Lincoln Kirstein

"More than any other artist, Walker Evans invented the images of an essential America that we have long accepted as fact, American Photographs, first published by The Museum of Modern Art in 1938, is the purest and most complete expression of his cool, unblinking vision. the eighty-seven photographs reproduced on its pages are as relevant and essential as ever, with Lincoln Kirstein's essay as their eloquent foil. American Photographs has been a key touch-stone for photographers and those who seek to understand the lyric potential of the medium, but it has often been out of print. This Seventy-Fifth-Anniversary Edition, with sumptuous duotone plates complementing the elegant restraint of the original typography and design, makes Evans's landmark book available again. For the first time, digital technologies aid in emulating the precise cropping and finely tuned balance of the 1938 reproductions, capturing as never before the look and feel of the first edition."--cover jacket.

Seventy-Fifth Anniversary Edition

Walker Evans: American Photographs

The evocative reminiscences of one of America's great men of modern American culture focuses on Kirstein's youth and early struggle for identity, from his childhood in Boston to his world travels, culminating in his 1933 attempts to bring Balanchine to the U.S.

Memoirs

Mosaic

The head of the New York City Ballet, poet, and novelist presents a collection of essays on dance, painting, photography, theater, politics, and literature, discussing Balanchine, Hemingway, Hart Crane, James Cagney, and others

A Lincoln Kirstein Reader

By with to and from

An Album on the Saint-Gaudens Memorial in Rock Creek Cemetery Commissioned by Henry Adams in Honor of His Wife, Marian Hooper Adams

Memorial to a Marriage

Muriel Stuart

Basic Technique and Terminology

The Classic Ballet

Walker Evans

The use of the visual arts to show us our own moral and economic situation has today fallen almost completely into the hands of the photographer. It is for him to fix and to reveal the whole aspect of our society: to record for use in the future our disasters and our claims to divinity. Walker Evans, photographing in New England or Louisiana, watching a Cuban political funeral or a Mississippi flood, working cautiously so as to disturb nothing in the normal atmosphere of the average place, can be considered a kind of disembodied, burrowing eye, a conspirator against time and its hammers. His photographs are the records of contemporary civilization in eastern American.~In the reproductions presented here, two large divisions have been made. The photographs are arranged to be seen in their given sequence. In the first part, which might be labeled "People by Photography," we have an aspect of America for which it would be difficult to claim too much. The physiognomy of a nation is laid on your table. In the second part are pictures which refer to the continuous fact of an indigenous American expression, whatever its source, whatever form it has taken, whether in sculpture, paint, or architecture: that native accent we find again in Kentucky mountain and cowboy ballads and in contemporary swing-music. --from the jacket of the 1938 edition~More than any other artist, Walker Evans invented the image of essential America that we have long since accepted as fact. His work, presented in stark and prototypical form in American Photographs, has made its impact not only on photography but also on modern literature, film, and the traditional visual arts. First published in 1938 by The Museum of Modern Art, American Photographs has often been out of print. This edition uses duotone plates made for the 1988 edition from original prints, and makes Evans' landmark book available again. The design and typography have been recreated as precisely as possible.

American Photographs

Traces the development of dance's basic components, choreography, gesture, music, costume, and scenery, and discusses the backgrounds of the most important ballets

Fifty Masterworks

Four Centuries of Ballet

Arnold Lionel Haskell

Stewart Deas

Carnaval, Le Spectre de la Rose and Les Sylphides

A Short History of Classic Theatrical Dancing

The Book of the Dance

An album of eighty-seven of Evans' pictures of houses, factories, people, and city streets offers an unadorned look at American society between 1929 and 1937

Lincoln Kirstein

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