Lucy Frank

In this novel in verse, two very different girls bond while hospitalized for Crohn's disease.

Two Girls Staring at the Ceiling

Thirteen-year-old Katya convinces her parents to try homeschooling her for a month, but while she is finally excited about learning--and about Milo, the violin prodigy who lives nearby--not everything works out as she had hoped.

The Homeschool Liberation League

Problemas Dimelo a Mi

In the summer before seventh grade, twelve-year-old Iris Diaz-Pinkowitz goes up and down the fire escape outside her new New York City apartment, becoming an integral part of the lives of her human and animal neighbors.

Just Ask Iris

Problemi? Ditelo pure a me! Diario di una ragazzina in gamba

Three unlikely friends dealing with hardships and personal dramas find one another during their darkest days and, through mutual support, manage to overcome their issues, join Mrs. Hill's chorus, and succeed in making their dreams come true.

Lucky Stars

From the famous deathbed scene of Harriet Beecher Stowe's Little Eva to Mark Twain's parodically morbid poetess Emmeline Grangerford, a preoccupation with human finitude informs the texture of nineteenth-century US writing. This collection traces the vicissitudes of this cultural preoccupation with the subject of death and examines how mortality served paradoxically as a site on which identity and subjectivity were productively rethought. Contributors from North America and the United Kingdom, representing the fields of literature, theatre history, and American studies, analyze the sexual, social, and epistemological boundaries implicit in nineteenth-century America's obsession with death, while also seeking to give a voice to the strategies by which these boundaries were interrogated and displaced. Topics include race- and gender-based investigations into the textual representation of death, imaginative constructions and re-constructions of social practice with regard to loss and memorialisation, and literary re-conceptualisations of death forced by personal and national trauma.

Lucy Frank

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