Lindsey Fitzharris

"Warning: She spares no detail!" —Erik Larson, bestselling author of Dead Wake A Top 10 Science Book of Fall 2017, Publishers Weekly "Fascinating and shocking." —Kirkus Reviews (starred review) The gripping story of how Joseph Lister’s antiseptic method changed medicine forever In The Butchering Art, the historian Lindsey Fitzharris reveals the shocking world of nineteenth-century surgery on the eve of profound transformation. She conjures up early operating theaters—no place for the squeamish—and surgeons, working before anesthesia, who were lauded for their speed and brute strength. These medical pioneers knew that the aftermath of surgery was often more dangerous than their patients’ afflictions, and they were baffled by the persistent infections that kept mortality rates stubbornly high. At a time when surgery couldn’t have been more hazardous, an unlikely figure stepped forward: a young, melancholy Quaker surgeon named Joseph Lister, who would solve the deadly riddle and change the course of history. Fitzharris dramatically recounts Lister’s discoveries in gripping detail, culminating in his audacious claim that germs were the source of all infection—and could be countered by antiseptics. Focusing on the tumultuous period from 1850 to 1875, she introduces us to Lister and his contemporaries—some of them brilliant, some outright criminal—and takes us through the grimy medical schools and dreary hospitals where they learned their art, the deadhouses where they studied anatomy, and the graveyards they occasionally ransacked for cadavers. Eerie and illuminating, The Butchering Art celebrates the triumph of a visionary surgeon whose quest to unite science and medicine delivered us into the modern world.

Joseph Lister's Quest to Transform the Grisly World of Victorian Medicine

The Butchering Art

A Visionary Surgeon's Battle to Mend the Disfigured Soldiers of World War I

The Facemaker

Lindsey Fitzharris, the award-winning author of The Butchering Art, presents the compelling, true story of a visionary surgeon who rebuilt the faces of the First World War’s injured heroes, and in the process ushered in the modern era of plastic surgery. From the moment that the first machine gun rang out over the Western Front, one thing was clear: mankind’s military technology had wildly surpassed its medical capabilities. Shells and mortar bombs flung men around the battlefield like rag dolls. Ammunition containing magnesium fuses ignited when lodged in flesh. Bodies were battered, gouged, hacked, and gassed. The war claimed millions of lives and left millions more wounded and disfigured. In the midst of this brutality, however, there were also those who strove to alleviate the human suffering. The Facemaker tells the extraordinary story of one such individual: the pioneering plastic surgeon Harold Gillies, who dedicated himself to restoring the burned and broken faces of the injured soldiers under his care. Gillies, a Cambridge-educated New Zealander, became interested in the nascent field of plastic surgery after encountering the human wreckage on the front. Returning to Britain, he established one of the world’s first hospitals dedicated entirely to facial reconstruction. There, Gillies assembled a unique group of practitioners whose task was to restore what had been torn apart, to recreate what had been destroyed. At a time when losing a limb made a soldier a hero, but losing a face made him a monster to a society that was largely intolerant of facial differences, Gillies restored not just the faces of the wounded but also their spirits. The Facemaker places Gillies’s ingenious surgical innovations alongside the dramatic stories of soldiers whose lives were wrecked and repaired. It also relates the work of the many doctors, nurses, artists, and orderlies who staffed Gillies’s hospital and boldly attempted to balance their obligations to the army, their patients, and science. The result is a vividly absorbing account of how medicine can be an art, and of what courage and imagination can accomplish in the presence of relentless horror.

Joseph Listers Kampf gegen Kurpfuscher, Quacksalber und Knochenklempner

Der Horror der frühen Medizin

Impresionante e iluminador, De matasanos a cirujanos celebra el triunfo de Joseph Lister, un personaje visionario cuyo propósito de unir ciencia y medicina nos catapultó al mundo moderno. Premio PEN / E. O. Wilson de literatura científica 2018 Tras la pista de un héroe perdido de la ciencia, este libro nos desvela el truculento mundo de la cirugía victoriana conjurando el ambiente de las primeras salas de operaciones y sus admirados «matasanos»: hombres sin miramiento elogiados por su habilidad y fuerza bruta al operar, antes de la invención de la anestesia. En vísperas de una profunda transformación de la medicina, estos pioneros, conscientes de que las secuelas de la cirugía eran más peligrosas que las dolencias mismas, estaban desconcertados por las recurrentes infecciones que se producían tras las intervenciones y que mantenían las tasas de mortalidad obstinadamente altas. Pero, en un momento en que la cirugía no podría haber sido más peligrosa, una figura emergió inesperadamente de las sombras: un joven médico, un cuáquero de talante melancólico llamado Joseph Lister, que resolvería el mortal enigma de la causa de las infecciones y cambiaría el curso de la historia de la medicina. A lo largo de estas páginas, Fitzharris nos retrata el siniestro período comprendido entre 1850 y 1875, presentándonos a un elenco de personajes -algunos de ellos brillantes, otros directamente criminales- que frecuentaron las sucias escuelas de medicina y lúgubres hospitales donde aprendieron su oficio, las macabras morgues donde estudiaron anatomía, y los cementerios ocasionalmente saqueados en búsqueda de cadáveres que diseccionar. Reseñas: «Su biografía de Lister restituye a este olvidado paladín de la observación científica y lo vuelve a situar en el centro de la historia de la medicina [...] Un logro extraordinario.» The Wall Street Journal «Con ojo para los detalles históricos y talento para la prosa, Lindsey Fitzharris nos cuenta uno de los momentos más estelares de la historia de la medicina: el desarrollo de la asepsia quirúrgica. De matasanos a cirujanos es un libro espectacular, horriblemente delicioso y adictivo.» Ed Yong, autor de Yo contengo multitudes «Impactante y estremecedor.» Kirkus Review

Joseph Lister y la revolución que transformó el truculento mundo de la medicina victoriana

De matasanos a cirujanos

Konsten att skära i kroppar

Facemaker

Grausig sind die Anfänge der Medizin: Leichenraub, blutige Operationen wie Kirmesspektakel, Arsen, Quecksilber, Kokain als verschriebene Heilmittel. Mitte des 19. Jahrhunderts ist das Unwissen der Ärzte sagenhaft, wie sie praktizieren, ein einziger Albtraum. Bis ein junger Student aus London mit seinen Entdeckungen alles verändert ... Lindsey Fitzharris erzählt vom Leben dieses Mannes und vom Horror, den ein einfacher Arztbesuch damals bedeutete – schaurig, unterhaltsam, erhellend. Als Joseph Lister 1844 sein Studium in London beginnt, ist die medizinische Versorgung der Bevölkerung desaströs: Die Krankenhäuser sind überfüllt und verseucht. Um aufgenommen zu werden, müssen Patienten genug Geld für die eigene Beerdigung mitbringen. In den Operationssälen arbeiten Chirurgen in Straßenklamotten vor schaulustigem Publikum. Warum fast alle Patienten sterben, wie sich Krankheiten ausbreiten, darüber herrscht nicht im Geringsten Einigkeit, nur hanebüchene Theorien. Joseph Lister wird Chirurg, er will ganz praktisch helfen. Und von Neugier und hellem Verstand geleitet, entwickelt er eine Methode, die das Sterben vielleicht beenden kann ...

From the moment the first machine gun rang out over the Western Front, one thing was clear: mankind's military technology had wildly surpassed its medical capabilities. The war caused carnage on an industrial scale, and the nature of trench warfare meant that thousands sustained facial injuries. In The Facemaker, award-winning historian Lindsey Fitzharris tells the true story of the pioneering plastic surgeon Harold Gillies, who dedicated himself to restoring the faces of a brutalized generation. Gillies, a Cambridge-educated New Zealander, established one of the world's first hospitals dedicated entirely to facial reconstruction. At a time when losing a limb made a soldier a hero but losing a face made him a monster to a society largely intolerant of facial differences, Gillies restored not just faces, but identities and spirits. The Facemaker places Gillies's ingenious surgical innovations alongside the dramatic stories of soldiers whose lives were wrecked and repaired. The result is a vivid account of how medicine and art can merge, and of what courage and imagination can accomplish in the presence of relentless horror.

Rzeznicy i lekarze

Joseph Lister's Quest to Transform the Brutal World of Victorian Medicine

Butchering Art

Het bijzondere verhaal van de grondlegger van de plastische chirurgie in de Eerste Wereldoorlog 'Een vlot leesbare mix van persoonlijke verhalen en ontwikkelingen in de geneeskunde.' ●●●● NRC In Het gezicht van de Eerste Wereldoorlog vertelt historicus Lindsey Fitzharris het buitengewone verhaal van de baanbrekende chirurg Harold Gillies, die in de Eerste Wereldoorlog de verwonde gezichten van soldaten behandelde en daarmee de eerste stappen richting de moderne plastische chirurgie zette. De uitvinding van het machinegeweer veroorzaakte grootschalige bloedbaden waarbij duizenden soldaten gezichtsletsel opliepen. In een tijd waarin iemand met een verminkt gezicht als monster werd gezien, gaf Gillies mensen niet alleen hun gezicht terug, maar ook hun identiteit. Fitzharris wisselt Gillies' chirurgische innovaties af met de aangrijpende verhalen van soldaten. Het resultaat is een fascinerende geschiedenis van een meedogenloze oorlog waarin de verschrikkingen van de Eerste Wereldoorlog en de kunst van de geneeskunde centraal staan. Over Het gezicht van de Eerste Wereldoorlog: 'Fitzharris combineert kennis van zaken met een soepele schrijfstijl. Ze beperkt zich niet tot de wederwaardigheden in het ziekenhuis zelf, maar laat ook zien hoe lang en pijnlijk de weg daarnaartoe vaak was.' Trouw 'Meeslepend. Tragisch. Hartverscheurend. [...] Lindsey Fitzharris’ boek is een schot in de roos.' Erik Larson 'Een buitengewoon verhaal over een bijzondere man wiens werk, doorzettingsvermogen en vaardigheid ontelbare levens heeft gered.' Peter Frankopan Dr. Lindsey Fitzharris is medisch historicus en auteur. Ze is de oprichter van de website The Chirurgeon’s Apprentice, en maker van de YouTube-serie Under the Knife. Daarnaast schrijft ze voor onder andere The Guardian, New Scientist en The Wall Street Journal. Eerder verscheen van haar het prijswinnende boek De kunst van het snijden.

De strijd van een plastisch chirurg en zijn soldaten

Het gezicht van de Eerste Wereldoorlog

Winner, 2018 PEN/E.O. Wilson Prize for Literary Science Writing Short-listed for the 2018 Wellcome Book Prize A Top 10 Science Book of Fall 2017, Publishers Weekly A Best History Book of 2017, The Guardian "Warning: She spares no detail!" —Erik Larson, bestselling author of Dead Wake In The Butchering Art, the historian Lindsey Fitzharris reveals the shocking world of nineteenth-century surgery and shows how it was transformed by advances made in germ theory and antiseptics between 1860 and 1875. She conjures up early operating theaters—no place for the squeamish—and surgeons, who, working before anesthesia, were lauded for their speed and brute strength. These pioneers knew that the aftermath of surgery was often more dangerous than patients’ afflictions, and they were baffled by the persistent infections that kept mortality rates stubbornly high. At a time when surgery couldn’t have been more hazardous, an unlikely figure stepped forward: a young, melancholy Quaker surgeon named Joseph Lister, who would solve the riddle and change the course of history. Fitzharris dramatically reconstructs Lister’s career path to his audacious claim that germs were the source of all infection and could be countered by a sterilizing agent applied to wounds. She introduces us to Lister’s contemporaries—some of them brilliant, some outright criminal—and leads us through the grimy schools and squalid hospitals where they learned their art, the dead houses where they studied, and the cemeteries they ransacked for cadavers. Eerie and illuminating, The Butchering Art celebrates the triumph of a visionary surgeon whose quest to unite science and medicine delivered us into the modern world.

Teatri anatomici stipati di studenti e curiosi, il tavolo operatorio incrostato del sangue di interventi passati, il lezzo inconfondibile di carne putrefatta: nel XIX secolo assistere a un’operazione chirurgica non era cosa per deboli di stomaco. L’arte del macello rievoca un periodo della storia della medicina in cui anche una ferita lieve poteva portare a una morte orribile. I chirurghi, elogiati per la forza bruta e la velocità di esecuzione, raramente si lavavano le mani, il camice o ripulivano gli strumenti. Ancor più delle patologie dei pazienti, a essere mortali erano le infezioni postoperatorie, che i medici non sapevano sconfiggere. In un tempo in cui la chirurgia non avrebbe potuto essere più pericolosa, un giovane chirurgo quacchero di nome Joseph Lister osò sfidare i contemporanei affermando che i germi erano la causa di ogni infezione e che potevano essere trattati con un antisettico. E così facendo cambiò per sempre la storia della medicina, portandoci dritti nel mondo moderno.

Lindsey Fitzharris

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