Otto Weininger

Laura Marcus

Ladislaus Lob

Daniel Steuer

An Investigation Of Fundamental Principles

Sex And Character

Lynda Nead

This book shows how extraordinarily substantial were the theoretical footholds which Walter Benjamin supplied, and included are essays on Benjamin and the sources of Judaism, feminism and cultural analysis, and other writings.

The Actuality of Walter Benjamin

James Donald

Anne Friedberg

Between 1927 and 1933, the journal "Close Up" championed a European avant-garde in film-making. This volume republishes articles from the journal, with an introduction and a commentary on the lives of, and complex relationships between, its writers and editors.

Close Up: Cinema And Modernism

Criticism, Theory, Practice

Auto/Biographical Discourses

Laura Marcus is one of the leading literary critics of modernist literature and culture. Dreams of Modernity: Psychoanalysis, Literature, Cinema covers the period from around 1880 to 1930, when modernity as a form of social and cultural life fed into the beginnings of modernism as a cultural form. Railways, cinema, psychoanalysis and the literature of detection - and their impact on modern sensibility - are four of the chief subjects explored. Marcus also stresses the creativity of modernist women writers, including H. D., Dorothy Richardson and Virginia Woolf. The overriding themes of this work bear on the understanding of the early twentieth century as a transitional age, thus raising the question of how 'the moderns' understood the conditions of their own modernity.

Psychoanalysis, Literature, Cinema

Dreams of Modernity

Autobiography is one of the most popular of written forms. From Casanova to Benjamin Franklin to the Kardashians, individuals throughout history have recorded their own lives and experiences. These personal writings are central to the work of literary critics, philosophers, historians and psychologists, who have found in autobiographies from across the centuries not only an understanding of the ways in which lives have been lived, but the most fundamental accounts of what it means to be a self in the world. In this Very Short Introduction Laura Marcus defines what we mean by 'autobiography', and considers its relationship with similar literary forms such as memoirs, journals, letters, diaries, and essays. Analysing the core themes in autobiographical writing, such as confession, conversion and testimony; romanticism and the journeying self; Marcus discusses the autobiographical consciousness (and the roles played by time, memory and identity), and considers the relationship between psychoanalysis and autobiography. Exploring the themes of self-portraiture and performance, Marcus also discusses the ways in which fiction and autobiography have shaped each other. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Autobiography: A Very Short Introduction

Professor of English Literature Laura Marcus

This volume is an ideal introduction to Freud's work, and gives a clear sense both of the context of Freud's text and of its influence throughout the twentieth century. It shows how his work shaped a vast amount of work in linguistics and semiotics, literary studies, film theory, psychology, philosophical hermeneutics and the history of ideas.

New Interdisciplinary Essays

Sigmund Freud's the Interpretation of Dreams

Close Up was the first English-language journal of film theory. Published between 1927 and 1933, it billed itself as "the only magazine devoted to film as an art," promising readers "theory and analysis: no gossip." The journal was edited by the writer and filmmaker Kenneth Macpherson, the novelist Winifred Bryher, and the poet H. D., and it attracted contributions from such major figures as Dorothy Richardson, Sergei Eisenstein, and Man Ray. This anthology presents some of the liveliest and most important articles from the publication's short but influential history. The writing in Close Up was theoretically astute, politically incisive, open to emerging ideas from psychoanalysis, passionately committed to "pure cinema," and deeply critical of Hollywood and its European imitators. The articles collected here cover such subjects as women and film, "The Negro in Cinema," Russian and working-class cinema, and developments in film technology, including the much debated addition of sound. The contributors are a cosmopolitan cast, reflecting the journal's commitment to internationalism; Close Up was published from Switzerland, printed in England and France, and distributed in Paris, Berlin, London, New York, and Los Angeles. The editors of this volume present a substantial introduction and commentaries on the articles that set Close Up in historical and intellectual context. This is crucial reading for anyone interested in the origins of film theory and the relationship between cinema and modernism.

Close Up 1927-1933

Whether a housekeeper, secretary, lodger, or pawn-broker in a seedy area of Victorian London, the woman detective's powers of observation and deduction are most effective in uncovering and resolving crimes. These 12 engaging mysteries gives us a glimpse of some of the most memorable characters ever created--such as Miss Marple, Carlotta Carlyle, Sharon McCone and other beloved heroines of the detective novel--by both men and women writers.

12 Women Detective Stories

This volume addresses the question of how 'the moderns' understood the conditions of their own modernity.

This is an examination of a wide range of Virginia Woolf's novels, essays, biographical and autobiographical writings in the context of the themes and topics of central contemporary relevance and interest.

Virginia Woolf

Peter Nicholls

This new Cambridge History is the first major history of twentieth-century English literature to cover the full range of writing in England, Scotland, Wales and Ireland. The volume also explores the impact of writing from the former colonies on English literature of the period and analyses the ways in which conventional literary genres were shaped and inflected by the new cultural technologies of radio, cinema and television. In providing an authoritative narrative of literary and cultural production across the century, this History acknowledges the claims for innovation and modernisation that characterise the beginning of the period. At the same time, it attends analytically to the more profound patterns of continuity and development which avant-garde tendencies characteristically underplay.

The Cambridge History of Twentieth-Century English Literature

In the new edition of her highly regarded study, Laura Marcus examines a wide range of Virginia Woolf's novels, short stories, essays and autobiographical writings in the context of themes and topics of central contemporary relevance and interest: time, history and narrative; modernism and the city; gender, sexuality and identity; art and life-writings. As well as exploring her significance for, and contribution to, feminist debates and to definitions of modernism, the book also includes detailed analyses of all Woolf's novels an her non-fiction writings, including A Room of One's Own, Three Guineas and the 'biography' Flush. It considers current theoretical approaches to Woolf's work and also engages with Woolf's own cultural contexts, exploring, for example, her responses to war, to Freud's theories, and to early twentieth-century theories of sexuality and gender identity, and the transition from Victorianism to modernity.

Laura Marcus

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