Kim Wilkins

Lisa Fletcher

Beth Driscoll

Works of genre fiction are a source of enjoyment, read during cherished leisure time and in incidental moments of relaxation. This original book takes readers inside three popular genres of fiction, including crime, fantasy, and romance, to reveal how personal tastes, social connections, and industry knowledge shape genre worlds. Attuned to both the pleasure and the profession of producing genre fiction, the authors investigate contemporary developments in the field?the rise of Amazon, self-publishing platforms, transmedia storytelling, and growing global publishing conglomerates?and show how these interact with older practices, from fan conventions to writers? groups. Sitting at the intersection of literary studies, genre studies, fan studies, and studies of the book and publishing cultures, Genre Worlds considers how contemporary genre fiction is produced and circulated on a global scale. Its authors propose an innovative theoretical framework that unfolds genre fiction?s most compelling characteristics: its connected social, industrial, and textual practices. As they demonstrate, genre fiction books are not merely texts; they are also nodes of social and industrial activity involving the production, dissemination, and reception of the texts.

Popular Fiction and Twenty-First-Century Book Culture

Genre Worlds

Do You Just Have The Blues... Or Something More? Feeling down is entirely reasonable in the present quick paced society. Individuals are more stressed than any time in recent memory, but the first step is understanding what you are going through Today only, get this Amazon bestseller for a special price.Read on your PC, Mac, smart phone, tablet or Kindle device.Depression can be a continuous withdrawal from your self-motivated life. What differentiates every so often feeling down for a couple of days from depression is the seriousness of the side effects recorded above, and to what extent you've had the manifestations. Regularly, for most depressive disorders, you need felt some of those manifestations for longer than two weeks. They likewise need to cause you a considerable lot of distress in your life and meddle with your capacity to bear on your ordinary day by day schedule. Depression is an extreme disorder and one that can often go undetected in a few people's lives since it can crawl up on you. Depression doesn't have to strike at the same time; it can be a continuous and almost unnoticeable withdrawal from your dynamic life and satisfaction in living. Or then again it can be caused by an unmistakable occasion, for example, the separation of a long haul relationship, a divorce, family issues, and so forth. Finding and understanding the reasons for depression isn't so essential as getting proper and compelling treatment for it. Here Is A Preview Of What You'll Learn... Anxiety And Depression The Numbers High-Risk Groups Depression Factors Diagnosis Of Depression How To Get Help And basically everything you need to know to start improving today. Download your copy today!Take action today and download this book now at a special price!

How to Overcome Intrusive Thoughts with Simple Practices

Anxiety and Depression

Ralph Crane

Shortlisted for the Tratman Award 2015 To enter caves is to venture beyond the realm of the everyday. From huge vaulted caverns to impassable, water-filled passages; from the karst topography of Guilin in China to the lava tubes of Hawaii; from tiny remote pilgrimage sites to massive tourism enterprises, caves are places of mystery. Dark spaces that remain largely unexplored, caves are astonishing wonders of nature and habitats for exotic flora and fauna. This book investigates the natural and cultural history of caves and considers the roles caves have played in the human imagination and experience of the natural world. It explores the long history of the human fascination with caves, across countries and continents, examining their dual role as spaces of both wonder and fear. It tells the tales of the adventurers who pioneered the science of caves and those of the explorers and cave-divers still searching for new, unmapped routes deep into the earth. This book explores the lure of the subterranean world by examining caving and cave tourism and by looking to the mythology, literature, and art of caves. This lavishly illustrated book will appeal to general readers and experts alike interested in the ecology and use of caves, or the extraordinary artistic responses earth’s dark recesses have evoked over the centuries.

Nature and Culture

Cave

Lisa Fletcher moves the debate about the value and appeal of heterosexual romance onto new ground, testing the claims of speech-act and performativity theorists on everything from popular classics by Georgette Heyer, to 'bodice rippers,' to historical fiction by John Fowles and A. S. Byatt. Nominating 'I love you' as the romance novel's defining speech act, Fletcher offers a lively mix of theoretical arguments and suggestive close readings.

Heterosexuality and Perfomativity

Historical Romance Fiction

This volume moves the debate about literature and geography in a new direction by showing the significance of spatial settings in the enormous and complex field of popular fiction. Approaching popular genres as complicated systems of meaning, the collected essays model key theoretical and critical approaches for interrogating the meaning of space and place across diverse genres, including crime, thrillers, fantasy, science fiction, and romance. Including topics such as classic English ghost stories, blockbuster Antarctic thrillers, prize-winning Montreal crime fiction, J. R. R. Tolkien’s Middle-earth, and China Miéville’s Bas-Lag, among others, this book brings together analyses of the real-and-imagined settings of some of the most widely read authors and texts of the twentieth and twenty-first centuries to show how they have an immeasurable impact on our spatial awareness and imagination.

Reading Genre Settings

Popular Fiction and Spatiality

The first book-length study of romance novels to focus on issues of sexuality rather than gender, Historical Romance Fiction moves the ongoing debate about the value and appeal of heterosexual romance onto new ground, testing the claims of cutting-edge critical theorists on everything from popular classics by Georgette Heyer, to recent 'bodice rippers,' to historical fiction by John Fowles and A.S. Byatt. Beginning with her nomination of 'I love you' as the romance novel's defining speech act, Lisa Fletcher engages closely with speech-act theory and recent studies of performativity. The range of texts serves to illustrate Fletcher's definition of historical romance as a fictional mode dependent on the force and familiarity of the speech act, 'I love you', and permits Fletcher to provide a detailed account of the genre's history and development in both its popular and 'literary' manifestations. Written from a feminist and anti-homophobic perspective, Fletcher's subtle arguments about the romantic speech act serve to demonstrate the genre's dependence on repetition ('Romance can only quote') and the shaky ground on which the romance's heterosexual premise rests. Her exploration of the subgenre of cross-dressing novels is especially revealing in this regard. With its deft mix of theoretical arguments and suggestive close readings, Fletcher's book will appeal to specialists in genre, speech act and performativity theory, and gender studies.

Lisa Fletcher

About

Books

Join the club