Lou Charnon-Deutsch

Georgina Sabàt de Rivers

Introducción: Lou Charnon-Deutsch. Pensamiento poético y filosofía: María Zambrano, el espacio de la Reconciliación, Amparo Amorós. Thin Lines, Bedeviled Words: Monastic and Inquisitional Texts by Colonial Mexican Women, Electa Arenal, Stacey Schlau. Las mujeres dramaturgas en España: En busca de la identidad, Ursula Aszyk. María de Gevara, Isabel Barbeito Carneiro. Desire In Rosalía de Castro ́s El caballero de la botas azules, Lou Charnon-Deustsh. Chains of Desire: Luisa de Carvajal y Mendoza ́s Poetics of Penance, Anne J. Cruz. Los márgenes anticanónicos de la autobiografía de la pobreza en Hasta no verte Jesús mío de Elena Poniatowska, Lucia Guerra Cunningham. Los auditorios de Isabel de Jesús, Sonia Herpoel. History, Feminist Ideology, and Political Discourse in Arráncame la vida, María Herrera-Sobek. Paulina Luisi: Pensamiento y escritura feminista, Asunción Lavrin. Sor Juana ́s Amor es más laberinto as Mythological Speculum, Frederick Luciani. La poesía de María de San José [Salazar], María Pilar Manero Sorolla. The Novels of Patricia Bins, María Luisa Nunes. Julia Maura: Lark in a Hostile Garden, Patricia W. O ́Connor. Female Voices in the Poetry of Sor Juana Inés de la Cruz, Rosa Perelmuter. Tortura y auto-conocimiento en dos novelas argentinas: La última conquista de El Ángel de Elvira Orphée y Conversación al sur de Marta Traba, Evelyn Picon Garfield. Juana Rodríguez, una autora mística olvidada [Burgos, siglo XVII], Isabel Poutrin. La presencia de Sor Juana en la obra de Rosario Castellanos, Nina M. Scott. Bibliografía de Eva Canel [1857-1932], María Del Carmen Simón Palmer. De una presencia femenina en la vanguardia: El hostigante verano de los dioses de Fanny Buitrago, Daniel Torres. The Social Construction of Sexual Identity in Cherríe Moraga ́s Giving Up the Ghost, Lourdes Torres. La comedia de doña Ana Caro Mallén de Soto, Rina Walthaus.

Estudios sobre escritoras hispánicas en honor de Georgina Sabat-Rivers

Applying recent European and Anglo-American feminist scholarship to the problems of gender representation, Charnon-Deutsch challenges the prevailing idea that the 19th-century Spanish novel is woman centered. The author's examination of novels by Valera, Pereda, Alas, and Galdos demonstrates that these works are instead a complex exploration of male identity. Decoding the gender ideology of women's roles, discourse, and representations, Charnon-Deutsch uncovers in the novels multiple configurations of androcentricity as well as voyeuristic tendencies, which she interprets as a means of mastering what is threatening to the male psyche.

Women in Spanish realist fiction

Gender and Representation

Ana I. Simón-Alegre

This original collection of essays explores the work and life choices of Spanish women who through their writings and social activism addressed social justice, religious dogmatism, the educational system, gender inequality, and tensions in female subjectivity. It brings together writers who are not commonly associated with each other, but whose voices overlap, allowing us to foreground their unconventionality, their relationships to each other, and their relation to modernity. The objective of this volume is to explore how the idea of "queerness" played an important role in the personal lives and social activism of these writers, as well as in the unconventional and nonconformist characters they created in their work. Together, the essays demonstrate that the concept of "queer women" is useful for investigating the evolution of women’s writing and sexual identity during the period of Spain’s fitful transition to modernity in the 19th century. The concept of queerness in its many meanings points to the idea of non-normativity and gender dissidence that encompasses how women intellectuals experienced friendship, religion, sex, sexuality, and gender. The works examined include autobiography, poetry, memoir, salon chronicles, short and long fiction, pedagogical essays, newspaper articles, theater, and letters. In addition to exploring the significant presence of queer women in Nineteenth and Twentieth Century Spanish literature and culture, the essays examine the reasons why the voices of Spanish women authors have been culturally silenced. One thrust in this collection explores generational transitions of Spanish writers from the romantics and their "hermandad lírica" ("lyrical sisterhood") through to "las Sinsombrero" ("Women Without Hats"), and finally, current Spanish writers linked to the LGBTQ+ community.

Activism, Sexuality, and the Otherness of the 'Chicas Raras'

Queer Women in Modern Spanish Literature

Women in Spanish Realist Fiction

Textual Strategies of a Genre in Transition

The Nineteenth-century Spanish Story

Antonio de Trueba

Fernán Caballero

Pedro Antonio De Alarcon

"This book presents three versions of the Godfather/Death motif in English translations as well as the original Spanish. A desperate man makes a pact with Death in order to alleviate pain or sorrow or poverty. Death then makes him a doctor and endows him with the ability to predict life or death, and thus he feathers his nest and his fortune turns. In the end, however, Death demands its pound of flesh, and the day of reckoning arrives." "The three authors of these Death-and-the-Doctor tales are three of nineteenth-century Spain's most well-known short-story writers. Fernan Caballero [Cecilia Bohl de Faber] (1796-1877) first published "Juan Holgado y la muerte [Juan Holgado and Death]" in 1850. It stands out for its humor, relating Fernan Caballero's hapless paterfamilias attempt to escape his numerous children in order to feast on a rabbit, only to have Death, in the shape of an old woman, snatch it from his hands." "Antonio de Trueba (1819-89) first published "Tragaldabas [Glutton]" in 1867. The main characteristic of Trueba's piece is its satire and scathing portrayal, as well as condemnation, of the medical profession." ""Death's Friend" is much more ambitious than Fernan Caballero's and Trueba's tales, and in length approaches a short novel. It is essentially a love story: Gil Gil and Elena, ill-starred lovers, are reunited through divine intervention as both Elena and Death petition God on Gil Gil's behalf." "Taken together, these three Death-and-the-Doctor tales fill a void in the Godfather/Death motif of Western European literature and highlight the universality of Spain's folk tradition."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Three Nineteenth-century Spanish Tales

Death and the Doctor

Lou Charnon-Deutsch

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