Laura Shepherd-Robinson

The second novel from the author of Blood & Sugar, and this time Captain Harry Corsham's wife, Caro, takes centre stage as she pursues a murder case the city officials are refusing to investigate . . .

Daughters of Night

'A page-turner of a crime thriller . . . This is a world conveyed with convincing, terrible clarity' C. J. Sansom Blood & Sugar is the thrilling debut historical crime novel from Laura Shepherd-Robinson. June, 1781. An unidentified body hangs upon a hook at Deptford Dock - horribly tortured and branded with a slaver's mark. Some days later, Captain Harry Corsham - a war hero embarking upon a promising parliamentary career - is visited by the sister of an old friend. Her brother, passionate abolitionist Tad Archer, had been about to expose a secret that he believed could cause irreparable damage to the British slaving industry. He'd said people were trying to kill him, and now he is missing . . . To discover what happened to Tad, Harry is forced to pick up the threads of his friend's investigation, delving into the heart of the conspiracy Tad had unearthed. His investigation will threaten his political prospects, his family's happiness, and force a reckoning with his past, risking the revelation of secrets that have the power to destroy him. And that is only if he can survive the mortal dangers awaiting him in Deptford . . .

Blood & Sugar

An orphaned fortune teller in 18th-century England searches for answers about her long-dead mother and uncovers shocking secrets in this immersive and atmospheric saga perfect for fans of Sarah Waters and Sarah Perry. Cornwall, 1730: A young girl known only as Red travels with her father making a living predicting fortunes using the ancient Cornish method of the Square of Sevens. Shortly before he dies, her father entrusts Red’s care to a gentleman scholar, along with a document containing the secret of the Square of Sevens technique. Raised as a lady amidst the Georgian splendor of Bath, Red’s fortune-telling delights in high society. But she cannot ignore the questions that gnaw at her soul: who was her mother? How did she die? And who are the mysterious enemies her father was always terrified would find him? The pursuit of these mysteries takes her from Cornwall and Bath to London and Devon, from the rough ribaldry of the Bartholomew Fair to the grand houses of two of the most powerful families in England. And while Red’s quest brings her the possibility of great reward, it also leads to grave danger. Laura Shepherd-Robinson, “the queen of modern Georgian literature” (Susan Stokes-Chapman, author of Pandora), has written a dazzling and Dickensian story of mystery and intrigue, with audacious twists and turns.

A Novel

The Square of Sevens

Laura Purcell

Andrew Michael Hurley

Stuart Turton

Imogen Hermes Gowar

Bridget Collins

Natasha Pulley

Kiran Millwood Hargrave

Jess Kidd

Elizabeth Macneal

Catriona Ward

Susan Stokes-Chapman

FROM THE CREATORS OF THE HAUNTING SEASON COMES A DAZZLING COLLECTION OF NEVER-BEFORE-SEEN GHOSTLY TALES. Featuring new and original stories from: Bridget Collins Imogen Hermes Gowar Kiran Millwood Hargrave Andrew Michael Hurley Jess Kidd Natasha Pulley Elizabeth Macneal Laura Purcell Susan Stokes Chapman Laura Shepherd-Robinson Stuart Turton Catriona Ward The tradition of a haunted tale at Christmas has flourished across the centuries. These twelve stories - authored by some of today's most loved and lauded authors of historical and gothic fiction - are all centred around Christmas or Advent, boldly and playfully re-imagining a beloved tradition for a modern audience. Taking you from a haunted Tuscan villa to a remote Scottish island with a dark secret, and drawing inspiration from festive traditions from all around the globe, these vibrant haunted stories are your ultimate companion for frosty nights. So curl up, light a candle, and fall under the spell of Christmases past . . .

Ghostly Tales for Frosty Nights

The Winter Spirits

The third novel from Laura Shepherd-Robinson, in which a young woman in eighteenth-century England is on a journey to discover who she really is

Figlie della notte

Michelle Paver

Stacey Halls

There is something peculiar about the hour after midnight.

It is the time when darkness reigns.

And strange things roam the earth.

In this dazzling collection of original haunted tales, thirteen bestselling and much-loved authors bring the old superstition of the witching hour to new and vivid life.

Transporting you from the smog of London to the freezing mists of Svalbard, from an Irish town riddled with rumour to a sinister English boarding school, these thirteen stories will serve as your spinetingling companion to the long hours of winter.

So curl up, light a candle, and wait for the clock to strike . . .

Ghostly Tales for the Darkest Nights

The Witching Hour

INTERNATIONAL BESTSELLER “A big, satisfying, and clever read.” —The Times (London) An orphaned fortune teller in 18th-century England searches for answers about her long-dead mother and uncovers shocking secrets in this immersive and atmospheric saga perfect for fans of Sarah Waters and Sarah Perry. Cornwall, 1730: A young girl known only as Red travels with her father making a living predicting fortunes using the ancient Cornish method of the Square of Sevens. Shortly before he dies, her father entrusts Red’s care to a gentleman scholar, along with a document containing the secret of the Square of Sevens technique. Raised as a lady amidst the Georgian splendor of Bath, Red’s fortune-telling delights in high society. But she cannot ignore the questions that gnaw at her soul: who was her mother? How did she die? And who are the mysterious enemies her father was always terrified would find him? The pursuit of these mysteries takes her from Cornwall and Bath to London and Devon, from the rough ribaldry of the Bartholomew Fair to the grand houses of two of the most powerful families in England. And while Red’s quest brings her the possibility of great reward, it also leads to grave danger. Laura Shepherd-Robinson, “the queen of modern Georgian literature” (Susan Stokes-Chapman, author of Pandora), has written a dazzling and Dickensian story of mystery and intrigue, with audacious twists and turns.

Elisabeth Macneal Macneal

"Inverno: la stagione delle notti più fredde, delle tenebre che avviluppano la Terra, della luce che muore. La stagione dei fantasmi: quando i crepuscoli si tingono di nero, infatti, è bello raccontare e raccontarsi gli incubi che abitano i recessi della nostra mente, immaginarli camminare di fianco a noi. Così, prima ancora che Charles Dickens componesse il suo Canto di Natale, la letteratura – in particolare quella anglosassone – ha trovato le sue parole più belle per dare vita al lato in ombra della realtà, ed è tradizione in quei luoghi raccogliersi insieme per leggere inquietanti storie gotiche. Nei dodici racconti di questa raccolta, spiriti e fantasmi si danno appuntamento in gran parata per riempire di presenze le lunghe ore invernali. Dal fango della Londra dickensiana alle scogliere della Cornovaglia, estremo limite del mondo, dalla Edimburgo del Settecento sotto un gelido manto bianco a una enorme villa adagiata su un isolotto in mezzo a un lago italiano, gli esseri soprannaturali che incontriamo in queste storie ci accompagnano in una trasvolata che tocca le più varie epoche e Paesi e ci rivelano con eleganza che il posto piú buio di tutti, in fondo, è il cuore degli uomini. Dalle penne di maestri del gotico – fra gli altri, Stuart Turton, Kiran Millwood Hargrave, Laura Shepherd-Robinson e Susan Stokes-Chapman – I fantasmi dell’inverno è una raccolta di dodici storie di ombre, possessioni demoniache e sogni ricorrenti; una incredibile collezione di fantasmi, spiriti, apparizioni e spettri da leggere con il fiato sospeso... e con la luce accesa. «L’orologio a pendolo batté la mezzanotte. I rintocchi scossero la casa uno dopo l’altro come altrettanti colpi inferti da un dio irato. Indietreggiai barcollando nel vedere le finestre che tremavano e l’intonaco che si staccava dal soffitto. Il lampadario ondeggiò pericolosamente, i soprammobili andarono in frantumi e i quadri si staccarono dalle pareti». Stuart Turton, Il Signore della Casa «Ne I fantasmi dell’inverno ogni storia è un gioiello». Laura Shepperson "

Laura Shepherd-Robinson

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