Gretchen Bernabei

Laura Van Prooyen

Poetry is a joyful art form, but how do you teach students to joyfully read, analyze, and write poems? In Text Structures from Poetry, Grades 4-12, award-winning educator Gretchen Bernabei teams up with noted poet Laura Van Prooyen to light the path. Centered around 50 classroom-proven lesson and poem pairs, the mentor texts represent a broad range of voices in contemporary poetry and the canon. These unique and engaging lessons show educators how to "pop the hood" on a poem to discover what makes it work, using text structures to unlock the engine of a poem. This method enables educators to engage students in reading and re-reading a poem closely, to identify how the parts of the poem relate to each other to create movement, and to leverage what they have learned to write their own evocative poems. Each of the 50 lessons includes a mentor poem that serves as an excellent model for young writers, a diagram that illustrates the text structure of the poem, and several inspiring examples of student poems written to emulate the mentor poem. Easy-to-use instructional resources enhance instructor and student understanding and include: Teaching notes for unlocking the text structure of a poem and the engine that makes it work. Tips for exploring rhyme scheme, meter, and fixed forms. Instructional sequences that vary the ways students can read and write poems and other prose forms. Ideas for revising and publishing student poems. A "Meet the Contemporary Authors" section that includes fascinating messages from the contemporary poets. Teach your students to learn about poetry using the magic of poems themselves and lead the way to a rewarding love of poetry for teachers and students alike.

Lessons to Help Students Read, Analyze, and Create Poems They Will Remember

Text Structures From Poetry, Grades 4-12

Poetry. "'I think yes. I say no, ' Laura Van Prooyen declares in this book of assertions and questions where danger lives at every turn--a child threatened by disease, a love passing through uncertainty, all the what ifs and keep at it of our days on the planet. Like music, these meticulously paced poems play over and over unto dark trance their observation and grief, again and again the natural world furious and spare until all seems to stand still. 'Understand, the plot doesn't matter, ' this highly lyric poet insists because her staring stops time. 'I felt bad for looking, ' she tells us. 'Still, I looked.'"--Marianne Boruch

Laura Van Prooyen

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