Louis Daniel Brodsky

Holocaust poems

The swastika clock

As the initial volume of an impressive series comprising the full collection of verse by Louis Daniel Brodsky, this book begins with Brodsky's first poem, written during his final months at Yale, in 1963, and traces the author's maturation into his apprentice years (when he was a young graduate student in English, at Washington University, in St. Louis), presenting the hundreds of poems, prose poems, and short, autobiographical prose works he had composed by June of 1967, when he launched his professional writing career. These pieces serve not only as a measure of Brodsky's evolution as a poet but as a human being, chronicling one man's struggle to find his purpose in life, to make a place for himself in a society often at odds with his own convictions. His hopes, fears, and frustrations permeate the work, revealing the intense inner conflicts he felt compelled to set to paper, from individual matters -- his indecision over vocational goals, his candid experiences with love and rejection, the overwhelming isolation inherent in his academic pursuits -- to more global concerns, especially his acute awareness of the increasing social and political turbulence surrounding him. By grappling with these issues in his writing, he explored passionate emotions, released tension, and, at times, resolved doubts evoked through his introspection. But more important, he used this outpouring to hone his creative skills and develop his personal and professional identity, ultimately creating this tangible record of his travail and his ecstasy, his certitude and his confusion, and, finally, his journey into the heart of the person he would never stop becoming -- a poet.

The Complete Poems of Louis Daniel Brodsky: Volume One, 1963-1967

Robert W. Hamblin

Faulkner, a Comprehensive Guide to the Brodsky Collection

The third volume of The Complete Poems of Louis Daniel Brodsky presents over seven hundred poems, written from July 1976 through December 1980. By this period in his life, Brodsky had a wife and two children, a thriving business that kept him traveling, and a passion for acquiring Faulkneriana, sparked by his deep appreciation of the author's literature, that had led him on increasingly frequent journeys to Oxford, Mississippi, and elsewhere, to meet those who knew Faulkner and those who might supplement Brodsky's expanding collection. --Time Being Books.

The Complete Poems of Louis Daniel Brodsky: 1976-1980

Thomas M. Verich

The Commins-Faulkner Archive from the Brodsky Collection : [an Exhibition at the Dept. Of] Archives and Special Collections, The John Davis Williams Library, University of Mississippi, August 1, 1982-September 10, 1982

Saxe & Bill

During thirty years of literary collecting, Louis Daniel Brodsky has acquired some of the most important source materials on the life and work of William Faulkner anywhere available. Indeed, the Brodsky Collection, now owned by Southeast Missouri State University, has been characterized by Robert Penn Warren as "stupendous." In William Faulkner, Life Glimpses, Brodsky mines this storehouse of previously unpublished material, using interviews, letters, speeches, movie scripts, and notes to enrich our understanding of this well-known Southern writer. The result is a highly readable biography that is thematic and episodic rather than chronological in its organization. Building on specific documents in the collection, Brodsky opens new windows on the parallel development of Faulkner's literary career and personal life. New material on the early poems ''Elder Watson in Heaven" and "Pregnancy" gives insight into Faulkner's developing literary and personal aesthetics during the 1920s and 1930s. Faulkner's metamorphosis from self-doubting, isolated artist to confident public spokesman during the 1940s and 1950s forms the central core of the study. Through previously unavailable screenplays written for Warner Bros. during World War II and an interview with Faulkner's fellow screenwriter Albert I. "Buzz" Bezzerides, Brodsky charts the decline in Faulkner's literary output and his corresponding discovery of a public voice. He shows how Faulkner's astonishingly positive 1950 Nobel Prize acceptance speech was not a sudden about-face from the bleak outlook that had produced The Sound and the Fury. Rather, Faulkner's years in Hollywood showed him that words, even screenplays, could shape the way people think and react. Faulkner's lifelong quest for a "manly" role ended, Brodsky declares, when he took up the mantle of public spokesmanship. In the final chapter, a revealing interview with Faulkner's granddaughter, Victoria Fielden Johnson, paints an insider's portrait of life at the Faulkner home, Rowan Oak. A copy of Faulkner's recipe for curing pork, included in the appendix, emphasizes his longterm struggle to produce fine literature while supplying the everyday needs of a large family. These and other materials, previously unavailable to scholars and the reading public, will broaden and enrich our understanding of one of America's most celebrated writers.

William Faulkner, Life Glimpses

The second volume in Louis Daniel Brodsky's Complete Poems series, covering his early years as a professional poet, from 1967-1976, contains more than eight hundred chronologically arranged pieces. This body of work shows Brodsky developing a number of artistic strategies to record the life he chose outside the realm of academia, which he abandoned after complete his master's degree in creative writing at San Francisco State University in 1968. --Time Being Books.

The Complete Poems of Louis Daniel Brodsky: Volume, Two, 1967-1976

Perhaps the only thing as dear to Louis Daniel Brodsky as the beauty of the written word are his memories and experiences on the shores of Wisconsin's Lake Nebagamon, which the poet describes as "glory's hinterlands." The combination of his two passions is a wonderful example of the poetry of place--the kind of soul-forming and life-affirming locale that we all have somewhere in our lives. What the open road was to Whitman, the North Woods are to Brodsky.

Poems of Lake Nebagamon, Volume Two

At Dock's End

Poetry. "As the title of this collection suggests, the poems in Louis Daniel Brodsky's ONCE UPON A SMALL-TOWN TIME have a soothing sort of lullaby quality characteristic of bedtime tales. Conceived as a metaphoric road trip through three Midwestern towns and across a quarter century, the poems are steeped in an uplifting nostalgia, but without the cloying sentimentality. The observations are fond, even wistful, but never anything but fair and clear and unexaggerated in their effect"--Charles Rammelkamp.

Louis Daniel Brodsky

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