Lisa Rogak

Lisa Shaw

In today's multicultural world there are so many more names to choose from and this selection includes names from Europe, America, Africa and Asia. Find out what they mean, the variations and diminutives and discover their historical significance. Entertaining side lines give information on the changing popularity of names, the names of the famous and the infamous and look at the cultural traditons behind naming a child.

Baby Names

Tim Bergfelder

João Luiz Vieira

Despite the recent explosion of scholarly interest in “star studies,” Brazilian film has received comparatively little attention. As this volume demonstrates, however, the richness of Brazilian stardom extends well beyond the ubiquitous Carmen Miranda. Among the studies assembled here are fascinating explorations of figures such as Eliane Lage (the star attraction of São Paulo’s Vera Cruz studios), cult horror movie auteur Coffin Joe, and Lázaro Ramos, the most visible Afro-Brazilian actor today. At the same time, contributors interrogate the inner workings of the star system in Brazil, from the pioneering efforts of silent-era actresses to the recent advent of the non-professional movie star.

Stars and Stardom in Brazilian Cinema

Stephanie Dennison

A survey of contemporary Latin American popular culture, covering topics that range from music and film to popular festivals and fashion. * Chronology of major developments in the cultural life of post-1945 Latin America * A bibliography of the literature and electronic resources on the major forms of popular culture in each country or region

Media, Arts, and Lifestyle

Pop Culture Latin America!

This is the first book-length study of Carmen Miranda in English. It traces her origins as a radio singer, recording artist and film star in Brazil in the 1930s, before exploring in depth her Hollywood screen roles and the construction of her long-lasting star persona in the USA.

Carmen Miranda

Brazilian cinema is one of the most influential national cinemas in Latin America and this wide-ranging study traces the evolution of Brazilian film from the silent era to the present day, including detailed studies of more recent international box-office hits, such as Central Station (1998) and City of God (2002). Brazilian National Cinema gives due importance to traditionally overlooked aspects of Brazilian cinema, such as popular genres, ranging from musical comedies (the chanchada) to soft-core porn films (the pornochanchada) and horror films, and also provides a fresh approach to the internationally acclaimed avant-garde Cinema Novo of the 1960s. Lisa Shaw and Stephanie Dennison apply recent theories on stardom, particularly relating to issues of ethnicity, race and gender, to both well-known Brazilian performers, such as Carmen Miranda and Sonia Braga, and lesser known domestic icons, such as the Afro-Brazilian comic actor, Grande Otelo (Big Othello), and the uberblonde children’s TV and film star, and media mogul, Xuxa. This timely addition to the National Cinemas series provides a comprehensive overview of the relationship between Brazilian cinema and issues of national and cultural identity.

Brazilian National Cinema

Stillman Rogers

Barbara Radcliffe Rogers

Experience the little-known treasures of the Green Mountain State, from the sugar-on-snow festival and Cow Appreciation Day to historic covered bridges.

A Guide to Unique Places

Vermont

Make the virtual office a reality How many hours of your day are spent commuting? Do you ever wish you could go to work without having to go through the aggravation of actually getting there? Would you like to devote more time to your family? If so, telecommuting could be for you. Drawing on the stories of real people who are active telecommuters, Lisa Shaw provides potent advice and inspiration on this innovative--and increasingly popular--approach to the workplace. Here's invaluable information on: * Determining if telecommuting is an option for your career * Negotiating with your boss * Setting up your home office * Balancing your work and home life * Keeping your career on track--even when you're physically out of sight.

Go To Work Without Leaving Home

Telecommute!

Andrea Norville

Eamon or Andy? Kai or Katherine? Choosing the right name for your baby isn't easy. Cool, contemporary names may seem great to you initially, but what if they sound strange or obscure when your child gets older? There are thousands of names to consider, but only one that's just right for your baby. With this unique and practical book, you can cut through the myriad possibilities in no time. Divided into three sections: tried-and-true classics; slightly daring choices; and names that will have kids living on the edge, Baby Names Your Child Can Live With will help you decide if you're more comfortable playing it safe or you're ready to walk on the wild side.

Thousands Of Names To Help You Make The Perfect Choice

Baby Names Your Child Can Live With

Julia Hallam

Presenting research findings from recent studies, including pilot projects led by the authors in the UK and Brazil, this book provides an accessible, timely, practically relevant and jargon-free overview of how music and films are currently used in nursing homes, dementia wards and day care centres for the older population.

Tools for Wellbeing in Later Life

Movies, Music and Memory

First published in 1999, this volume examines the impact of political, social and cultural developments on the nation’s most popular musical form, samba, in the context of the period 1930-45, one of huge social change in Brazil, with the introduction of industrialization under the authoritarian regime of Getúlio Vargas. She looks at the context in which the songs were written, the life styles and social positions of the composers (sambistas), and their relationship to political and commercial structures. By studying samba lyrics we can obtain a clear picture of samba lyrics we can obtain a clear picture of samba’s shifting status as it was transformed from the music of working-class blacks and was appropriated by mainstream middle-class culture. The final chapters of the book focus on the lyrics of three influential sambistas: Ataúlfo Alves, Noel Rosa and Ari Barroso, and look at the manner in which their songs both comply with and flout tradition and authority.

The Social History of the Brazilian Samba

Brazilian popular culture, including music, dance, theater, and film, played a key role in transnational performance circuits—inter-American and transatlantic—from the latter nineteenth century to the middle of the twentieth century. Brazilian performers both drew inspiration from and provided models for cultural production in France, Portugal, Argentina, the United States, and elsewhere. These transnational exchanges also helped construct new ideas about, and representations of, "racial" identity in Brazil. Tropical Travels fruitfully examines how perceptions of "race" were negotiated within popular performance in Rio de Janeiro and how these issues engaged with wider transnational trends during the period. Lisa Shaw analyzes how local cultural forms were shaped by contact with imported performance traditions and transnational vogues in Brazil, as well as by the movement of Brazilian performers overseas. She focuses specifically on samba and the maxixe in Paris between 1910 and 1922, teatro de revista (the Brazilian equivalent of vaudeville) in Rio in the long 1920s, and a popular Brazilian female archetype, the baiana, who moved to and fro across national borders and oceans. Shaw demonstrates that these transnational encounters generated redefinitions of Brazilian identity through the performance of "race" and ethnicity in popular culture. Shifting the traditional focus of Atlantic studies from the northern to the southern hemisphere, Tropical Travels also contributes to a fuller understanding of inter-hemispheric cultural influences within the Americas.

Brazilian Popular Performance, Transnational Encounters, and the Construction of Race

Tropical Travels

Renewed interest in Latin American film industries has opened a host of paths of scholarly exploration. Productions from different countries reflect particular social attitudes, political climates and self-conceptions, and must be considered separately and as a whole. The search for national identity is a key component of Latin American films in a time of decreasing cultural diversity and pressures to westernize. Globalization and falling government support have fueled cross-border collaborations, calling into question the idea of a movie's "nationality," and leaving some nations' film industries on the brink of collapse. Whether thriving or barely surviving, struggling to remain distinct or embracing globalization on its own terms, addressing the government or society, Latin American cinema remains vibrant, offering a wealth of material to scholars of all stripes. These collected essays explore important elements of Latin American cinema and its associated national film industries. The first section of essays examines the impact of modernization on both Latin American screen images and the industry itself, offering modern and historical perspectives. The second section focuses on filmmakers who deal with issues of gender and sexuality, whether sexual transgression, the role of female characters, or societal attitudes towards sex and nudity. The final section of essays discusses the relationship between national identity and Latin American film industries: how movies are used to create a sense of self; Uruguay's ongoing identity crisis; and Brazil's use of Hollywood's stereotypical depiction of the country to depict itself. Photographs and an annotated bibliography accompany each essay, and an index supplements the text.

Essays on Modernity, Gender and National Identity

Latin American Cinema

Brazil has one of the most significant and productive film industries in Latin America. This ground-breaking study provides an entertaining insight into the Brazilian films that have most captured the imagination of domestic audiences over the years.The recent international success of films such as Central Station and City of God, has stimulated widespread interest in Brazilian film, but studies written in English focus on the 'auteur' cinema of the 1960s. This book focuses on individual films in their socio-historical context, drawing on extensive fieldwork in Brazil and Latin America. It argues that Brazilian cinema has almost always been grounded in intrinsically home-grown cultural forms, dating back to the nineteenth century, such as the Brazilian music-hall, the travelling circus, radio shows, carnival, and, later, comedy television.Combining a chronological structure with groundbreaking research and a lively approach, Popular cinema in Brazil is the ideal introduction to Brazilian cinema.

Popular cinema in Brazil, 1930–2001

The recent international success of films such as Central Station and City of God has stimulated widespread interest in Brazilian film. This study provides insight into the Brazilian films that have most captured the imagination of domestic audiences over the years. This book focuses on individual films in their socio-historical context, drawing on extensive fieldwork in Brazil and Latin America. It argues that Brazilian cinema has almost always been grounded in intrinsically home-grown cultural forms dating back to the nineteenth century, including the Brazilian music hall, the traveling circus, radio shows, carnival, and, later, comedy television. Combining a chronological structure with new research and a lively approach, Popular cinema in Brazil is the ideal introduction to Brazilian cinema.

Lisa Shaw

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