Lyndall Gordon

Lyndall Gordon, an award-winning biographer, tells the riveting story of the Dickinsons, and reveals Emily as a very different woman from the pale, lovelorn recluse that exists in the popular imagination.

Emily Dickinson and Her Family's Feuds

Lives Like Loaded Guns

Searches for the real Charlotte Bronte behind the loneliness, loss, and unrequited love--a strong woman with a fierce belief in herself, creative energy, and powerful ambition, who shaped her life and transformed it into art

A Passionate Life

Charlotte Brontë

Outsiders tells the stories of five novelists - Mary Shelley, Emily Bront�, George Eliot, Olive Schreiner, Virginia Woolf - and their famous novels. We have long known their individual greatness but in linking their creativity to their lives as outsiders, this group biography throws new light on the genius they share. 'Outsider', 'outlaw', 'outcast': a woman's reputation was her security and each of these five lost it. As writers, they made these identities their own, taking advantage of their separation from the dominant order to write their novels. All five were motherless. With no female model at hand, they learnt from books; and if lucky, from an enlightened man; and crucially each had to imagine what a woman could be in order to invent a voice of their own. They understood female desire: the passion and sexual bravery in their own lives infused their fictions. What they have in common also is the way they inform one another, and us, across the generations. Even today we do more than read them; we listen and live with them. Lyndall Gordon's biographies have always shown the indelible connection between life and art: an intuitive, exciting and revealing approach that has been highly praised and much read and enjoyed. She names each of these five as prodigy, visionary, outlaw, orator and explorer and shows how they came, they saw and left us changed.

Five Women Writers Who Changed the World

Outsiders

The founder of modern feminism, Mary Wollstonecraft (1759-1797) was the most famous woman of her era. A brilliant, unconventional rebel vilified for her strikingly modern notions of education, family, work, and personal relationships, she nevertheless strongly influenced political philosophy in Europe and a newborn America. Now acclaimed biographer Lyndall Gordon mounts a spirited defense of this courageous woman whose reputation has suffered over the years by painting a full and vibrant portrait of an extraordinary historical figure who was generations ahead of her time.

A Life of Mary Wollstonecraft

Vindication

T.S. Eliot's Hidden Muse

The Hyacinth Girl

Virginia Woolf

2012 Reprint of 1953 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. An invaluable guide to the art and mind of Virginia Woolf, "A Writer's Diary" was collected by her husband from the personal record she kept over a period of twenty-seven years. Included are entries that refer to her own writing and those that are clearly writing exercises, accounts of people and scenes relevant to the raw material of her work, and finally, comments on books she was reading. The first entry is dated 1918 and the last, three weeks before her death in 1941. Between these points of time unfolds the private world - the anguish, the triumph, the creative vision - of one of the great writers of our century.

Being Extracts from the Diary of Virginia Woolf

A Writer's Diary

Virginia Woolf : vida de una escritora

A Writer's Life

Lyndall Gordon presents a new and intimate kind of biography, telling the story of Henry James' life through the lens of two strange and elusive relationships which crucially influenced his art.

Two Women and His Art

A Private Life of Henry James

[T]he most informative, most nearly definitive, most judicious word on this major, modern writer.--Scott Elledge

Cinco escritoras que cambiaron el mundo

Proscritas

«Questo libro sorprendente, scritto con competenza e sensibilità, riuscirà a rivoluzionare il modo in cui Dickinson sarà letta negli anni a venire». the economist «Come un fucile carico riscatta Dickinson dall’immagine di una passiva reclusa dal cuore spezzato. È il giusto monumento a una poetessa ancora più straordinaria di quanto abbiamo sempre pensato». financial times «Come un fucile carico si legge come un avvincente romanzo giallo, con tanto di tesori nascosti, nemici diabolici e una maledizione che passa da una generazione all’altra». washington post

La vita di Emily Dickinson

Come un fucile carico

This prize-winning biography, newly revised, sees Virginia Woolf as she saw herself. The first to set out the private life behind the well-known facts of her public career, A Writer's Life rocks back and forth between memories and art to reveal an explorer of 'the infinite oddity of the human position'. Instead of the doom-and-death often imposed on women of genius, here is the robust walker and seeker for what was fertile in her intimacies, in women's nature, and in resistance to power. This edition brings out her ideas for biography itself: to fall on a life 'like a roll of heavy waters... laying bare the pebbles on the shore of the soul'.

James's friendship with Constance Fenimore Woolson ended in 1894 when he tried to drown a boatload of her dresses in the Venetian lagoon; she had fallen to her death three months before. It was an elusive friendship that echoed his mysterious relationship with Minny Temple who had died twenty years earlier. From their graves, these two women haunted his imagination and his fiction, inspiring the creation of his heroines.

His Women and His Art

Henry James

Explores Eliot's poetry, drama, and literary criticism in relation to his life in America and England, his relationship with his first wife, his anti-Semitism, and his misogyny.

An Imperfect Life

T.S. Eliot

Lyndall Gordon, the acclaimed biographer of T.S. Eliot and Virginia Woolf, grew up in Cape Town, South Africa in the 1950s. This intimate and moving memoir is the story of Rosie, Ellie, and Romy- her closest friends from childhood until their early deaths. Daughters of Jewish immigrants, these girls grew into adulthood together, shaped by their parents' and grandparents' Eastern European heritages, the stifling atmosphere of their proper girls' school, South Africa's politics, and the intense pressure within their bourgeois milieu for early marriage. Though miles distanced them as they grew older and went off to New York, Oxford and Paris, their bonds of friendship remained strong, separated only by their untimely deaths.

Growing Up in 50s Cape Town

Shared Lives

Lyndall Gordon investigates the writer's relations with two remarkable women who were close to him, and traces their effect and influence in his work. Both these women haunted James, his elusive friendship with Constance Fenimore Woolson, who died in 1894, echoed his mysterious relationship with Minnie Temple, who died twenty years earlier.

Ganador del Premio James Tait Black Memorial, este estudio sobre la vida y la obra de Virginia Woolf —en una nueva versión revisada y ampliada por la autora— pretende «articular una narración capaz de rastrear —tan íntimamente como permita la autenticidad— el flujo de memoria e imaginación a lo largo de toda una vida, de manera que veamos a Virginia Woolf tal como ella misma se veía», señala Lyndall Gordon. Su infancia, su relación con su padre, su feminismo, su sexualidad y su matrimonio, el círculo de Bloomsbury, sus crisis nerviosas, las convenciones victorianas, la escritura y su relación con la vida, son sólo algunos de los múltiples aspectos que la autora trata en esta obra. Basándose en la copiosa correspondencia, en los diarios y en el abundante material de la escritora —desde sus papeles privados a su narrativa y sus ensayos—, Lyndall Gordon construye, a través de su obra y de los personajes de sus novelas, un excelente retrato de la escritora y de su tiempo.

Virginia Woolf. Vida de una escritora

vida de una escritora

Associate Professor of English Ross Posnock

The centenary of Eliot's birth in 1988 has provided this occasion to review his life and work, and reassess him in the light of various critical developments in the new historicism, feminism, and reader-reception theory that have emerged since the "New Criticism".

Lyndall Gordon

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