Louise Kennedy

Set in Northern Ireland during the Troubles, a shattering novel about a young woman caught between allegiance to community and a dangerous passion.

Amid daily reports of violence, Cushla lives a quiet life with her mother in a small town near Belfast. By day she teaches at a parochial school; at night she fills in at her family’s pub. There she meets Michael Agnew, a barrister who’s made a name for himself defending IRA members. Against her better judgment – Michael is not only Protestant but older, and married – Cushla lets herself get drawn in by him and his sophisticated world, and an affair ignites. Then the father of a student is savagely beaten, setting in motion a chain reaction that will threaten everything, and everyone, Cushla most wants to protect.
 
As tender as it is unflinching, Trespasses is a heart-pounding, heart-rending drama of thwarted love and irreconcilable loyalties, in a place what you come from seems to count more than what you do, or whom you cherish.

A Novel

Trespasses

"In The End of the World is a Cul de Sac the political is intertwined with the personal, as Louise Kennedy reveals how ordinary lives can get caught up in a wider, national drama. Sarah, abandoned by her partner, sits alone in their brand new house. Orla, facing the strange revenge of her husband, is forced to judge a contest in the local fete. Peter raises his daughter in rural seclusion, at what might as well be the end of the world. Kennedy started writing at the age of forty-seven, and her prose is instilled with a clarity and wisdom born of her own experience."--Provided by publisher.

The End of the World is a Cul de Sac

Brilliant, dark stories of women’s lives by “a very major talent” (Joseph O’Connor, Irish Times) In these visceral, stunningly crafted stories by the author of the much-acclaimed Trespasses, women’s lives are etched by poverty—material, emotional, sexual—but also splashed by beauty, sometimes even joy, as they search for the good in the cards they’ve been dealt. A wife is abandoned by her new husband in a derelict housing estate, with blood on her hands. An expectant mother’s worst fears about her husband’s entanglement with a teenage girl are confirmed. A sister is tormented by visions of the man her brother murdered during the Troubles. A woman struggles to forgive herself after an abortion threatens to destroy her marriage. Plumbing the depths of intimacy, violence, and redemption, these stories are “dazzling, heartbreaking . . . keen to share the lessons of a lifetime” (Guardian).

Stories

The End of the World Is a Cul de Sac

Cushla Lavery lives with her mother, Gina, in a small town in Northern Ireland. At twenty-four, she splits her time between her role as a teacher to a class of seven-year-olds, and regular bartending shifts in the pub owned by her family. It's here, on a day like any other – as the daily news rolls in of another car bomb exploding, another man shot, killed, beaten or left for dead – that she meets Michael McCusker, an older (and married) barrister who draws her into his sophisticated group of friends. Then there's Davy McGeown, the young boy in Cushla's class that she can't help but care for after his father becomes the victim of a ruthless attack. But as Cushla becomes increasingly involved in her relationship with Michael and her investment in the McGeown family, political tensions in the town grow ever stronger, threatening to destroy all she is working to hold together. As tender as it is unflinching, Trespasses is a masterfully executed and intimate portrait of those caught between the warring realms of the personal and political, rooted in a turbulent and brutally imagined moment of history – where it's not just what you do that matters, but what you are.

NAMED A BEST BOOK OF THE YEAR BY THE WASHINGTON POST SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION “Brilliant, beautiful, heartbreaking.”—J.Courtney Sullivan, New York Times Book Review “TRESPASSES vaults Kennedy into the ranks of such contemporary masters as McCann, Claire Keegan, Colin Barrett, and fellow Sligo resident, Kevin Barry.” —Oprah Daily Set in Northern Ireland during the Troubles, a shattering novel about a young woman caught between allegiance to community and a dangerous passion. Amid daily reports of violence, Cushla lives a quiet life with her mother in a small town near Belfast, teaching at a parochial school and moonlighting at her family’s pub. There she meets Michael Agnew, a Protestant barrister who’s made a name for himself defending IRA members. Against her better judgment, Cushla lets herself get drawn in by him and his sophisticated world, and an affair ignites. Then the father of a student is savagely beaten, setting in motion a chain reaction that will threaten everything, and everyone, Cushla most wants to protect.

Nasze winy

**SOON TO BE A MAJOR TV SERIES - COMING SOON TO CHANNEL 4** THE NO. 1 BESTSELLER (The Times), SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2023 'Intense, unflinchingly honest, it broke my heart a million times' MARIAN KEYES 'A beautiful, devastating novel' NICK HORNBY One by one, she undid each event, each decision, each choice. If Davy had remembered to put on a coat. If Seamie McGeown had not found himself alone on a dark street. If Michael Agnew had not walked through the door of the pub on a quiet night in February in his white shirt. There is nothing special about the day Cushla meets Michael, a married man from Belfast, in the pub owned by her family. But here, love is never far from violence, and this encounter will change both of their lives forever. As people get up each morning and go to work, school, church or the pub, the daily news rolls in of another car bomb exploded, another man beaten, killed or left for dead. In the class Cushla teaches, the vocabulary of seven-year-old children now includes phrases like 'petrol bomb' and 'rubber bullets'. And as she is forced to tread lines she never thought she would cross, tensions in the town are escalating, threatening to destroy all she is working to hold together. Tender and shocking, Trespasses is an unforgettable debut of people trying to live ordinary lives in extraordinary times. ______________ * WINNER OF THE BRITISH BOOK AWARDS BOOK OF THE YEAR: DEBUT FICTION * * WINNER OF THE AN POST IRISH BOOK AWARDS NOVEL OF THE YEAR 2022 * * WINNER OF THE MCKITTERICK PRIZE 2023 * * SHORTLISTED FOR THE WATERSTONES DEBUT FICTION PRIZE 2022 * * AN OBSERVER BEST DEBUT NOVELIST OF 2022 * * A BBC RADIO 4 BOOK AT BEDTIME * * THE CRITICS' MOST-PICKED BOOK OF THE YEAR*

The Most Beautiful, Devastating Love Story You'll Read This Year

«Louise Kennedy coglie la sfida di raccontare tempi difficili e l'impotenza di persone comuni intrappolate in mezzo a un fuoco incrociato. » The Observer «Un romanzo pieno di calore, triste e insieme divertente, che non avrei voluto finisse mai.» Sunday Independent «Magistrale.» The Guardian Belfast, 1975. In un paese dilaniato dai Troubles, Cushla Lavery, cattolica, insegnante di scuola elementare e barista nel pub di famiglia, incontra Michael, protestante, avvocato che non ha paura di schierarsi contro le ingiustizie politiche. In classe, Cushla prende sotto la sua ala protettiva il piccolo Davy, figlio di un insolito matrimonio religioso misto e bullizzato dai compagni, e quando suo padre verrà brutalmente assalito, lei farà di tutto per aiutare il bambino e la famiglia a superare i tempi difficili che ne derivano. Finché il fratello maggiore di Davy deciderà di compiere un gesto dalle conseguenze irrimediabili. Con una scrittura unica e potente – pacata, intima, sensuosa, tenera, evocativa – e brevi frasi precise e dense di emozioni – dalla rabbia alla frustrazione, dalla tristezza alla speranza e al desiderio struggente di pace – Louise Kennedy ci accompagna in un ritratto fedele e brutale dell’Irlanda del Nord funestata dalla guerriglia di religione, in anni in cui la vita è solo apparentemente regolata dai ritmi quotidiani. Le persone si svegliano, vanno a lavorare, al pub, in chiesa, compiono gesti normali cui quotidianamente si aggiunge la nuova, odiosa «normalità» del bollettino di guerra: una macchina esplosa, un uomo picchiato o ucciso, una casa vandalizzata. Giorno dopo giorno, anche il linguaggio parlato si modifica, persino i bambini di sette anni allievi di Cushla acquistano un vocabolario ricco di nuove espressioni per descrivere le armi più diffuse. Miglior esordio dell’anno 2022 per l’«Observer», Certi sconfinamenti ci racconta una storia indimenticabile su un periodo buio della nostra storia recente, sull'intrusione della vita pubblica in quella privata, e sul filo sottile che lega la paura e l’amore.

Certi sconfinamenti

««La voce e lo sguardo implacabile di Louise Kennedy sono indimenticabili, elettrici». » «The Sunday Times» ««L'umorismo di Louise Kennedy, a tratti nero come i buchi in cui sprofondano le sue donne, eleva questi racconti ben oltre il mondo ordinario». » «The Observer» ««Un libro che strappa il cuore». » «The Guardian» Una donna dall’oscuro passato vive sola nella splendida casa costruita dall’uomo che l’ha abbandonata; una ragazza fa andare avanti e indietro il tempo in cui suo fratello terrorista ha vissuto insieme a lei; una bambina cresce troppo in fretta per sopperire alle mancanze della madre che arranca a furia di pasticche e lunghe dormite; una lepre, che sembra balzata fuori da una favola di Yeats, scorrazza nel giardino di un uomo e una donna desiderosi di intraprendere una nuova vita, mentre non molto lontano un’altra coppia prova a colmare i debiti con una coltivazione clandestina di hashish. Storie diversissime, ma è sempre l’Irlanda, violenta e florida, verdissima e oscura, che si affaccia prepotente dalle pagine di Louise Kennedy. Con uno stile asciutto e poetico, duro e insieme evocativo, l’autrice ci restituisce l’immagine di un paese brillante, ubriaco e feroce, dove lo splendore e la mutevolezza dei luoghi fanno da sfondo a rapporti umani ormai logori, dai trascorsi quasi insondabili e caratterizzati da dialoghi scarni. E così queste storie sembrano parlarsi, riecheggiare l’una dentro l’altra, in un amaro gioco di riflessi e strane risonanze che trasformano la lettura in un enorme specchio deformante. Sullo sfondo idilliaco di una natura descritta con rara precisione e vividezza, si stagliano creature dolenti, ciniche, ironiche, ferite e umiliate dalla vita, personaggi che tradiscono, uccidono e nascondono, pur provando – con cieca disperazione – a continuare ad amare.

La fine del mondo è un cul-de-sac

The unforgettable new novel from the no. 1 bestselling, Women's Prize-shortlisted author of Trespasses – a devastating tale of love, friendship, and the choices that shape our lives

Stations

* THE NO. 1 BESTSELLER (The Times) * SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2023 ** WINNER OF THE BRITISH BOOK AWARDS BOOK OF THE YEAR: DEBUT FICTION ** WINNER OF THE AN POST IRISH BOOK AWARDS NOVEL OF THE YEAR 2022 ** SHORTLISTED FOR THE WATERSTONES DEBUT FICTION PRIZE 2022 ** AN OBSERVER BEST DEBUT NOVELIST OF 2022 ** A BBC RADIO 4 BOOK AT BEDTIME *_______________'Like Sally Rooney mixed with a political thriller' RUSSELL KANE'Intense, unflinchingly honest, it broke my heart a million times' MARIAN KEYES'Absolutely loved it' MAX PORTER 'A beautiful, devastating novel' NICK HORNBYOne by one, she undid each event, each decision, each choice. If Davy had remembered to put on a coat.If Seamie McGeown had not found himself alone on a dark street.If Michael Agnew had not walked through the door of the pub on a quiet night in February in his white shirt. There is nothing special about the day Cushla meets Michael, a married man from Belfast, in the pub owned by her family. But here, love is never far from violence, and this encounter will change both of their lives forever.As people get up each morning and go to work, school, church or the pub, the daily news rolls in of another car bomb exploded, another man beaten, killed or left for dead. In the class Cushla teaches, the vocabulary of seven-year-old children now includes phrases like 'petrol bomb' and 'rubber bullets'. And as she is forced to tread lines she never thought she would cross, tensions in the town are escalating, threatening to destroy all she is working to hold together.Tender and shocking, Trespasses is an unforgettable debut of people trying to live ordinary lives in extraordinary times.______________A 2022 BOOK OF THE YEAR FOR: THE TIMES * SUNDAY TIMES * GUARDIAN * TELEGRAPH * NEW STATESMAN * DAILY MAIL * IRISH TIMES * IRISH INDEPENDENT * BELFAST TELEGRAPH

'A dazzling, heartbreaking debut collection' Guardian 'Kennedy's voice, and her unforgiving gaze, are electric' Sunday Times 'These stories sing, haunt and inspire laughter ... One of the best collections I've read in years' Sinead Gleeson A TIMES, IRISH TIMES AND IRISH INDEPENDENT HIGHLIGHT FOR 2021 The secrets people kept, the lies they told. In these visceral, stunningly crafted stories, people are effortlessly cruel to one another, and the natural world is a primitive salve. Here, women are domestically trapped by predatorial men, Ireland's folklore and politics loom large, and poverty – material, emotional, sexual – seeps through every crack. A wife is abandoned by her new husband in a ghost estate, with blood on her hands; a young woman is tormented by visions of the man murdered by her brother during the Troubles; a pregnant mother fears the worst as her husband grows illegal cannabis with the help of a vulnerable teenage girl; a woman struggles to forgive herself after an abortion threatens to destroy her marriage. Announcing a major new voice in literary fiction for the twenty-first century, these sharp shocks of stories offer flashes of beauty, and even humour, amidst the harshest of truths.

Caroline Eilertson

Listening exercises fot the practice files, a needs analysis, a presentation feedback sheet .... C1. CD-Extra

Up to Speed

'Kennedy's voice, and her unforgiving gaze, are electric' Sunday Times 'These stories sing, haunt and inspire laughter ... One of the best collections I've read in years' Sinead Gleeson 'Darkly funny, beautifully crafted, intense ... Outstanding' Kevin Barry A TIMES, IRISH TIMES AND IRISH INDEPENDENT HIGHLIGHT FOR 2021 The secrets people kept, the lies they told. In these visceral, stunningly crafted stories, people are effortlessly cruel to one another, and the natural world is a primitive salve. Here, women are domestically trapped by predatorial men, Ireland's folklore and politics loom large, and poverty – material, emotional, sexual – seeps through every crack. A wife is abandoned by her new husband in a ghost estate, with blood on her hands; a young woman is tormented by visions of the man murdered by her brother during the Troubles; a pregnant mother fears the worst as her husband grows illegal cannabis with the help of a vulnerable teenage girl; a woman struggles to forgive herself after an abortion threatens to destroy her marriage. Announcing a major new voice in literary fiction for the twenty-first century, these sharp shocks of stories offer flashes of beauty, and even humour, amidst the harshest of truths.

Bailey is a boat cat. He loves nothing more than cruising aboard Nocturne, gazing wistfully out of portholes, lounging on the sun deck wearing his cat lifejacket, climbing the mast and generally fulfilling his important boat-cat duties ? and blogging about them at baileyboatcat.com. This book captures Bailey's charm with lovable photos, pearls of 'whisker wisdom' and cheeky asides, all from a cat's eye view. Chatty, inquisitive and boasting an undeniable cute factor, Bailey explains (for the benefit of us slow-witted humans) the five steps of marine navigation, the importance of cubby holes, and just why cats are so much cleverer than dogs? Packed with fabulous photography throughout, this endearing gift book will go down a treat with sailors and cat lovers alike.

Louise Kennedy

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