Lisa Robertson

The debut novel by acclaimed poet Lisa Robertson, in which a poet realizes she's written the works of Baudelaire.

The Baudelaire Fractal

A twenty-five-frames-per-second look at the kinetic, cinematic self by a master poet.

Cinema of the Present

A collection of essays about reading and thinking.

Prose Essays on Noise, Pornography, the Codex, Melancholy, Lucretius, Folds, Cities and Related Aporias

Nilling

What if there is no 'space,' only a permanent, slow-motion mystic takeover, an implausibly careening awning? Nothing is utopian. Everything wants to be. Soft Architects face the reaching middle. If architecture is the language of concrete and steel, then Soft Architecture needs a vocabulary of n¼éesh, air, fabric and colour. It's about civic surface and natural history. It's about social space, clothing, urban geography, visual art and the intersection of all these. This delectable book collects the rococo prose of Lisa Robertson, the ambulatory Office for Soft Architecture. There are essays - many originally published as catalogue texts by art galleries - on the syntax of the suburban home, Vancouver fountains, Value Village, the joy of synthetics, scaffolding and the persistence of the Himalayan blackberry. There are also seven Walks, tours of Vancouver sites - poetic dioramas, really, and more material than cement could ever be. Soft Architecture exists at the crossroads of poetry, theory, urban geography and cultural criticism, some place where the quotidian and the metaphysical marry and invert. And it makes for one of the most intriguing books you'll ever read. Occasional Work and Seven Walks from the Office for Soft Architecture was originally published by Clear Cut Press in 2004. This revised edition features an introduction by Petra Blaisse and new material. 'We say, on almost every page and with utmost reverence, Holy shit. ... Ever since, we have wanted to think like Robertson, write like her, maybe even be her.' - Village Voice

Occasional Work and Seven Walks from the Office for Soft Architecture

Lisa Robertsons poems both court and cuckold subjectivity by unmasking its fundament of sex and hesitancy, the coil of doubt in its certitude. Reading her laments and utopias, we realize that, in any she and a shes assumption of thinking, language whiplike casts ahead of itself a fortuitous form. The form brims here pleasurably with dogs, movie stars, broths, paintings detritus, Latin, and pillage. We recognize our grand, saddened century. Editor Elisa Sampedrn says, 'Every time I found a poem of hers, she saved me writing one. She gave volume to my intervals. I kept looking. I radiated. I made requests. I found other Lisa Robertsons and rejected them: she is not a flight attendant, not a cheerleader or home shopping host. She is chagrins first companion, error. When I find her in person, Ill engage her in fisticuffs.'

Lisa Robertson's Magenta Soul Whip

Beth Clark

Jessica Robertson

Korie Robertson

Kay Robertson

Missy Robertson

The female members of the Duck Dynasty cast outline their behind-the-scenes roles in the Robertson family while discussing the core values that make their relationships work, explaining how their spiritual beliefs shape family dynamics and have helped them work through various challenges. TV tie-in.

Surprising Insights from the Women Behind the Beards About What Makes This Family Work

The Women of Duck Commander

"One of Canada's best poets ... Robertson's language is sparkling and sharp, and builds momentum through its rhythmic motion motion to produce a dense and difficult, but enjoyable and readable book ... The Weather rewrites the pastoral with confidence and cunning." -- Prairie Fire "Hip, cerebral, streamlined, and dense, The Weather is about many things, including the poles of ecstasy and intellectualism..." -- The Stranger "Lisa Robertson knows where she is headed, but this is not the only reason that she is a trustworthy writer. Her work results from a reading practice in which words continue to disturb the poet, who is always just beginning to accept that there is more justice in literature than outside it." -- n+1 [A] stunning and severely rich repatterning of the mind's generally uncharted terrain. -- Publishers Weekly A revelation... -- Artforum Light and air, greenery and earth take on unaccustomed qualities in the poet's deft hand in this long poem from Lisa Robertson. Seven sections - "Sunday" to "Saturday," alternating prose and verse, repattern quotidian conversations and atmospheres: "bright and fresh," "brisk and west," "streaky and massed," January to December. A constellation of radical women is invoked to pass, elegiac, among clouds: Violette Leduc, Patty Hearst, Mary Wollstonecraft, Olympe de Gouges, Shulamith Firestone, Ti-grace Atkinson. This is exhilarating poetry, wild and trouble, that seamlessly integrated lived experience with the play in mind. It is sure to entrance. The Weather won the 2002 Relit Award for Poetry.

The Weather

Anemones

From the author of The Baudelaire Fractal, a poetry classic, with new work In 2004, boldly original poet Lisa Robertson published a chapbook, Rousseau’s Boat, poems culled from years of notebooks that are, nevertheless, by no means autobiographical. In 2010, she expanded the work into a full-length book, R’s Boat. During the pandemic, she was drawn back into decades of journals to shape Boat. These poems bring fresh vehemence to Robertson’s ongoing examination of the changing shape of feminism, the male-dominated philosophical tradition, the daily forms of discourse, and the possibilities of language itself. “Robertson has quietly but surely emerged as one of our most exciting and prolific philosophers—I mean poets. Interested in architecture, weather systems, fashion, autobiography, gender, the classics, and just about everything else, she manages to irradiate her subjects with calm, wit, and astonishing beauty. Robertson’s style is both on splendid display and under fierce interrogation in her latest book, R’s Boat.” —Kenyon Review “In R’s Boat, Robertson has penned a post-conceptual, post-lyric, relentlessly self-examining performance of memory and sincerity that manages, remarkably, to be both theoretically concerned and deeply emotive.” —Harvard Review “R's Boat grapples with form, the constraint of language and tradition, and the challenge to avoid anything that might exist as template. The poems examine feminism, discourse, the body, and poetry itself through sumptuous, seductive language.” —American Poets

Boat

Inspired by Flaubert s Three Tales and Stein s Three Lives, a grappling with time, form, and embodiment."

3 Summers

Al Robertson

Two stars of the (3z(BDuck Dynasty(3y(B television program recall how infidelity, deceit, distrust, and shame nearly drove the Christian-values-promoting couple to divorce, and how they saved their marriage through commitment and hard work.

A Robertson Family Love Story of Brokenness and Redemption

A New Season

From the author of The Baudelaire Fractal, a poetry classic, with new work In 2004, boldly original poet Lisa Robertson published a chapbook, Rousseau's Boat, poems culled from years of notebooks that are, nevertheless, by no means autobiographical. In 2010, she expanded the work into a full-length book, R's Boat. During the pandemic, she was drawn back into decades of journals to shape Boat. These poems bring fresh vehemence to Robertson's ongoing examination of the changing shape of feminism, the male-dominated philosophical tradition, the daily forms of discourse, and the possibilities of language itself. "Robertson has quietly but surely emerged as one of our most exciting and prolific philosophers--I mean poets. Interested in architecture, weather systems, fashion, autobiography, gender, the classics, and just about everything else, she manages to irradiate her subjects with calm, wit, and astonishing beauty. Robertson's style is both on splendid display and under fierce interrogation in her latest book, R's Boat." --Kenyon Review "In R's Boat, Robertson has penned a post-conceptual, post-lyric, relentlessly self-examining performance of memory and sincerity that manages, remarkably, to be both theoretically concerned and deeply emotive." --Harvard Review "R's Boat grapples with form, the constraint of language and tradition, and the challenge to avoid anything that might exist as template. The poems examine feminism, discourse, the body, and poetry itself through sumptuous, seductive language." --American Poets

R's Boat

Poetry. Lisa Robertson's latest book of poetry is a work that will be both familiar and fresh to anyone who has read her acclaimed work. THE MEN explores a territory between the poet and a lyric lineage among men. Following a tradition that includes Petrarch's Sonnets, Dante's work on the vernacular, Montaigne, and even Kant, Robertson is compelled towards the construction of the textual subjectivity these authors convey-a subjectivity that honors all the ambivalence, doubt and tenderness of the human. Yet she remains angered by the structure of gender these works advance, and it is this troubled texture of identity that she examines in THE MEN. At once intimate and oblique, humorous and heartbreaking, composed and furious, THE MEN seeks to defamiliarize both who, and what, men are. "In THE MEN, as in much of her work, Robertson makes intellect seductive; only her poetry could turn swooning into a critical gesture"--Village Voice. "Robertson writes both from within and against the tradition-splitting, seeding, and suturing the cracks in each ideational edifice.... Her occupations with past forms lead not to a backward-looking poetry but forward to a fresh field of inquiry, an imaginatively created utopia"--Boston Review.

A Lyric Book

The Men

I want an ingenious fibre to be treated as funny tragedy expressing a classic argument against materialism which runs like this: which changes of costume are bound to be dangerous? The Apothecary is an extinct fern called a sentence unfurling in the mists. It is also Lisa Robertson's first book. Originally published in a small edition by Tsunami Editions in Vancouver in 1991, it quietly disappeared until it was re-released in 2001 on a need-to-know-basis. BookThug is now pleased to make this text available in a more permanent and pleasing edition. The Apothecary stems from the author's desire to remake the sentence Ð to let it be capacious, preposterous, convivial, and hang it from a pronoun worn like a phantom limb. Robertson wants that ghostly pronoun to reinvent itself afresh in each sentence. Looking towards the eighteenth century, sometimes through a lens occasionally borrowed from contemporary sources, the text of The Apothecary is precise, intoxicating materia medica dispensed by one of Canada's most important contemporary posts at the beginning of her career with the use of florid instruments.

The Apothecary

Poetry. One of the more remarkable books of poetry to appear in a long time, Lisa Robertson's DEBBIE: AN EPIC was a finalist for the 1998 Governor General's Award for Poetry. As arresting as the cover image, Robertson's strong, confident voice echoes a wide range of influences from Virgil to Edith Sitwell, yet remains unique and utterly unmistakable for that of any other writer. Brainy, witty, sensual, demonstrating a commanding grasp of language and rhetoric, DEBBIE: AN EPIC is nevertheless inviting and easy to read, even fun. Its eponymous heroine will annihilate your preconceptions about poetry - and about the name "Debbie

An Epic

Debbie

Kelly Wood

First issued by Tsunami Editions in 1993, XEclogue is an exploration of the pleasures of the pastoral poetry from a late-twentieth-century feminist perspective. Robertson, the Governor General's Award finalist, plays in a neo-classical landscape with equal doses of iconoclasm and erudition. This new and revised edition is sure to win new devotees for her rich and exuberant work. XEclogue was a Poetry in Transit selection for 2000/01.

XEclogue

Office for Soft Architecture (Association)

"This book is a lyrical document of a decade or so of recent transformations in the city of Vancouver, B.C. Public fountains, pleasure-grounds, bridges, gardens, office towers, suburbs, shrubs, restaurants, and motion are among its subjects. The book also serves as a practical guide for the navigation and appreciation of contemporary cities. Poet and essayist Lisa Robertson maintains the Office for Soft Architecture to construct propositions and reports for the advancement of natural history of civic surface"--Book jacket front flap.

Matthew Stadler

Sabrina Chou

Michel Rebosura

Vivian Sky Rehberg

Eveline Suter

On Micha Zweifel's humorous sculptural representations of the everyday Swiss-born and Rotterdam-based artist Micha Zweifel (born 1987) makes sculptures and installations portraying everyday motifs: a sleeping dog with a fly on its nose, a parked car or the view of a hedge from up close. This publication gathers his playful work.

Lisa Robertson

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