Lisa Kröger

Melanie R. Anderson

Satisfy your craving for extraordinary authors and exceptional fiction: Meet the women writers who defied convention to craft some of literature's strangest tales, from Frankenstein to The Haunting of Hill House and beyond. Frankenstein was just the beginning: horror stories and other weird fiction wouldn't exist without the women who created it. From Gothic ghost stories to psychological horror to science fiction, women have been primary architects of speculative literature of all sorts. And their own life stories are as intriguing as their fiction. Everyone knows about Mary Shelley, creator of Frankenstein, who was rumored to keep her late husband's heart in her desk drawer. But have you heard of Margaret "Mad Madge" Cavendish, who wrote a science-fiction epic 150 years earlier (and liked to wear topless gowns to the theater)? If you know the astounding work of Shirley Jackson, whose novel The Haunting of Hill House was reinvented as a Netflix series, then try the psychological hauntings of Violet Paget, who was openly involved in long-term romantic relationships with women in the Victorian era. You'll meet celebrated icons (Ann Radcliffe, V. C. Andrews), forgotten wordsmiths (Eli Coltor, Ruby Jean Jensen), and today's vanguard (Helen Oyeyemi). Curated reading lists point you to their most spine-chilling tales. Part biography, part reader's guide, the engaging write-ups and detailed reading lists will introduce you to more than a hundred authors and over two hundred of their mysterious and spooky novels, novellas, and stories.

The Women Who Pioneered Horror and Speculative Fiction

Monster, She Wrote

​​A celebration of magical women and nonbinary people in American history, from Salem to WitchTok. Meet the mystical women and nonbinary people from US history who found strength through the supernatural—and those who are still forging the way today. From the celebrity spirit mediums of the nineteenth century to contemporary activist witches hexing the patriarchy, these icons have long used magic and mysticism to seize the power they’re so often denied. Organized around different approaches women in particular have taken to the occult over the decades—using the supernatural for political gain, seeking fame and fortune as spiritual practitioners, embracing their witchy identities, and more—this book shines a light on underappreciated magical pioneers, including: ✦ Dion Fortune, who tried to marshal a magical army against Adolf Hitler ✦ Bri Luna, the Hoodwitch, social media star and serious magical practitioner ✦ Joan Quigley, personal psychic to Nancy Reagan ✦ Marie Laveau, voodoo queen of New Orleans ✦ Elvira, queer goth sex symbol who defied the Satanic Panic ✦ And many more!

A Women's History of the Occult

Toil and Trouble

Melanie Anderson

The Ghostly and the Ghosted in Literature and Film: Spectral Identities reads a variety of texts, from the Gothic novels of late eighteenth-century England to modern Asian horror films, arguing that, as different as these stories are, the theme beneath the hauntings is the same. The essays in this collection all develop the concept of social ghosting and explore what it means to be ghostly while alive, marginalized at the edges of community and society.

Spectral Identities

The Ghostly and the Ghosted in Literature and Film

The popularity of such widely known works as "The Lottery" and The Haunting of Hill House has tended to obscure the extent of Shirley Jackson's literary output, which includes six novels, a prodigious number of short stories, and two volumes of domestic sketches. Organized around the themes of influence and intertextuality, this collection places Jackson firmly within the literary cohort of the 1950s. The contributors investigate the work that informed her own fiction and discuss how Jackson inspired writers of literature and film. The collection begins with essays that tease out what Jackson's writing owes to the weird tale, detective fiction, the supernatural tradition, and folklore, among other influences. The focus then shifts to Jackson's place in American literature and the impact of her work on women's writing, campus literature, and the graphic novelist Alison Bechdel. The final two essays examine adaptations of The Haunting of Hill House and Jackson's influence on contemporary American horror cinema. Taken together, the essays offer convincing evidence that half a century following her death, readers and writers alike are still finding value in Jackson’s words.

Lisa Kröger

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