Laura Jones

A screenplay of THE PORTRAIT OF A LADY, published to tie-in with the film version. Introduction by Jane Campion.

Screenplay Based on the Novel by Henry James

The Portrait of a Lady

Molly Broxton

Greg Broxton

Andrew Janjigian

Gant Powell

A. Paul Estabrook

Eliza Gauger

Elias Burgess

Andersen Andersen

Shola Bashorun

Arriety Lowell

Jodie Fletcher

Donna Kazimarki

Victoria Sounthavong

Nick Morrissey

Ruth Marnie

Erin Albrecht

Matthew Egan

Aya Rosen

Eissa Lynn

Strange Altars is a semi-annual zine that hopes to re-imagine what it can mean to experience creative work shared by others: writing that you hear, pages you want to taste, animation you can hold. Strange Altars aims to be a vessel for storytelling, beautifully presented and as tangible/sensory an experience as possible, with a 'story' being anything from poetry to memoir to technical instruction to social examination (if based in language), from photography, painting, sculpture, film, video, audio, animation, comics to fragrances/scents, blends of spices/flavors (if based in visual or mixed media), or even physical objects. The theme of Issue No. 1 is Food, with the understanding that food can mean almost anything, as sustenance and appetites (or lack of, or denial of them) color many things.

Food

Strange Altars No. 1

Henry James

Henry James's acclaimed novel, The Portrait of a Lady, will make it to the silver screen in late 1996, directed by Jane Campion, award-winning director of The Piano. Here is the screenplay with a Preface by Campion and beautiful photographs of the production. photos.

Fraser Institute (Vancouver, B.C.)

The Science and the Politics

Global Warming

An exploration of the life and career of Mbongeni Ngema, the brilliant South African playwright/director of Sarafina!, traces his beginnings as a village cattle-tender and shows how he rose to become a world force in theater. 15,000 first printing.

The Harsh Times and Bold Theater of South Africa's Mbongeni Ngema

Nothing Except Ourselves

Oscar and Lucinda

Laura Jones

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