Luis Pérez Oramas

Carlito Carvalhosa

In many ways 'Nice to Meet You' is nothing like a traditional artists monograph. Designed by Carlito Carvalhosa himself, its pages explore the artist's thoughts, working processes and environmental influences through sketches, floor plans, maquettes and writings.

Nice to Meet You

Stephanie D'Alessandro

An exploration of the innovative, quintessentially Brazilian painter who merged modernism with the brilliant energy and culture of her homeland Tarsila do Amaral (1886-1973) was a central figure at the genesis of modern art in her native Brazil, and her influence reverberates throughout 20th- and 21st-century art. Although relatively little-known outside Latin America, her work deserves to be understood and admired by a wide contemporary audience. This publication establishes her rich background in European modernism, which included associations in Paris with artists Fernand Léger and Constantin Brancusi, dealer Ambroise Vollard, and poet Blaise Cendrars. Tarsila (as she is known affectionately in Brazil) synthesized avant-garde aesthetics with Brazilian subjects, creating stylized, exaggerated figures and landscapes inspired by her native country that were powerful emblems of the Brazilian modernist project known as Antropofagía. Featuring a selection of Tarsila's major paintings, this important volume conveys her vital role in the emerging modern-art scene of Brazil, the community of artists and writers (including poets Oswald de Andrade and Mário de Andrade) with whom she explored and developed a Brazilian modernism, and how she was subsequently embraced as a national cultural icon. At the same time, an analysis of Tarsila's legacy questions traditional perceptions of the 20th-century art world and asserts the significant role that Tarsila and others in Latin America had in shaping the global trajectory of modernism.

Inventing Modern Art in Brazil

Tarsila Do Amaral

John Elderfield

Nora Lawrence

Armando Reverón

Foreword by Glenn D. Lowry. Text by John Elderfield, Luis Perez-Oramas.

León Ferrari

León Ferrari and Mira Schendel are among the most significant Latin American artists of the 20th century. Active during the 1960s, 1970s and 1980s in the neighbouring countries of Argentina and Brazil, they found inspiration in the written word and in the eloquence of spoken language. Their striking visual production coincided with a period of significant focus on language by philosophers and artists. León Ferrari & Mira Schendel is published to accompany the first comprehensive exhibition of the work of these two artists in the United States, presenting new insights on the artists' deconstruction of language through a visual repertoire and examining the connections and collisions between the visual arts, the written form, politics and religion.

Luis Pérez Oramas

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