Laurence Raw

Examines what adaptation and translation are, and moves towards theorizing both as coherent disciplines.

Translation, Adaptation and Transformation

James M. Welsh

Dennis Cutchins

This collection of essays focuses on numerous contexts to emphasize why film adaptations matter to students of literature. Written by specialists in a variety of fields, ranging from film, radio, theater, and even language studies, it is the first such volume devoted exclusively to teaching adaptations from a practical, teacher-centered angle.

The Pedagogy of Adaptation

This book looks at how performances of Shakespeare in the Second World War (and post-war years) not only commented on the strife happening outside the theatre, but drew audiences together in a shared sense of community as a way of resisting the enemy. This examination is through the lens of one particular theatre actor/manager, Donald Wolfit, whose productions were extremely popular at the time. Wolfit was the model for “Sir” in Ronald Harwood’s play The Dresser and is remembered fondly by British audiences.

Donald Wolfit’s Shakespearean Productions 1937-1953

Theatre of the People

Tony Gurr

In Adaptation Studies and Learning: New Frontiers, Laurence Raw and Tony Gurr seek to redefine the ways in which adaptation is taught and learned. Comprised of essays, reflections, and “learning conversations” about the ways in which this approach to adaptation might be implemented, this book focuses on issues of curriculum construction, the role of technology, and the importance of collaboration. By looking beyond the classroom, the authors consider how adaptation assumes equal importance in the world of the cinema as in the academy, demonstrating how adaptation studies involves real-world issues of prime importance—not only to film and theater professionals, but to all learners.

New Frontiers

Adaptation Studies and Learning

In recent years adaptation studies has established itself as a discipline in its own right, separate from translation studies. The bulk of its activity to date has been restricted to literature and film departments, focussing on questions of textual transfer and adaptation of text to film. It is however, much more interdisciplinary, and is not simply a case of transferring content from one medium to another. This collection furthers the research into exactly what the act of adaptation involves and whether it differs from other acts of textual rewriting. In addition, the 'cultural turn' in translation studies has prompted many scholars to consider adaptation as a form of inter-semiotic translation. But what does this mean, and how can we best theorize it? What are the semiotic systems that underlie translation and adaptation? Containing theoretical chapters and personal accounts of actual adaptions and translations, this is an original contribution to translation and adaptation studies which will appeal to researchers and graduate students.

Critics and audiences often judge films, books and other media as "great" --but what does that really mean? This collection of new essays examines the various criteria by which degrees of greatness (or not-so) are constructed--whether by personal, political or social standards--through topics in cinema, literature and adaptation. The contributors recognize how issues of value vary across different cultures, and explore what those differences say about attitudes and beliefs.

Essays on the Value and Values of Works Remade for a New Medium

Adapted from the Original

Defne Ersin Tutan

"This collection of essays looks at the question "What is history?" and how history is shaped in different socioeconomic contexts. The writers take a transdisciplinary approach, in the belief that everyone who deals with history constructs narratives of the past to make sense of the present as well as to determine their future courses of action"--

Essays on Ways of Telling the Past

The Adaptation of History

This collection of essays asks the question “What is history?” and considers how history is shaped in different socioeconomic contexts. The writers take a transdisciplinary approach, in the belief that everyone who deals with history—including professional historians, novelists, and poets—constructs narratives of the past to make sense of the present as well as to determine their future courses of action. With contributions from a variety of specialists in media studies, literature, history and anthropology, this book breaks new ground in adaptation studies.

This biographical dictionary presents a stellar lineup of talented, versatile character actors who regularly appeared in horror and science fiction films during Hollywood’s golden age. Many are well known by genre buffs and casual fans—they include Lionel Atwill, John Carradine, Dwight Frye, Rondo Hatton, Dick Miller, J. Carroll Naish, Maria Ouspenskaya, Glenn Strange, Edward Van Sloan, and George Zucco. Some are perhaps not so well known but equally at home in the horror and science fiction films—such as Anthony Carbone, Harry Cording, Rosemary La Planche, Dick Purcell, Elizabeth Russell and Mel Welles. The 96 entries are complete with a biography and in-depth analyses of the actor’s best performances—demonstrating how important these personalities were to the success of their genre films.

Character Actors in Horror and Science Fiction Films, 1930Ð1960

From his first feature film, The Duellists, to his international successes Alien, Blade Runner, Thelma and Louise, Black Hawk Down, Gladiator, and American Gangster, Ridley Scott has directed some of the most compelling films of the last 30 years. Apart from his work as a film director, Scott has engaged in a vast range of activities, including that as a designer, producer, film mogul, and advertising executive. The Ridley Scott Encyclopedia is the first book that focuses on all aspects of his work in a wide-ranging career that spans nearly 50 years. The entries in this encyclopedia focus on all aspects of his work and are divided into four categories. The first focuses on Ridley Scott's work as a director, encompassing his feature films from The Duellists to Body of Lies, as well as his work in television, including commercials. The second category focuses on the people who have been involved in Scott's projects, including actors, directors, producers, designers, writers and other creative personnel. The third focuses on general thematic issues raised in Scott's work, such as gender construction, political issues, and geographical locations. Finally the encyclopedia incorporates entries on films by other directors who have influenced Scott's approach to his work as a director or producer. Each entry is followed by a bibliography of published sources, both in print and online, making this the most comprehensive reference on Scott's body of work.

The Ridley Scott Encyclopedia

This groundbreaking series of essays offers new insights into Turkish cultures both past and present. Moving beyond the traditional binaries of east/west, Islam/secularism, and Europe/Asia, the book contains a variety of perspectives on contemporary Turkey, from actors, directors, critics and other major cultural figures. The book tries to situate these opinions in context by looking at how such perspectives are employed in different cultural spheres—education, theatre, politics and the like. Exploring Turkish Cultures contains the first major interviews published in English with prominent public figures, including actors Türkân Şoray, Genco Erkal and Nesrin Kazankaya. Other figures interviewed include film directors Derviş Zaim and documentary filmmakers Ben Hopkins, Pelin Esmer and Özgür Doğan. An extended interview with the author, translator and academic Talât Halman rounds off the interview section. Complementing these interviews are a series of essays on major Turkish films and theatrical productions, both past and present. Combining historical analysis, comment and evaluation from an author who has spent two decades living in Turkey, Exploring Turkish Cultures represents a major contribution to contemporary Turkish studies.

Essays, Interviews and Reviews

Exploring Turkish Cultures

Examining the vanguard of New Turkish Cinema, Laurence Raw shows how these films reveal the effects of profound socioeconomic change on ordinary people in contemporary Turkey. In analysis of and personal interviews with Dervis Zaim, Zeki Demirkubuz, Semih Kaplanoglu, Çagan Irmak, Tolga Örnek, and Palme d'Or winner Nuri Bilge Ceylan, Raw draws connections with Turkish theater, art, sculpture, literature, poetry, philosophy, and international cinema. A native of England and a twenty-five-year resident of Turkey, Raw interleaves his film discussion with thoughtful commentary on nationalism, gender, personal identity, and cultural pluralism.

Laurence Raw

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