Lynn Abrams

Roslyn Chapman

Lin Gardner

Marina Moskowitz

Sally Tuckett

The story of Scottish knitting: the first critical history and analysis of a local craft turned international icon.From Fair Isle patterning to Pringle jumpers, Scottish knitwear is internationally renowned and instantly recognizable. This open access study unpicks the distinctive place of knitting in the Scottish landscape, economy, and culture from the 19th century to today.

Recent reappraisals of the industrial revolution and traditional craft economies, and the recent revival of hobby knitting during the Covid-19 pandemic, have raised new questions about the roles of social communities, sustainability and women’s domestic work in the textile industries. Tracing its story from raw material to final product, from home-spun clothes and crafts to luxury markets and industrial-scale production,Knitting in Scotlandinvestigates the Scottish knitting trade’s remarkable survival across two centuries of economic and cultural modernization.

The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by UKRI.

Knitting in Scotland: Culture, Craft and Industry

Over the twentieth century Scots' lives changed infast, dramatic and culturally significant ways. By examining their bodies,homes, working lives, rituals, beliefs and consumption, this volume exposeshow the very substance of everyday life was composed, tracing both theintimate and the mass changes that the people endured. Using novelperspectives and methods, chapters range across the experiences of work, artand death, the way Scots conceived of themselves and their homes, and theway the 'old Scotland' of oppressive community rules broke down frommid-century as the country reinvented its everyday life and culture. Thisvolume brings together leading cultural historians of twentieth-centuryScotland to study the apparently mundane activities of people's lives,traversing the key spaces where daily experience is composed to expose thecontroversial personal and national politics that ritual and practice cangenerate. Key features: *Contains an overview of the material changesexperienced by Scots in their everyday lives during the course of thecentury*Focuses on some of the key areas of change in everyday experience,from the way Scots spent their Sundays to the homes in which they lived,from the work they undertook to the culture they consumed and eventually theway they died. *Pays particular attention to identity as well asexperience

History of Everyday Life in Twentieth-Century Scotland

Updated and expanded, this second edition of Bismarck and the German Empire, 1871–1918 is an accessible introduction to this important period in German history. Providing both a narrative of events at the time and an analysis of social and cultural developments across the period, Lynn Abrams examines the political, economic and social structures of the Empire. Including the latest research, the book also covers: how Bismarck consolidated his regime the Wilhelmian period the factors that led to the outbreak of World War One. With a new introduction and updated further reading section – including a guide to useful websites – this book gives students the ideal introduction to this key period of German history.

1871–1918

Bismarck and the German Empire

Modern woman was made between the French Revolution and the end of the First World War. In this time, the women of Europe crafted new ideas about their sexuaity, motherhood, the home, the politics of femininity, and their working roles. They faced challenges about what a woman should be and how she should act. From domestic ideology to women's suffrage, this book charts the contests for woman's identity in the epoch-shaping nineteenth century.

The Making of Modern Woman

First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Leisure and Recreation in the Rhineland and Westphalia

Workers' Culture in Imperial Germany

Scottish history is undergoing a renaissance. Everyone agrees that an understanding of our nation's history is integral to our experience of its present and the shaping of the future. But the story of Scotland's past is being told with little reference to gendered identities. Not only are women largely missing from these grand narratives, but men's experience has tended to be sublimated in intellectual, political and economic agendas. Neither femininities nor masculinities have been given much of a place in Scotland's past or in the process of nation-making. Gender in Scottish History offers a new perspective on Scotland's past since around 1700, viewing some of the main themes with a gendered perspective. It starts from the assumption that gender is integral to our understanding of the ways in which societies in the past were organised and that national histories have a tendency to be gender blind. Each chapter engages with one key theme from Scottish historiography, asking what happens when women are added to the story and how the story changes when the meanings of gendered understandings and assumptions are probed. Addressing politics, culture, religion, science, education, work, the family and identity, Gender in Scottish History proposes an alternative reading of the Scottish past which is both inclusive and recognisable.

Gender in Scottish History Since 1700

Shetland has a history unique in Europe, for over the past two centuries it was a place where women dominated the family, economy, and the cultural imagination. Women ran households and crofts without men. They maintained families and communities because men were absent. And they constructed in their minds an identity of themselves as 'liberated' long before organised feminism was invented. And yet, Shetland is a place which was made by the most masculine of societies - those of the Picts, Scots and above all the Vikings - and its contemporary identity still draws on the heroic exploits and sagas of medieval Norsemen. This book examines how against this tradition Shetland became a female place, and offers answers as to how, in this most isolated island community, the inhabitants transgressed and reversed their traditional gender roles. Reconstructing this 'woman's world' from fragments of cultural experience captured in written and oral sources, this book will appeal to scholars in the fields of social and cultural history, social anthropology, gender and women's studies.

Shetland 1800–2000

Myth and materiality in a woman’s world

Children of Scotland's Broken Homes from 1845 to the Present Day

The Orphan Country

Oral history is increasingly acknowledged as a key tool for anyone studying the history of the recent past, and Oral History Theory provides a comprehensive, systematic and accessible overview of this important field. Combining the study of theories drawn from disciplines ranging from linguistics to psychoanalysis with the observations of practitioners and including extensive examples of oral history practice from around the world, this book constitutes the first integrated discussion of oral history theory. Structured around key themes such as the peculiarities of oral history, the study of the self, subjectivity and intersubjectivity, memory, narrative, performance, power and trauma, each chapter provides a clear and user-friendly explanation of the various theoretical approaches, illustrating these with examples from the rich field of published oral history and making suggestions for the practicing oral historian. This second edition includes a new chapter on trauma and ethics, a preface discussing new developments in the field and updated glossary and further reading sections. Supplemented by a new companion website (www.routledge.com/cw/abrams) containing a comprehensive range of case studies, audio material and further resources, this book will be invaluable to experienced and novice oral historians, professionals, and students who are new to the discipline.

Oral History Theory

Barry Hazley

Valerie Wright

Ade Kearns

In the wake of an unparalleled housing crisis at the end of the Second World War, Glasgow Corporation rehoused the tens of thousands of private tenants who were living in overcrowded and unsanitary conditions in unimproved Victorian slums. Adopting the designs, the materials and the technologies of modernity they built into the sky, developing high-rise estates on vacant sites within the city and on its periphery. This book uniquely focuses on the people's experience of this modern approach to housing, drawing on oral histories and archival materials to reflect on the long-term narrative and significance of high-rise homes in the cityscape. It positions them as places of identity formation, intimacy and well-being. With discussions on interior design and consumption, gender roles, children, the elderly, privacy, isolation, social networks and nuisance, Glasgow examines the connections between architectural design, planning decisions and housing experience to offer some timely and prescient observations on the success and failure of this very modern housing solution at a moment when high flats are simultaneously denigrated in the social housing sector while being built afresh in the private sector. Glasgow is aimed at an academic readership, including postgraduate students, scholars and researchers. It will be of interest to social, cultural and urban historians particularly interested in the United Kingdom.

Lynn Abrams

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