Li︠u︡dmila Petrushevskai︠a︡

Ludmilla Petrushevskaya

Presents a collection of short stories about one-night stands, office trysts, elopements, and serial infidelity.

Love Stories

There Once Lived a Girl who Seduced Her Sister's Husband, and He Hanged Himself

Finalist for the National Book Critics Circle Award for Autobiography The prizewinning memoir of one of the world's great writers, about coming of age as an enemy of the people and finding her voice in Stalinist Russia Born across the street from the Kremlin in the opulent Metropol Hotel--the setting of the New York Times bestselling novel A Gentleman in Moscow by Amor Towles--Ludmilla Petrushevskaya grew up in a family of Bolshevik intellectuals who were reduced in the wake of the Russian Revolution to waiting in bread lines. In The Girl from the Metropol Hotel, her prizewinning memoir, she recounts her childhood of extreme deprivation--of wandering the streets like a young Edith Piaf, singing for alms, and living by her wits like Oliver Twist, a diminutive figure far removed from the heights she would attain as an internationally celebrated writer. As she unravels the threads of her itinerant upbringing--of feigned orphandom, of sleeping in freight cars and beneath the dining tables of communal apartments, of the fugitive pleasures of scraps of food--we see, both in her remarkable lack of self-pity and in the two dozen photographs throughout the text, her feral instinct and the crucible in which her gift for giving voice to a nation of survivors was forged. "From heartrending facts Petrushevskaya concocts a humorous and lyrical account of the toughest childhood and youth imaginable. . . . It [belongs] alongside the classic stories of humanity's beloved plucky child heroes: Edith Piaf, Charlie Chaplin, the Artful Dodger, Gavroche, David Copperfield. . . . The child is irresistible and so is the adult narrator who creates a poignant portrait from the rags and riches of her memory." --Anna Summers, from the Introduction

Growing Up in Communist Russia

The Girl from the Metropol Hotel

Three novellas from the celebrated, contemporary Russian writer,The Time Is Night, Chocolates with Liqueur and Among Friends describe the everyday, humorous lives of three different happily unhappy families. Original. 40,000 first printing.

Three Novellas about Family

There Once Lived a Mother who Loved Her Children, Until They Moved Back in

'Thrillingly strange . . . Brilliantly disturbing . . . proves that the literary tradition that produced Dostoyevsky, Gogol, and Babel is alive and well' The Daily Beast In these blackly comic stories of revenge, disturbing deaths, midnight forests, magic and haunting melancholy, Ludmilla Petrushevskaya blends miracles and madness in the darkest of modern fairy tales. 'One of Russia's best living writers . . . her tales inhabit a borderline between this world and the next' The New York Times 'As astringent as witch hazel, as poetic as your finest private passing moments . . . If there's any justice, this humble paperback will be greeted as the pinnacle of modern literature that it is' Elle Selected and translated by KEITH GESSEN and ANNA SUMMERS

Scary Fairy Tales

There Once Lived a Woman Who Tried to Kill Her Neighbour's Baby

First published in Russia in 1992, The Time: Night is a darkly humorous depiction of the Soviet utopia's underbelly by one of the most brilliant stylists in contemporary Russian literature. Anna Andrianova is a trite poet and disastrous parent. Heading a household dominated by women, she can cling to the myth of the all-powerful yet suffering Russian matriarch. Challenging that myth is her headstrong daughter Alyona, a woman with appalling judgment and several illegitimate children, who both needs Anna and hates her.

The Time--night

Era uma vez uma mulher que tentou matar o bebê da vizinha

A woman finds herself filling a pit in the forest in the middle of the night; a family lock each other in their bedrooms to battle a strange plague; a wizard punishes two beautiful ballerinas by turning them into one hugely fat circus performer; a colonel is warned not to lift the veil from his dead wife's face; and a distraught father brings his daughter back to life by eating human hearts in his dreams. In these blackly comic tales of revenge, disturbing deaths and haunting melancholy, Ludmilla Petrushevskaya blends miracles and madness in the darkest of modern fairy tales.

There Once Lived a Woman Who Tried to Kill Her Neighbour's Baby: Scary Fairy Tales

In these dark, dreamlike love stories with a twist, Ludmilla Petrushevskaya tells of strange encounters in claustrophobic communal apartments, ill-fated holiday romances, office trysts, schoolgirl crushes, tentative courtships, rampant infidelity, tender devotion and terrifying madness. By turns sly and sweet, earthy and sublime, these fables of flawed love blend black humour and macabre spectacle with transformative moments of grace.

From Ludmilla Petrushevskaya, New York Times bestselling author and Russia’s greatest living absurdist, comes an elaborate family drama, social satire, and burlesque of twists, coincidences, and hijinks. Kidnapped is a madcap crime spree that caroms from crisis to crisis, through lands real and imagined. It tells the tale of Sergei Sertsov, not one but two boys from Moscow with more than just a name in common, and the women who go to great lengths to protect them. The story unfurls in a whirlwind of deceit and double crossing—babies are switched at birth, documents forged, palms greased, identities assumed, deaths faked, and authorities duped. Across decades and continents, the narrative veers from a trade office in tropical Handia, to Russia as it plunges through perestroika and into post-Soviet free fall, to a mansion in opulent Montegasco at the start of the twenty-first century. With a dizzying array of characters and settings, Kidnapped is a hilarious saga of determined women triumphing over their many oppressors to save the people they love.

A Story in Crimes

Kidnapped

Гигиена

A menininha do Hotel Metropol

V dome niekto je

There Once Lived a Mother Who Loved Her Children, until They Moved Back In

“One of Russia’s best living writers . . . Her tales inhabit a borderline between this world and the next.” —The New York Times At first glance, the stories in The New Adventures of Helen seems simple, even child-like, but a deep reading reveals satire and darkness manifested through classic fairy tale tropes characteristically upended by Petrushevskaya. These “adult fairy tales” ask deep questions about gender, love, history, memory, and the future, taking place in times between history and the now. These stories, quirky but yet inspired by a confident hopefulness, will inspire and provoke English-speaking readers across the globe.

Magical Tales

The New Adventures of Helen

Here are attempts at human connection, both depraved and sublime, and the grinding struggle to survive against the crushing realities of the Soviet system: in Among Friends, a doting mother commits an atrocious act against her beloved son in an attempt to secure his future; The Time: Night examines the suicide of the great Russian poetess Anna Andreevna with heartbreaking clarity; while in Chocolates with Liqueur the struggle for ownership of an apartment between a nurse and a madman turns murderous. With the satirical eye of Cindy Sherman, the psychological perceptiveness of Dostoevsky, and the bleak absurdities of Beckett, Petrushevskaya blends macabre spectacle with transformative moments of grace and shows just why she is Russia's preeminent contemporary fiction writer.

Three Novellas About Family

There Once Lived a Mother Who Loved Her Children, Until They Moved Back In

Finalist for the National Book Critics Circle Award for Autobiography The prizewinning memoir of one of the world’s great writers, about coming of age as an enemy of the people and finding her voice in Stalinist Russia Born across the street from the Kremlin in the opulent Metropol Hotel—the setting of the New York Times bestselling novel A Gentleman in Moscow by Amor Towles—Ludmilla Petrushevskaya grew up in a family of Bolshevik intellectuals who were reduced in the wake of the Russian Revolution to waiting in bread lines. In The Girl from the Metropol Hotel, her prizewinning memoir, she recounts her childhood of extreme deprivation—of wandering the streets like a young Edith Piaf, singing for alms, and living by her wits like Oliver Twist, a diminutive figure far removed from the heights she would attain as an internationally celebrated writer. As she unravels the threads of her itinerant upbringing—of feigned orphandom, of sleeping in freight cars and beneath the dining tables of communal apartments, of the fugitive pleasures of scraps of food—we see, both in her remarkable lack of self-pity and in the two dozen photographs throughout the text, her feral instinct and the crucible in which her gift for giving voice to a nation of survivors was forged. “From heartrending facts Petrushevskaya concocts a humorous and lyrical account of the toughest childhood and youth imaginable. . . . It [belongs] alongside the classic stories of humanity’s beloved plucky child heroes: Edith Piaf, Charlie Chaplin, the Artful Dodger, Gavroche, David Copperfield. . . . The child is irresistible and so is the adult narrator who creates a poignant portrait from the rags and riches of her memory.” —Anna Summers, from the Introduction

Ludmilla Petrushevskaya

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