Liam McIlvanney

Glasgow, 1969. In the grip of the worst winter for years, the city is brought to its knees by a killer whose name fills the streets with fear: The Quaker. He's taken his next victim -- the third woman from the same nightclub -- and dumped her in the street like rubbish. The police are left chasing a ghost, with no new leads and no hope of catching their prey. After six months, DI Duncan McCormack, a talented young detective from the Highlands, is ordered to join the investigation -- with a view to shutting it down for good. His arrival is met with anger from a group of officers on the brink of despair. Soon he learns just how difficult life can be for an outsider, for McCormack is an outcast in more ways than one. When another woman is found murdered in a tenement flat, it's clear the case is by no means over. From ruined backstreets to the dark heart of Glasgow, McCormack follows a trail of secrets that will change the city -- and his life -- forever . . . Brilliantly crafted with great depth and nuance, The Quaker is an electrifying thriller that expertly captures the gritty atmosphere of paranoia and hopelessness in a city on the verge of a great upheaval.

A Duncan McCormack Novel

The Quaker

El cuáquero

From the award-winning author comes a much-anticipated sequel to the Scottish Crime Book of the Year The Quaker...

The Heretic

From the award-winning author comes a much-anticipated sequel to the Scottish Crime Book of the Year The Quaker... Glasgow 1975 A deadly fire An arson attack on a Glasgow warehouse causes the deaths of a young mother and child. Police suspect it's the latest act in a brutal gang warfare that's tearing the city apart - one that DI Duncan McCormack has been tasked with stopping. A brutal murder Five years ago he was walking on water as the cop who tracked down a notorious serial killer. But he made powerful enemies and when a mutilated body is found in a Tradeston slum, McCormack is assigned a case that no one wants. The dead man is wearing a masonic ring, though, and Duncan realizes the victim is not the down-and-out his boss had first assumed. A catastrophic explosion As McCormack looks into both crimes, the investigations are disrupted by a shocking event. A bomb rips through a pub packed with people - and a cop is killed in the blast. The cases are stacking up and with one of his own unit now dead, McCormack is in the firing line. But he's starting to see a thread - one that connects all three attacks...

Quaker

A Washington Post Best Book of the Year: Based on true events, “a solidly crafted and satisfying detective story” set in 1960s Glasgow (The Guardian). It is 1969 and Glasgow is in the grip of the worst winter in decades. But it is something else that has Glaswegians on edge: a serial killer is at large. The brutality of The Quaker’s latest murder— a young woman snatched from a nightclub, her body dumped like trash in the back of a cold-water tenement—has the city trembling with fear, and the police investigation seems to be going nowhere. Duncan McCormick, a talented young detective from the Highlands, is brought into the investigation to identify where it’s gone wrong. An outsider with troubling secrets of his own, DI McCormack has few friends in his adopted city and a lot to prove. His arrival is met with anger and distrust by cops who are desperate to nail a suspect. When they identify a petty thief as the man seen leaving the building where the Quaker’s last victim was found, they decide they’ve found their killer. But McCormack isn’t convinced . . . From ruined backstreets to deserted public parks and down into the dark heart of Glasgow, McCormack follows a trail of secrets that will change the city—and his life—forever. “Intricately plotted . . . gorgeously written.” —Toronto Star “A terrific novel, dark, powerful . . . I finished it a while ago, but I’m still haunted.” —Ann Cleeves, bestselling author of Shetland

This study of poet Robert Burns's politics uncovers the intellectual context of the poet's political radicalism. Burns is revealed as a sophisticated political poet whose work draws on the democratic, contractarian ideology of Scottish Presbyterianism; the English and Irish Real Whig tradition; and the political theory of the Scottish Enlightenment. Casting new light on the poet's education and his early reading, this book provides detailed new readings of Burns's major poems and offers research on his links with Irish poets and radicals, providing a major reinterpretation of the man who is coming to be recognized as the poet laureate of the radical Enlightenment.

Poetry and Politics in Late Eighteenth-century Scotland

Burns the Radical

When Glasgow journalist Gerry Conway receives a phone call promising unsavoury information about Scottish Justice Minister Peter Lyons, his instinct is that this apparent scoop won't warrant space in The Tribune. But as Conway's curiosity grows and his leads proliferate, his investigation takes him from Scotland to Belfast. Shocked by the sectarian violence of the past, and by the prejudice and hatred he encounters even now, Conway soon grows obsessed with the story of Lyons and all he represents. And as he digs deeper, he comes to understand that there is indeed a story to be uncovered; and that there are people who will go to great lengths to ensure that it remains hidden. Compelling, vividly written and shocking, ALL THE COLOURS OF THE TOWN is not only the story of an individual and his community - it is also a complex and thrilling inquiry into loyalty, betrayal and duty.

All the Colours of the Town

Ray Ryan

There remains at work - in both Britain and America - a group of literary journalists and academics committed to the evaluative criticism of fiction, to a criticism that approaches novels as novels. The Good of the Novel is a collection of specially commissioned essays - edited by Ray Ryan and LIam McIlvanney - on the contemporary Anglophone novel. Bringing together some of the most strenuous and perceptive critics of the present moment and putting them in contact with some of the finest novels of the past three decades, it examines what the novel does and what kinds of truth the novel can tell. What is it that the novel knows? What is it about the language used in a novel that creates a world different from that of drama or poetry? And how does a particular novel emplify this? These questions can be answered by the careful examination of particular great works by strong evaluative critics. Robert Macfarlane on Hollinghurst's The Line of Beauty; Tessa Hadley examining Coetzee's Disgrace; and Ian Sansom on Roth's American Pastoral - just some of the essays that are to be found in this insightful, intelligent and illuminating book.

The Good of the Novel

Set in 1976, seven years after the murders recounted in Liam McIlvanney's breakout novel, The Quaker, this new Glasgow noir novel is a standalone mystery featuring serial character, Detective Duncan McCormack. McCormack has returned to Glasgow after a stint with the Metropolitan Police in London. The reason for his return is left a lurking mystery throughout. He is investigating a series of murders that seem at first to be the result of random bouts of violence among Glasgow's poor and destitute. McCormack, however, has insight into Glasgow's underground that many of his colleagues don't. He has a secret of his own that he guards carefully but that takes him places and introduces him to people that prove essential to his investigations. Mcilvanney's The Quaker was named the Scottish Crime Fiction Book of the Year and a Washington Post Best Book of the Year. The Guardian called it "a solidly crafted and satisfying detective story." McIlvanney is known for his well crafted plots, his deep characterization, and his stylish prose. The Heretic is no exception.

Gerard Carruthers

A unique introduction, guide and reference work for students and readers of Scottish literature from the pre-medieval period.

The Cambridge Companion to Scottish Literature

After three years in the wilderness, hardboiled reporter Gerry Conway is back at his desk at the Glasgow Tribune. But three years is a long time on newspapers and things have changed - readers are dwindling, budgets are tightening, and the Trib's once rigorous standards are slipping. Once the paper's star reporter, Conway now plays second fiddle to his former protg, crime reporter Martin Moir. But when Moir goes AWOL as a big story breaks, Conway is dispatched to cover a gangland shooting. And when Moir's body turns up in a flooded quarry, Conway is drawn deeper into the city's criminal underworld as he looks for the truth about his colleague's death. Braving the hostility of gangsters, ambitious politicians and his own newspaper bosses, Conway discovers he still has what it takes to break a big story. But this is a story not everyone wants to hear as the city prepares to host the Commonwealth Games and the country gears up for a make-or-break referendum on independence. In this, the second book in the Conway Trilogy, McIlvanney explores the murky interface of crime and politics in the New Scotland.

Liam McIlvanney

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