `East is East and West is West¿: A Reading of Nirpal Dhaliwal¿s Tourism (2006) Yvonne ROSENBERG: `Stop Thinking like an Englishman¿ or: Writing Against a Fixed Lexicon of Terrorism in Patrick Neate¿s City of Tiny Lights (2005) Stephan LAQUÉ: `A deconstructed shrine¿: Locating Absence and Relocating Identity in Rodinsky¿s Room (2000) Susanne CUEVAS: `Societies Within¿: Council Estates as Cultural Enclaves in Recent Urban Fictions Interviews Angela KURTZ: Interview with Rajeev Balasubramanyam Violeta TOPALOVA: Interview with Patrick Neate Index Acknowledgements

New Perspectives in Literature, Film and the Arts

Multi-ethnic Britain 2000+

Postcolonial Justice addresses a crucial issue in current postcolonial theory: the question of how to reconcile an ethics of diversity and difference with the normative, if not universal thrust that appears to energize any notion of justice.

Postcolonial Justice

Reading Song Lyrics offers the first systematic introduction to lyrics as a vibrant genre of (performed) literature. It takes lyrics seriously as a complex form of verbal art that has been unjustly neglected in literary, music, and, to a lesser degree, cultural studies, partly as it cuts squarely across institutional boundaries. The first part of this book accordingly introduces a thoroughly transdisciplinary interpretive framework. It outlines theoretical approaches to issues such as performance and performativity, generic convention and cultural capital, sound and songfulness, mediality and musical multimedia, and step by step applies them to the example of a single song. The second part then offers three extended case studies which showcase the larger cultural and historical viability of this model. Probing into the relationship between lyrics and the ambivalent performance of national culture in Britain, it offers exemplary readings of a highly subversive 1597 ayre by John Dowland, of an 1811 broadside ballad about Sara Baartman, ‘The Hottentot Venus’, and of a 2000 song by ‘jungle punk’ collective Asian Dub Foundation. Reading Song Lyrics demonstrates how and why song lyrics matter as a paradigmatic art form in the culture of modernity.

Lars Eckstein

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