Letizia Panizza

C. R. Ligota

The essays in this volume bring together, in a revised and updated form, papers presented at a colloquium held at the Warburg Institute in December 1995. As the title suggests, Lucian is considered both in his contemporary environment and in his Nachleben, and the overall purpose is to show the freshness and resilience of the presence in European culture of an author whose well-aimed satirical wit has, from his time to ours, led to defensive attempts at repression and expulsion from the cultural canon. As Kurt Tucholsky put it, nothing was sacred to Lucian, which makes him a 'friend, cousin, brother, comrade at arms'.

Lucian of Samosata Vivus Et Redivivus

Sharon Wood

Research Fellow Italian Department Royal Holloway Letizia Panizza

This volume offers a comprehensive account of writing by women in Italy.

A History of Women's Writing in Italy

"An impressive collection of 29 essays by British, American and Italian scholars on important historical, artistic, cultural, social, legal, literary and theatrical aspects of women's contributions to the Italian Renaissance, in its broadest sense. Many contributions are the result of first-hand archival research and are illustrated with numerous unpublished or little-known reproductions or original material. The subjects include: women and the court ( Dilwyn Knox, Evelyn S Welch, Francine Daenens and Diego Zancani ); women and the church ( Gabriella Zarri, Victoria Primhak, Kate Lowe, Francesca Medioli and Ruth Chavasse ); legal constraints and ethical precepts ( Marina Graziosi, Christine Meek, Brian Richardson, Jane Bridgeman and Daniela De Bellis ); female models of comportment ( Marta Ajmarm Paola Tinagli and Sara F Matthews Grieco ); women and the stage ( Richard Andrews, Maggie Guensbergberg, Rosemary E Bancroft-Marcus ); women and letters ( Diana Robin, Virginia Cox, Pamela J Benson, Judy Rawson, Conor Fahy, Giovanni Aquilecchia, Adriana Chemello, Giovanna Rabitti and Nadia Cannata Salamone )."

Letizia Panizza

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