Lynne Tillman

A young woman drifts through a series of one night stands and truncated love affairs. Finding herself in a series of increasingly bizarre situations, she turns her curious and savage eye out on the foibles of the world around her. The men of this world evade and simper, they prey, and preen, and fall hopelessly in love. Through these snapshots we get a biting psychopathology, not just of masculinity in its various masks, but of sex and desire in the early 1970s.

Weird Fucks

The National Book Critics Circle Award-finalist author of No Lease on Life presents a Jane Austen-style parable for the twenty-first century in which the members of a scholarly colony struggle with competing values. Original.

A Comedy

American Genius

On Obligation, Love, Death, and Ambivalence

Mothercare

Andrew Durbin

M. G. Lord

The Complete Madame Realism and Other Stories gathers together Lynne Tillman's groundbreaking fiction/essays on culture and places, monuments, artworks, iconic TV shows, and received ideas, written in the third person to record the subtle, ironic, and wry observations of the playful but stern "Madame Realism." Through her use of a fictional character, Tillman devised a new genre of writing that melded fiction and theory, sensation, and critical thought, disseminating her third-person art writer's observations in such magazines as Art in America and in a variety of art exhibition catalogs and artist books. Two decades after the original publication of these texts, her approach to investigation through embodied thought has been wholly absorbed by a new generation of artists and writers. Provocative and wholly pleasurable, Tillman's stories/essays dissect the mundane with alarming precision. As Lydia Davis wrote of her work, "Our assumptions shift. The every day becomes strange, paradox is embraced, and the unexpected is always around the corner." This new collection also includes the complete stories of Tillman's other persona, the quixotic author Paige Turner (whose investigation of the language of love overshoots any actual experience of it), and additional stories and essays that address figures such as the "Translation Artist" and Cindy Sherman.

The Complete Madame Realism and Other Stories

Haunted Houses

The film noir version of growing up female. In uncompromising prose, Tillman tells the story of three girls, Grace, Emily and Jane, and their transition to womanhood. Colliding with culture, family and friends under dark and comic circumstances, Tillman presents three very contemporary lives in uncanny, disturbing and sometimes shocking terms.

Our days are cluttered with a "glut of images." What does this mean? Men and Apparitions takes on a central question of our time through the wild musings and eventful life of Ezekiel Hooper Stark, cultural anthropologist, ethnographer, specialist in family photography.

A Novel

Men and Apparitions

Stephen Shore

Stephan Schmidt-Wulffen

Stephen Shore took colour photography beyond the domain of advertising and fashion, and his large-format American landscapes have become a vital photographic tradition over the past three decades. This book contains previously unpublished work that has never been exhibited.

The Complete Works

Uncommon Places

A humorous novel of urban life pits a "heroic" woman against her apathetic landlord and the group of petty hoodlums raising Cain under her window every night. Reprint. 20,000 first printing.

No Lease on Life

The stories in Some Day This Will Be Funny marry memory to moment in a union of narrative form as immaculate and imperfect as the characters damned to act them out on page. Lynne Tillman, author of American Genius, presides over the ceremony; Clarence Thomas, Marvin Gaye, and Madame Realism mingle at the reception. Narrators - by turn infamous and nameless - shift within their own skin, struggling to unknot reminiscence from reality while scenes rush into warm focus, then cool, twist, and snap in the breeze of shifting thought. Epistle, quotation, and haiku bounce between lyrical passages of lucid beauty, echoing the scattered, cycling arpeggio of Tillman's preferred subject: the unsettled mind. Collectively, these stories own a conscience shaped by oaths made and broken; by the skeleton silence and secrets of family; by love's shifting chartreuse. They traffic in the quiet images of personal history, each one a flickering sacrament in danger of being swallowed up by the lust and desperation of their possessor: a fistful of parking tickets shoved in the glove compartment, a little black book hidden from a wife in a safe-deposit box, a planter stuffed with flowers to keep out the cooing mourning doves. They are stories fashioned with candor and animated by fits of wordplay and invention - stories that affirm Tillman's unshakable talent for wedding the patterns and rituals of thought with the blushing immediacy of existence, defying genre and defining experimental short fiction.

Someday this Will be Funny

Motion Sickness (Masks)

For the narrator of Motion Sickness, life is an unguided tour. Adrift in Europe, she improvises a life and a self. In London, she's befriended by an expatriate American Buddhist and her mysterious husband, or may or may not be stalking her. In Paris, she shacks up with Arlette, an art historian obsessed with Velazquez;s painting "Las Meinas." In Amsterdam, she teams up with a Belgian friend, who is studying prostitutes, and she tours Italy with deeply mismatched English brothers. And, as with an epic journey, the true trajectory is inwards, ever inwards, into her own dreams and desires...

Motion Sickness

Colm Toibin

Features essays written by the author on different subjects, but often comes back to the questions what happens when men behave badly and when women behave too well.

What Would Lynne Tillman Do?

Uncommon Places : the Complete Works

From the brilliantly original novelist and cultural critic Lynne Tillman comes MOTHERCARE, an honest and beautifully written account of a sudden, drastically changed relationship to one’s mother, and of the time and labor spent navigating the American healthcare system. When a mother’s unusual health condition, normal pressure hydrocephalus, renders her entirely dependent on you, your sisters, caregivers, and companions, the unthinkable becomes daily life. In MOTHERCARE, Tillman describes doing what seems impossible: handling her mother as if she were a child and coping with a longtime ambivalence toward her. In Tillman’s celebrated style and as a “rich noticer of strange things” (Colm Tóibín), she describes, without flinching, the unexpected, heartbreaking, and anxious eleven years of caring for a sick parent. MOTHERCARE is both a cautionary tale and sympathetic guidance for anyone who suddenly becomes a caregiver. This story may be helpful, informative, consoling, or upsetting, but it never fails to underscore how impossible it is to get the job done completely right.

MOTHERCARE

While the tumultuous 1970s rock th world around them, a collection of aging expatriates linger in a quiet town on the island of Crete, where they have escaped their pasts and their present. Among them is Horace, a gay American writer who fears he has finally reached old age. Idling his time away with alcohol and working on a novel that he will never finish, Horace feels closer than ever to his own sorry end. That is, until a young, enigmatic American woman named Helen joins his crowd of outsiders.

Lynne Tillman

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