Lucas Klein

Chuan Xi

The internationally renowned Chinese poet's first collection to appear in English.

Selected Poems

Notes on the Mosquito

Chris Song

Shelby K. Y. Chan

Started in 2009, IPNHK is one of the most influential international poetry events in Asia. In its ten-year anniversary in November 2019, 30 famous poets from various countries will be in Hong Kong and ten cities in China afterwards to read their works based on the theme "Speech and Silence". This anthology includes selected works of these 30 poets, presented with Chinese and English translations in bilingual/trilingual formats. Poets include Ana Lu?sa Amaral (Portugal), Maxim Amelin (Russia), Renato Sandoval Bacigalupo (Peru) , Jen Bervin (USA), Ana Blandiana (Romania), Tamim Al-Barghouti (Palestine), Abbas Beydoun (Lebanon), Mi?osz Biedrzycki (Poland), Derek Chung (Hong Kong), Louise Dupr? (Canada), Forrest Gander (USA), Hwang Yu Won (South Korea), Maozi (PRC), Mathura (Estonia), Sergio Raimondi (Argentina), Ana Ristovi? (Serbia), K. Satchidanandan (India), Martin Solotruk (Slovakia), Ale? ?teger (Slovenia), Maria Stepanova (Russia), T?th Krisztina (Hungary), Ijeoma Umebinyuo (Nigeria), Anastassis Vistonitis (Greece), Jan Wagner (Germany), Ernest Wichner (Germany), Yang Chia-Hsien (Taiwan), Yasuhiro Yotsumoto (Japan), Yu Youyou (PRC), Zheng Xiaoqiong (PRC), and Zhou Yunpeng (PRC).

Speech and Silence (Single-Volume Anthology)

Bei Dao

Gilbert CF Fong

Shelby KY Chan

Amy Ho Kit-yin

Following the convening of Hong Kong International Poetry Nights 2011, The World of Words is a collection of selected works by some of the most internationally acclaimed poets today. Included are the poems of Tanikawa Shuntar¯o (Japan), Paul Muldoon (Ireland), Toma? ?alamun (Slovenia), Arkadii Dragomoshchenko (Russia), C. D. Wright (USA), Maria Baranda (Mexico), Regis Bonvicino (Brazil), Silke Scheuermann (Germany), Bejan Matur (Turkey), Vivek Narayanan (India) as well as leading Chinese poets such as Xi Chuan, Yu Jian, Yu Xiang, Ling Yu, Chen Ko Hua, Lo Chih Cheng, Tian Yuan, Yao Feng, Wong Leung Wo and Yip Fai. The collection makes a treasured anthology of the finest contemporary poetry in trilingual or bilingual presentation.

詞與世界

Words & The World Anthology

The Organization of Distance argues that the impression of Chineseness in Chinese poetry is a product of translation, simultaneously nativizing and foreignizing from sources abroad and in the past.

Poetry, Translation, Chineseness

The Organization of Distance

Ezra Pound

Jonathan Stalling

Ernest Fenollosa

First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound’s understanding—it is fair to say, his appropriation—of the text. Fenollosa’s manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North America and East Asia. Pound’s editing of the essay obscured two important features, here restored to view: Fenollosa’s encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry. This book is the definitive critical edition of Fenollosa’s important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound’s deletions, insertions, and alterations to Fenollosa’s sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa’s ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition. This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry.

A Critical Edition

The Chinese Written Character as a Medium for Poetry

Maghiel van Crevel

Chinese Poetry and Translation: Rights and Wrongs offers fifteen essays on the triptych of poetry + translation + Chinese. The collection has three parts: "The Translator's Take," "Theoretics," and "Impact." The conversation stretches from queer-feminist engagement with China's newest poetry to philosophical and philological reflections on its oldest, and from Tang- and Song-dynasty classical poetry in Western languages to Baudelaire and Celan in Chinese. Translation is taken as an interlingual and intercultural act, and the essays foreground theoretical expositions and the practice of translation in equal but not opposite measure. Poetry has a transforming yet ever-acute relevance in Chinese culture, and this makes it a good entry point for studying Chinese-foreign encounters. Pushing past oppositions that still too often restrict discussions of translation-form versus content, elegance versus accuracy, and "the original" versus "the translated"-this volume brings a wealth of new thinking to the interrelationships between poetry, translation, and China.

Lucas Klein

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