Magdalena Tulli

By the Koscielski Prize-winning author of Dream and Stones, In Red is the gripping cautionary tale in which real and unreal combine explosively, making us question the nature of the work itself. Set in an imaginary fourth partition of Poland, In Red retraces the turbulent history of the Twentieth Century in a labyrinth of greed, inheritance, and entropy, enacting—word by tremulous word—the claustrophobia of a small town from which there seems to be no escape. Never have Tulli's trademark precision of language and her crystalline storytelling been put to such brilliant use.

In Red

Dreams and Stones is a small masterpiece, one of the most extraordinary works of literature to come out of Central and Eastern Europe since the fall of communism. In sculpted, poetic prose reminiscent of Bruno Schulz, it tells the story of the emergence of a great city. In Tulli’s hands myth, metaphor, history, and narrative are combined to magical effect. Dreams and Stones is about the growth of a city, and also about all cities; at the same time it is not about cities at all, but about how worlds are created, trans- formed, and lost through words alone. A stunning debut by one of Europe’s finest new writers.

Dreams and Stones

Tryby

Bill Johnston

Hailed as one of the most brilliant contributions to the literature of Central and Eastern Europe since the fall of Communism, Dreams and Stones won the prestigious Koscielski Foundation Prize in Poland in 1995. Telling the story of the growth of a great city, Tulli relates its history by entering the lives of the stones from which the buildings and monuments are constructed, as well as the dreams of people and objects interwoven with the city's history. Revealing the inner lives of buildings, mirrors and news-paper -photographs, she explores the design of the city, its growth and its workings. Dismantling the city piece by piece, Tulli reveals a very different metaphysical landscape lying, literally, beneath and around it.

Den unge piges opvækst og voksenliv præges af familiens insisteren på at leve et "normalt liv", som er den måde, familien håndterer krigens traumer på

Szum

A wildly inventive, Calvinoesque pageturner. A masterpiece of language and thought.

Moving Parts

Ilyās Khūrī

Peter Altenberg

Witold Gombrowicz

Julio Cortázar

Gérard de Nerval

Ahmet Hamdi Tanpınar

Maḥmūd Darwīsh

Breyten Breytenbach

Richard Sieburth

Michael Henry Heim

Richard Zenith

Peter Wortsman

Francis Ponge

Peter Theroux

I︠U︡riĭ Rytkhėu

Archipelago Books

Jill Schoolman

Lee Fahenstock

Daniel Slager

Robert Bonono

Stinehour Press

Collection consists of the papers of the Press, including correspondence with authors, translators and advertisers; typescripts and manuscripts of books published; proof copies; and dust-jackets. International authors represented in the collection include: Breyten Breytenbach; Ahmet Hamdi Tanpinar; Francis Ponge; Julio Cortázar; Tadeusz Rozewicz; Marguerite Duras; Robert Musil; Henri Michaux; Elias Khoury; João Cabral de Melo Neto; Witold Gombrowicz; and Jean Giono. Translators represented include: Michael Henry Heim; Richard Sieburth; Richard Zenith; Lee Fahenstock; Bill Johnston; Peter Wortsman; Daniel Slager; Robert Bonono; and Peter Theroux.

Papers

A feckless, comical narrator struggles against all odds to tell a story for which he is responsible, but which he neither controls nor understands. His characters multiply, repeat, and go astray; his employer pays no attention, asleep in a drunken stupor. The increasingly desperate narrator clambers over rooftops and through underground passages, watching helplessly as his characters reappear in different times and settings and start rival stories against his will. This brilliant, wryly humorous work tells of the sadness of the world and of the inadequate means that language and storytelling offer for describing and understanding it. Yet it does so in Tulli's characteristically clear, concrete, gorgeous prose. This extraordinary work, unique in both form and message, shows a European master at the height of her powers and constitutes a major contribution to a new century of European literature. A wildly inventive page-turner.

Una niña con la boca manchada de tinta. Unas llaves perdidas sistemáticamente. Un piano que debe afinarse después de cada bombardeo. Unos zapatos de tacón italiano que levantan recelos en Varsovia. Un país libre y un país que siempre pierde. La protagonista de Zapatos de tacón italiano, medio polaca, medio italiana, se descubrirá a sí misma. Vuelve a casa para cuidar de su madre por un alzhéimer que avanza hacia recuerdos cada vez más distantes. Así, combinará la dureza del cuidado de su madre con los recuerdos de su infancia y los secretos que la enfermedad ya no puede esconder. Esta historia íntima y conmovedora, basada en elementos autobiográficos, ganó el Premio Gdynia y el Premio Gryfice. Tulli es una de las escritoras europeas de más prestigio de la literatura actual. En 2013, además, ganó un premio a la trayectoria, el Premio Julian Tuwim.

Zapatos de tacón italiano

A single streetcar line runs around the sleepy suburban square of an unnamed city. One day—out of nowhere—a group of hapless refugees pour from the streetcar and set up camp in the square. The residents grow hostile to the disruption and chaos, and eventually take matters into their own hands... Flaw is Tulli’s most intense and personally motivated work to date, while still retaining the signature mind-and word-play so admired by critics and her growing readership.

Magdalena Tulli

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