Leslie Brown

Susan Strega

Intended as a senior undergraduate and graduate text, Research As Resistance brings together the theory and practice of critical, Indigenous, and anti-oppressive approaches to social science research. The book pursues some of the ontological and epistemological considerations involved in such research, including theorizing the self of the researcher, and offers exemplars across a range of methodologies, including institutional ethnography, narrative autobiography, storytelling, and participatory action research. This is a unique text in that it describes both theoretical foundations and practical applications, and because all of the featured researchers occupy marginalized locations. It is also firmly anchored in the Canadian context.

Critical, Indigenous and Anti-oppressive Approaches

Research as Resistance

The Mystery of the Flamingos

Revisiting Critical, Indigenous, and Anti-Oppressive Approaches

Research as Resistance, 2e

Jacqueline Castledine

Anne Valk

In the 1970s, feminist slogans proclaimed “Sisterhood is powerful,” and women’s historians searched through the historical archives to recover stories of solidarity and sisterhood. However, as feminist scholars have started taking a more intersectional approach—acknowledging that no woman is simply defined by her gender and that affiliations like race, class, and sexual identity are often equally powerful—women’s historians have begun to offer more varied and nuanced narratives. The ten original essays in U.S. Women's History represent a cross-section of current research in the field. Including work from both emerging and established scholars, this collection employs innovative approaches to study both the causes that have united American women and the conflicts that have divided them. Some essays uncover little-known aspects of women’s history, while others offer a fresh take on familiar events and figures, from Rosa Parks to Take Back the Night marches. Spanning the antebellum era to the present day, these essays vividly convey the long histories and ongoing relevance of topics ranging from women’s immigration to incarceration, from acts of cross-dressing to the activism of feminist mothers. This volume thus not only untangles the threads of the sisterhood mythos, it weaves them into a multi-textured and multi-hued tapestry that reflects the breadth and diversity of U.S. women’s history.

Untangling the Threads of Sisterhood

U.S. Women's History

Kate Heartfield

Holly Schofield

Lara Apps

Chris Patrick Carolan

Lorina Stephens

Kurt Kirchmeier

Susan MacGregor

Colleen Anderson

Katherine Cameron

Geoff Gander & Fiona Plunkett

Bev Geddes

Mary-Jean Harris

Geoffrey Hart

R. W. Hodgson

Jason Lane

Halli Lilburn

Cat McDonald

Tony Pi

Mike Rimar

Bianca Sayan

Michael Skeet

Erik Jon Spigel

Liz Westbrook-Trenholm

Michal Wojcik

There is nothing new in the world except the history we do not know. Alchemy and Artifacts (Tesseracts Twenty-Two) is a collection of twenty-three amazing stories based on historical artifacts combined with fantastic historical fiction. The stories meld culture, concept and incident into a rich collection of 'what if' speculations that provide warnings yet revel in the cultural celebrations we continue to observe today. They are the touchstones that resonate with all who listen to and learn from the past. For, once the instigators are dead, the wars ended, and the political machines decayed, only artifacts remain. And it's through these cultural artifacts that we glimpse the possibility of what may have occurred in the past and may yet occur in the future. You are invited to delve into the motivations behind the events of the past, the quests for power, the fights against repression, and the sacrifices to a greater cause -- human dramas that reflect the worst and best of who we are -- to see what satisfaction comes from sudden insight and awe. Featuring works by these Canadian writers: Colleen Anderson, Lara Apps, Leslie Brown, Katherine Cameron, Chris Patrick Carolan, Geoff Gander & Fiona Plunkett, Bev Geddes, Mary-Jean Harris, Geoffrey Hart, Kate Heartfield, R. W. Hodgson, Kurt Kirchmeier, Jason Lane, Halli Lilburn, Cat McDonald, Tony Pi, Mike Rimar, Bianca Sayan, Holly Schofield, Michael Skeet, Erik Jon Spigel, Liz Westbrook-Trenholm, Michal Wojcik The stories in Alchemy and Artifacts (Tesseracts Twenty-Two) nourish those who wander in today's wilderness, and who, without the benefit of the past, are destined to plunge blindly along a path of ignorance, destroying all that has been, everything that is true and beautiful and that which nourishes our global community.

Tesseracts Twenty-Two

Alchemy and Artifacts

Their Biology and Ecology

Birds of Prey

In the 1910s, both W. E. B. Du Bois and Booker T. Washington praised the black community in Durham, North Carolina, for its exceptional race progress. Migration, urbanization, and industrialization had turned black Durham from a post-Civil War liberation community into the "capital of the black middle class." African Americans owned and operated mills, factories, churches, schools, and an array of retail services, shops, community organizations, and race institutions. Using interviews, narratives, and family stories, Leslie Brown animates the history of this remarkable city from emancipation to the civil rights era, as freedpeople and their descendants struggled among themselves and with whites to give meaning to black freedom. Brown paints Durham in the Jim Crow era as a place of dynamic change where despite common aspirations, gender and class conflicts emerged. Placing African American women at the center of the story, Brown describes how black Durham's multiple constituencies experienced a range of social conditions. Shifting the historical perspective away from seeing solidarity as essential to effective struggle or viewing dissent as a measure of weakness, Brown demonstrates that friction among African Americans generated rather than depleted energy, sparking many activist initiatives on behalf of the black community.

Gender, Class, and Black Community Development in the Jim Crow South

Upbuilding Black Durham

Leslie Brown

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