Louis P. Masur

Traces the story behind the photograph in which an enraged white man used an American flag as a weapon on an African-American.

The Story of a Photograph That Shocked America

The Soiling of Old Glory

Year of Eclipse

1831

"This volume delivers a concise, clear round-up of American history starting from America's colonial era to current days of political disagreements and social uncertainty. Covering central themes and events of American history, Masur evaluates the contested meanings of the American dream and questions its viability"--

A Concise History of America

The Sum of Our Dreams

1776, 1861, 1929. Any high-school student should know what these years meant to American history. But wars and economic disasters are not our only pivotal events, and other years have, in a quieter way, swayed the course of our nation. 1831 was one of them, and in this striking new work, Louis Masur shows us exactly how. The year began with a solar eclipse, for many an omen of mighty changes -- and for once, such predictions held true. Nat Turner's rebellion soon followed, then ever-more violent congressional arguments over slavery and tarrifs. Religious revivalism swept the North, and important observers (including Tocqueville) traveled the land, forming the opinions that would shape the world's view of America for generations to come. New technologies, meanwhile, were dramatically changing Americans' relationship with the land, and Andrew Jackson's harsh policies toward the Cherokee erased most Indians' last hopes of autonomy. As Masur's analysis makes clear, by 1831 it was becoming all too certain that political rancor, the struggle over slavery, the pursuit of individualism, and technological development might eclipse the glorious potential of the early republic--and lead the nation to secession and civil war. This is an innovative and challenging interpretation of a key moment in antibellum America.

In The Sum of Our Dreams, Louis P. Masur offers a sweeping yet compact history of America from its beginnings to the current moment. For general readers seeking an accessible, single-volume account, one that challenges but does not overwhelm, and which distills and connects the major events and figures in the country's past in a single narrative, here is that book. Evoking Barack Obama's belief that America remains the "sum of its dreams," Masur locates the origin of those dreams-of freedom, equality, and opportunity-and traces their progress chronologically, illuminating the nation's struggle over time to articulate and fulfill their promise. Moving from the Colonial Era, to the Revolutionary Period, the Early Republic, and through the Civil War, Masur turns his attention to Reconstruction, the Gilded Age, the Progressive Age, World War One, the Great Depression, World War Two, the Cold War, Civil Rights, Vietnam, and Watergate, and then laying out clearly and concisely what underlies the divisiveness that has characterized American civic life over the last forty years-and now more than ever. Above all, however, Masur lets the story of American tell itself. Inspired by James Baldwin's observation that "American history is longer, larger, more beautiful and more terrible than anything anyone has ever said about it," he expands our notion of that history while identifying its individual threads. The Sum of Our Dreams will be the new go-to single volume for anyone wanting a foundational understanding of the nation's past, and its present.

Lincoln’s Hundred Days tells the story of the period between September 22, 1862, when Lincoln issued his preliminary Proclamation, and January 1, 1863, when he signed the significantly altered decree. As battlefield deaths mounted and debate raged, Lincoln hesitated, calculated, prayed, and reckoned with the anxieties and expectations of millions.

The Emancipation Proclamation and the War for the Union

Lincoln's Hundred Days

Lincoln’s Hundred Days

Christopher Phillips

Features more than 40 interviews conducted with the Boss from 1973 to 2012, cataloging his rise and development as a musician and political advocate and capturing his evolution from local rebel rocker to global idol. Original. 35,000 first printing.

The Essential Interviews of Bruce Springsteen

Talk About a Dream

More than one hundred and fifty years after the first shots were fired on Fort Sumter, the Civil War still captures the American imagination, and its reverberations can still be felt throughout America's social and political landscape. Louis P. Masur's The U.S. Civil War: A Very Short Introduction offers a masterful and eminently readable overview of the war's multiple causes and catastrophic effects. Masur begins by examining the complex origins of the war, focusing on the pulsating tensions over states rights and slavery. The book then proceeds to cover, year by year, the major political, social, and military events, highlighting two important themes: how the war shifted from a limited conflict to restore the Union to an all-out war that would fundamentally transform Southern society, and the process by which the war ultimately became a battle to abolish slavery. Masur explains how the war turned what had been a loose collection of fiercely independent states into a nation, remaking its political, cultural, and social institutions. But he also focuses on the soldiers themselves, both Union and Confederate, whose stories constitute nothing less than America's Iliad. In the final chapter Masur considers the aftermath of the South's surrender at Appomattox and the clash over the policies of reconstruction that continued to divide President and Congress, conservatives and radicals, Southerners and Northerners for years to come. In 1873, Mark Twain and Charles Dudley wrote that the war had "wrought so profoundly upon the entire national character that the influence cannot be measured short of two or three generations." This concise history of the entire Civil War era offers an invaluable introduction to the dramatic events whose effects are still felt today.

The U.S. Civil War: A Very Short Introduction

"These thousands, and tens and twenties of thousands of American young men, badly wounded, all sorts of wounds, operated on, pallid with diarrhea, languishing, dying with fever, pneumonia, &c. open a new world somehow to me, giving closer insights, new things, exploring deeper mines than any yet, showing our humanity, (I sometimes put myself in fancy in the cot, with typhoid, or under the knife,) tried by terrible, fearfulest tests, probed deepest, the living soul's, the body's tragedies, bursting the petty bounds of art." So wrote Walt Whitman in March of 1863, in a letter telling friends in New York what he had witnessed in Washington's war hospitals. In this, we see both a description of war's ravages and a major artist's imaginative response to the horrors of war as it "bursts the petty bounds of art." In "...the real war will never get in the books", Louis Masur has brought together fourteen of the most eloquent and articulate writers of the Civil War period, including such major literary figures as Nathaniel Hawthorne, Harriet Beecher Stowe, Ralph Waldo Emerson, Frederick Douglass, Herman Melville, Walt Whitman, Henry Adams, and Louisa May Alcott. Drawing on a wide range of material, including diaries, letters, and essays, Masur captures the reactions of these writers as the war was waged, providing a broad spectrum of views. Emerson, for instance, sees the war "come as a frosty October, which shall restore intellectual & moral power to these languid & dissipated populations." African-American writer Charlotte Forten writes sadly of the slaughter at Fort Wagner: "It seems very, very hard that the best and noblest must be the earliest called away. Especially has it been so throughout this dreadful war." There are writings by soldiers in combat. John Esten Cooke, a writer of popular pre-Revolutionary romances serving as a Confederate soldier under J.E.B. Stuart, describes Stonewall Jackson's uniform: "It was positively scorched by sun--had that dingy hue, the product of sun and rain, and contact with the ground...but the men of the old Stonewall Brigade loved that coat." And John De Forest, a Union officer, describes facing a Confederate volley: "It was a long rattle like that which a boy makes in running with a stick along a picket-fence, only vastly louder; and at the same time the sharp, quiet whit-whit of bullets chippered close to our ears." And along the way, we sample many vivid portraits of the era, perhaps the most surprising of which is Louisa May Alcott's explanation of why she preferred her noon-to-midnight schedule in a Washington hospital: "I like it as it leaves me time for a morning run which is what I need to keep well....I trot up & down the streets in all directions, some times to the Heights, then half way to Washington, again to the hill over which the long trains of army wagons are constantly vanishing & ambulances appearing. That way the fighting lies, & I long to follow." With unmatched intimacy and immediacy, "...the real war will never get in the books" illuminates the often painful intellectual and emotional efforts of fourteen accomplished writers as they come to grips with "The American Apocalypse."

"...the real war will never get in the books": Selections from Writers During the Civil War

In The Challenge of American History, Louis Masur brings together a sampling of recent scholarship to determine the key issues preoccupying historians of American history and to contemplate the discipline's direction for the future. The fifteen summary essays included in this volume allow professional historians, history teachers, and students to grasp in a convenient and accessible form what historians have been writing about.

The Challenge of American History

The third edition of The Autobiography of Benjamin Franklin, with Related Documents continues to encourage students to think about the work's lasting impact on American society and culture. Louis P. Masur’s introduction is designed to make Franklin accessible and inviting to students. An expanded Related Documents section provides a sample of Franklin’s voluminous writings. Two new documents reveal Franklin at his curious, inventive best, offering readers a glimpse of Franklin outside of the Autobiography. A new visual source pairing invites students to interpret Franklin’s changing image over time, through the works of two different artists. A chronology, questions for consideration, a bibliographic essay, and an index enrich students’ understanding of Franklin, eighteenth-century America, and the rags-to-riches ideal that has played, and continues to play, such a significant role in American history.

with Related Documents

The Autobiography of Benjamin Franklin

To millions of listeners, Bruce Springsteen's Born to Run is much more than a rock-and-roll album-it's a poetic explosion of freedom and frustration. It confirmed Springsteen's status as a quintessential American performer: the rocker who, more than any other, gives voice to our hopes, fears, and aspirations. Runaway Dream chronicles the making of the album that launched Springsteen and his E Street Band into the firmament of American art, deftly sketching the ambition, history, and personalities that combined to create the enduring Born to Run. Springsteen wanted Born to Run to be the greatest rock record ever made. For a musician with just two modest-selling LPs to his credit, it was an extraordinary ambition, and session by session, track by track, Masur shows just how much grit, as well as genius, went into realizing it. Runaway Dream offers an expert tour of the trials and triumphs of Springsteen's work. In addition to the story of the album itself, Masur masterfully places Born to Run within American cultural history, showing why the girls, hot rods, and Jersey nights of the album still resonate, even for listeners born years after its release.

Born to Run and Bruce Springsteen's American Vision

Runaway Dream

What did Abraham Lincoln envision when he talked about "reconstruction?" Assassinated in 1865, the president did not have a chance to begin the work of reconciling the North and South, nor to oversee Reconstruction as an official postwar strategy. Yet his final speech, given to thousands gathered in the rain outside the White House on April 11, 1865, gives a clear indication of what Lincoln's postwar policy might have looked like-one that differed starkly from what would emerge in the tumultuous decade that followed. In Lincoln's Last Speech, renowned historian and author Louis P. Masur offers insight into this critical address and its vision of a reconstructed United States. Coming two days after Robert E. Lee's surrender at Appomattox and a week after the fall of Richmond, Lincoln's speech was expected to be a victory oration. Instead, he looked to the future, discussing how best to restore the seceded states to the national government, and even endorsing limited black suffrage. Delving into the language and arguments of Lincoln's last address, Masur traces the theme of reconstruction as it developed throughout his presidency, starting with the very earliest days of the war. Masur illuminates the evolution of Lincoln's thinking and the national debate around reconstruction, touching on key moments such as the Proclamation of Amnesty and Reconstruction on December 8, 1863, and Lincoln's pocket veto of the Wade-Davis bill in July 1864. He also examines social reconstruction, including the plight of freedmen and the debate over the place of blacks in society; and considers the implications of Lincoln's speech after April 1865, when Andrew Johnson assumed office and the ground was laid for the most radical phases of the postwar policy. A nuanced study of Lincoln's views on national reconciliation, this work gives us a better understanding of the failures that occurred with postwar Reconstruction and the eventual path that brought the country to reunion.

Wartime Reconstruction and the Crisis of Reunion

Lincoln's Last Speech

Bruce Springsteen often prefers to let his music do the talking. His onstage stories and shaggy dog tales have long entertained his fans, but his songs and his guitar provide the most direct line to their hearts. Considering his prominence on the rock 'n' roll landscape, Springsteen has spent remarkably little of his 40-year recording career speaking to the press. But when he does decide to sit down and talk, the conversations tend to be momentous. Q&As with Bruce Springsteen reveal an artist with great insight and self-awareness, a student of music, an avid searcher, an astute observer of humanity from the boardwalk to America at large. Much has been written about the Boss, but few can be said to know the man as well as he knows himself, and the best of Springsteen's own words are collected here in Talk About a Dream. Gathering more than 30 different interviews spanning from 1973 to 2013, this volume captures his remarkable personality-one that takes interviews as seriously as making music. These eye-opening conversations chart Springsteen's development as an artist, a thinker, and a public figure, shedding light on everything from the meaning of lyrics to his evolution from rebel rocker to global icon.

Louis P. Masur

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