Virginia Woolf

Linden Peach

"Virginia Woolf's extraordinary last novel, Between the Acts, was published in July 1941. In the weeks before she died in March that year, Woolf wrote that she planned to continue revising the book and that it was not ready for publication. Her husband prepared the work for publication after her death, and his revisions have become part of the text now widely read by students and scholars. Unlike most previous editions, the Cambridge edition returns to the final version of the novel as Woolf left it, examining the stages of composition and publication. Using the final typescript as a guide, this edition fully collates all variants and thus accounts for all the editorial decisions made by Leonard Woolf for the first published edition. With detailed explanatory notes, a chronology and an informative critical introduction, this volume will allow scholars to develop a fuller understanding of Woolf's last work"--

Between the Acts

The Years

Toni Morrison is widely recognized for reclaiming the occluded narratives of African-American history and the Africanist presence in American national identity. This revised edition (previously published in the Macmillan Modern Novelists Series) highlights the extent to which her work invokes, often subversively, familiar African-American and Euro-American verbal narratives and is engaged by the histories that are obscured or distorted in them. Reviewing Morrison's career from The Bluest Eye to Paradise, this study suggests that as her work has become more specifically concerned with particular episodes or events in black history, it has also become more involved in the complexities of historiography. This edition also has increased emphasis on the critical debates that Morrison's fiction has generated and the different theoretical approaches that may be taken to her work.

Toni Morrison

The essays in this volume represent the range of different approaches which critics have taken to Toni Morrison's work.

Historical Perspectives and Literary Contexts

The novels of Toni Morrison, the first African-American writer to win the Nobel Prize for Literature, are powerful not just because of their content - her themes include infanticide, rape, child abuse, murder and sexual jealousy - but because of their innovative form and language.

This revised new edition reviews Carter's novels in the light of recent critical developments and offers entirely new perspectives on her work. There is now extended discussion of Carter's most widely-studied novels, including The Passion of New Eve and Nights at the Circus, and discussion of the long essay The Sadeian Woman. This revised new edition reviews Carter's novels in the light of recent critical developments and offers entirely new perspectives on her work. There is now extended discussion of Carter's most widely-studied novels, including The Passion of New Eve and Nights at the Circus, and discussion of the long essay The Sadeian Woman.

Angela Carter

Gender, Desire and Power (University of Wales Press - Writing Wales in English)

Contemporary Irish and Welsh Women's Fiction

This pioneering study introduces readers to key themes from animal studies, as a frame within which it examines the representation of animals and animality in the work of a range of authors. In this new approach to animal studies, the concept of a relational universe that has emerged in recent natural and physical science is argued as being central. With fresh readings of Welsh literary and non-literary publications, including the Welsh press and Welsh-language manuals, the book explores relationships among animals and between humans and animals, to approach subjects such as intelligence, sensibility and knowledge from an animal perspective. The possibility of redrawing and reclaiming a history of rural and industrial Wales is suggested according to an animal history and agenda. This innovative contribution to Welsh and animal studies illuminates fascinating and controversial subjects, including animal domestication, captivity, communication, biopsychology, human exceptionalism, zoos and farming.

Animals, Animality and Controversy in Modern Welsh Literature and Culture

This novel of speculative historical fiction tells the tale of the last victim of one of Britain's most infamous serial killers, Jack the Ripper. Mary Kelly's story unfolds through a third person narrative and an alternating contemporary narrative of a young woman vet in rural Wales who discovers she is a descendant of Mary Jane Kelly.

A Game of Shadows

Mary Jane

This second edition reviews Carter's novels in the light of recent critical developments and offers entirely new perspectives on her work. There are now extended single chapters on Carter's most widely-studied novels, including The Passion of New Eve and Nights at the Circus, and discussion of the long essay "The Sadeian Woman."

Presents a comparative study of fiction by late twentieth and twenty-first century women writers from Ireland, Northern Ireland and Wales. This work is of interest to students interested in women’s studies, gender studies, and cultural studies as well as Welsh, Irish and Celtic studies.

Gender, Desire and Power

This ground-breaking study argues that literature and criminology share a common concern to understand modernity and that this project is often focused upon gender-specific criminality. Central to this concern is duplicity masquerade and performance. These subjects are explored for the first time in relation to criminality with reference to a range of literary and popular texts, from Dickens and Poe through to Toni Morrison and Easton Ellis, in which the traditional boundaries between different genders and sexualities are made more fluid and complex than in traditional criminal narratives.

Criminal Deceptions

Masquerade, Crime and Fiction

Reviewing Morrison's career over nearly thirty years, from The Bluest Eye to Paradise, this updated study suggests that as her work has become more concerned with particular episodes or events in black history, it has also become more involved with the complexities of historiography and with the historical perspectives underpinning a wider range of verbal narratives."--BOOK JACKET.

Dean of Arts and Humanities Linden Peach

This title is a comparative story of fiction by the late 20th and 21st century women writers from Ireland, Northern Ireland and Wales.

David Margolies

Marxism and Culture : Papers from the International Conference at Goldsmiths' College

Christopher Caudwell

This revised new edition reviews Carter's novels in the light of recent critical developments and offers entirely new perspectives on her work. There is now extended discussion of Carter's most widely-studied novels, including The Passion of New Eve and Nights at the Circus, and discussion of the long essay The Sadeian Woman.

This book introduces the contribution of modern Welsh literature to our understanding of peace and pacifism – an important and much overlooked subject in Welsh studies. Taking a literary-historical approach to the subject, it reveals how modern Welsh writing opens up history in ways in which historical discourse alone sometimes fails to do. It argues that the concepts of peace, peacefulness and pacifism have played a broader and more complex role in Welsh life than has been recognised, primarily through an influential Welsh-language pacifist intelligentsia. The author reminds us that Welsh pacifism is distinguished from English pacifism by the Welsh language itself, its links with Welsh nationalism and by the fact that it faced challenges and pressures never encountered by English pacifism. Authors discussed in this study include Tony Curtis, George M. Ll. Davies, Pennar Davies, John Eilian, Emyr Humphreys, Glyn Jones, D. Gwenallt Jones, T. Gwynn Jones, T. E. Nicholas, Iorwerth C. Peate, Angharad Price, Ned Thomas, Lily Tobas and Waldo Williams.

Pacifism, Peace and Modern Welsh Writing

This essential guide offers innovative critical readings of key contemporary novels from Ireland and Northern Ireland. Linden Peach discusses texts that are representative of the richness of Irish writing during the 1980s and 1990s, and reads works by established authors alongside those by the new generation of writers. The novels examined include works by John Banville, Jennifer Johnston, Roddy Doyle, Emma Donoghue, Seamus Deane, William Trevor, Dermot Bolger, Joseph O'Connor, Patrick McCabe, Mary Morrissy, Glenn Patterson and Robert McLiam Wilson. The Contemporary Irish Novel addresses themes such as ghosts and haunting, mimicry, obedience and subversion, the relocation and reinscription of identity, the mother figure, parent-child relations, madness, masculinity, self-harm, sexuality, domestic violence, fetishism and postmodernity. Drawing on a range of critical approaches including postcolonial, gender and psychoanalytic theory, Peach explores and celebrates the diversity of Irish fiction and suggests that the boundary between literature and theory is as permeable as that between Ireland and Northern Ireland.

Linden Peach

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