Alicia Craig Faxon

Liana Cheney

Kathleen Lucey Russo

The first survey of women's self-portraiture to be focused exclusively on painting, this book opens with an original attempt to reconstruct from contemporary accounts the work of artists of antiquity such as Marcia, Timarete and Eirene. The authors then select self-portraits by a range of European and American painters up to the present day to narrate the stylistic development of women's self-representation in those parts of the world. The story of the self-portrait offers fascinating insights which deepen our understanding of these artists' working lives, priorities and preoccupations. With its chronological sweep, its lavish illustrations, including many works which have not been reproduced in print before, and its extensive bibliography, this book is an indispensable guide to a fascinating subject.

Self-portraits by Women Painters

This book focuses on Sir Edward Burne-Jones' mythical paintings from 1868 to 1886. His artistic training and traveling experiences, his love for the Greek-sculptress, Maria Zambaco, and his aesthetic sensibility provided the background for these mythical paintings. This book analyzes two main concepts: Burne-Jones' assimilation of Neoplatonic ideal beauty as depicted in his solo and narrative paintings, and Burne-Jones' fusion of the classical and emblematic traditions in his imagery.

The Pygmalion of the Pre-Raphaelite Painters

Edward Burne-Jones' Mythical Paintings

Liana De Girolami Cheney

This book examines the artistic, cultural, and historical influence of Giorgio Vasari's teachers, mentors, and patrons on his sacred and profane paintings. As a Maniera artist, Vasari learns to admire and assimilate the art of the ancient masters. With the guidance of Dante's literary writings and Marsilio Ficino's Neoplatonic philosophy, Vasari reveals a moral and didactic vision in his art. Additionally, Vasari's artistic patronage is influenced by the political views of Niccolò Machiavelli. In the integration of both ancient art and myths with the didactic legacy of biblical figures and moral personifications, Vasari manifests his artistic theory and symbolism in his sacred and profane paintings.

Sacred & Profane Art

Giorgio Vasari's Teachers

This work explores research on the symbolism of vanitas as seen in the Danse of Death, the treatment of hair, the use of mirrors, and the depiction of skulls.

Liana Cheney

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