Liana Finck

Melancholy and funny, personal and surreal, Passing for Human is a neurological coming-of-age story in which Liana Finck goes in search of that thing she has lost – her shadow, that part of her that has always felt as though she is living in exile from the world. On a quest for self-understanding and self-acceptance, along the way, she seeks to answer some eternal questions: What makes us whole? What parts of ourselves do we hide or ignore or chase away – because they’re embarrassing, or inconvenient – and at what cost? Part magical odyssey, part feminist creation myth, Passing for Human is most of all an extraordinary, moving meditation on what it means to be an artist and a woman.

Passing for Human

This text assembles more than 500 of the author's most loved cartoons from Instagram and The New Yorker over the past few years, in such distinctive chapters as: Love & Dating; Gender & Other Politics; Animals; Art & Myth-Making; Humanity; Time, Space, and How to Navigate Them; Strangeness, Shyness, Sadness; and Notes to Self.

Cartoons, Complaints, and Notes to Self

Excuse Me

The Real Story of Creation

Let There Be Light

A bold retelling of the Book of Genesis, starring a female God, from the acclaimed New Yorker cartoonist and author of Passing for Human In this ambitious and transcendent graphic novel, Liana Finck turns her keen eye to none other than the Old Testament, reimagining the story of Genesis with God as a woman, Abraham as a resident of New York City, and Rebekah as a robot, among many other delightful twists. In Finck's retelling, the millennia-old stories of Adam and Eve, Abraham and Isaac, and Jacob and Esau haunt the pages like familiar but partially forgotten nursery rhymes―transmuted by time but still deeply resonant. With her trademark insightfulness, wry humor, and supple, moving visual style, Finck accentuates the latent sweetness and timeless wisdom of the original text, infusing it with wit and whimsy while retaining every ounce of its spiritual heft. Let There Be Light is proof that old stories can live forever, whether as ancient scripture or as a series of profound and enchanting cartoons. The Book of Genesis is about some of the most fundamental, eternally pertinent questions that we can ask: What does it mean to be human? What is the purpose of our lives? And how should we treat one another? The stories that attempt to answer these questions are an immediate link with the people who first told them. Unable to fathom the holiness and preciousness of that notion, or put it into words, Finck set out to depict it. The result is a true story of creation, rendered by one of our most innovative creators.

The Real Story of Her Creation

An evocative, elegiac love letter to New York City and the immigrant culture that continues to make it the most original and influential city in the world. As the nineteenth century gave way to the twentieth, a surge of Jewish immigrants to New York City reshaped indelibly not only the culture of the metropolis but of America itself. Struggling to assimilate to a new world while reconciling it to the old one they had left behind, these men and women shared their most private hopes and fears in a series of letters submitted to "A Bintel Brief"—Yiddish for "A Bundle of Letters"—the enormously popular, deeply affecting and often hilarious advice column of the newspaper The Forward. Conceived by Abraham Cahan, editor of The Forward, who answered every letter himself, A Bintel Brief transformed the fortunes of the paper, rapidly making it the most widely read Yiddish-language newspaper in the world. The letters that flooded into A Bintel Brief spoke with unparalleled immediacy to the daily heartbreaks and comedies of their bewildered writers' new lives, capturing the hope, isolation and confusion of assimilation, from intergenerational family politics and judgmental neighbors to crises of faith, unrequited love, runaway husbands, soul-crushing poverty and the difficulty of building an entirely new life from scratch. Drawn from these letters—selected and adapted by Liana Finck and brought to life in her singularly expressive illustrations that combine Art Spiegelman's deft emotionality and the magical spirit of Marc Chagall—A Bintel Brief is a wonderful panorama of a world and its people who, though long gone, are startlingly like ourselves. It is also a platonic love story of sorts between Abraham Cahan and Liana, as they engage in a bittersweet dialogue that explores the pleasures and perils of nostalgia, even as it affirms the necessary forward movement of life.

Love and Longing in Old New York

A Bintel Brief

A visually arresting graphic memoir about a young artist struggling against what’s expected of her as a woman, and learning to accept her true self, from an acclaimed New Yorker cartoonist. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Guardian • New York • Refinery29 • Kirkus Reviews In this achingly beautiful graphic memoir, Liana Finck goes in search of that thing she has lost—her shadow, she calls it, but one might also think of it as the “otherness” or “strangeness” that has defined her since birth, that part of her that has always made her feel as though she is living in exile from the world. In Passing for Human, Finck is on a quest for self-understanding and self-acceptance, and along the way she seeks to answer some eternal questions: What makes us whole? What parts of ourselves do we hide or ignore or chase away—because they’re embarrassing, or inconvenient, or just plain weird—and at what cost? Passing for Human is what Finck calls “a neurological coming-of-age story”—one in which, through her childhood, human connection proved elusive and her most enduring relationships were with plants and rocks and imaginary friends; in which her mother was an artist whose creative life had been stifled by an unhappy first marriage and a deeply sexist society that seemed expressly designed to snuff out creativity in women; in which her father was a doctor who struggled in secret with the guilt of having passed his own form of otherness on to his daughter; and in which, as an adult, Finck finally finds her shadow again—and, with it, her true self. Melancholy and funny, personal and surreal, Passing for Human is a profound exploration of identity by one of the most talented young comic artists working today. Part magical odyssey, part feminist creation myth, this memoir is, most of all, an extraordinary, moving meditation on what it means to be an artist and a woman grappling with the desire to pass for human. Praise for Passing for Human “In its ambition, framing, and multiple layers, [Passing for Human] raises the bar for graphic narrative. Even fans of [Liana Finck’s] work in the New Yorker will be blindsided by this outstanding book.”—Kirkus Reviews (starred review) “A sure hit for readers of graphic memoirs, this explores feeling different while recognizing sameness in others and making art while embracing being a work-in progress oneself.”—Annie Bostrom, Booklist “This story is as tender as it is wry. . . . Becoming human is a lifelong task—but Finck illustrates it with humor and panache.”—Publishers Weekly

A Graphic Memoir

a graphic memoir

Passing for human

John Murphy

John C. Murphy

In Revelations & the Stupid Creatures, John Murphy pairs his distinctive Stupid Creatures with the Book of Revelation, one of the Bible's most descriptive and interpreted sections. A multi-headed dragon; beasts that resemble a lion, calf, man and an eagle; seven angels and more get commissioned treatments from Murphy. At the same time, illustrator Liana Finck complements the creatures with her expressive take on this epic tale. Together, the two artists have created an illustrated Book of Revelation as vivid as William Blake's. Revelations & the Stupid Creatures is the first in what will be an ongoing series of artists, working in all mediums, responding to the Book of Revelation.

Liana Finck

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