Linda Gregerson

A long-awaited yet startlingly urgent new collection from "a contemporary master*"--a fierce, big-hearted eye on our last, tumultuous decade, and our fragile environment *Los Angeles Review of Books

Poems

Canopy

A collection of new andselected poetry, herfirst retrospective collection, fromNational Book Award finalist andKingsley Tufts Award winning poet Linda Gregerson"

New and Selected Poems, 1976 to 2014

Prodigal

Susan Juster

Religion and empire were inseparable forces in the early modern Atlantic world. Religious passions and conflicts drove much of the expansionist energy of post-Reformation Europe, providing both a rationale and a practical mode of organizing the dispersal and resettlement of hundreds of thousands of people from the Old World to the New World. Exhortations to conquer new peoples were the lingua franca of Western imperialism, and men like the mystically inclined Christopher Columbus were genuinely inspired to risk their lives and their fortunes to bring the gospel to the Americas. And in the thousands of religious refugees seeking asylum from the vicious wars of religion that tore the continent apart in the sixteenth and seventeenth centuries, these visionary explorers found a ready pool of migrants—English Puritans and Quakers, French Huguenots, German Moravians, Scots-Irish Presbyterians—equally willing to risk life and limb for a chance to worship God in their own way. Focusing on the formative period of European exploration, settlement, and conquest in the Americas, from roughly 1500 to 1760, Empires of God brings together historians and literary scholars of the English, French, and Spanish Americas around a common set of questions: How did religious communities and beliefs create empires, and how did imperial structures transform New World religions? How did Europeans and Native Americans make sense of each other's spiritual systems, and what acts of linguistic and cultural transition did this entail? What was the role of violence in New World religious encounters? Together, the essays collected here demonstrate the power of religious ideas and narratives to create kingdoms both imagined and real.

Religious Encounters in the Early Modern Atlantic

Empires of God

Jackson Eli Reynolds Professor of Humanities Stephen Orgel

The Reformation of the Subject is a study of the cultural contradictions that gave birth to the English Protestant epic. In lucid and theoretically sophisticated language, Linda Gregerson examines the fraught ideological, political and gender conflicts that are woven into the texture of The Faerie Queene and Paradise Lost. She reminds us that Reformation iconoclasts viewed verbal images with the same aversion as visual images, because they too were capable of waylaying the human imagination. Through a series of detailed readings, Gregerson examines the different strategies adopted by Spenser and Milton as they sought to distinguish their poems from idols yet preserve the shaping power that iconoclasts have long attributed to icons. Tracing the transformation of the epic poem into an instrument for the reformation of the political subject, Gregerson thus provides an illuminating contribution to our understanding of the ways in which subjectivities are historically produced.

Spenser, Milton, and the English Protestant Epic

The Reformation of the Subject

A new compilation of poetry by an award-winning poet and author of Waterborne reassesses the interconnections among history, science, and art, in a collection that deals with such diverse topics as the Nazi occupation of Poland, the Nobel Prize in physiology, a child's cleft palate, and an exhibit of modern art.

Linda Gregerson

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