Ibrahim Nasrallah

Ahlam Bsharat

Mahmoud Shukair

Maya Abu Al-Hayat

Liana Badr

Anas Abu Rahma

Ameer Hamad

Khaled Hourani

Ahmad Jaber

Ziad Khadash

A coffee seller waits all day for one of his customers to ask him how he is, until eventually he just tells the city itself... A teenager is ordered off a bus at a checkpoint and told he must kiss a complete stranger if he wants the bus to be let through... A woman pilgrimages to the Cave of the Prophets, to pray for rain for her tiny patch of land, knowing it will take more than water to save it... Unlike most other Palestinian cities, Ramallah is a relatively new town, a de facto capital of the West Bank allowed to thrive after the Oslo Peace Accords, but just as quickly hemmed in and suffocated by the Occupation as the Accords have failed. Perched along the top of a mountainous ridge, it plays host to many contradictions: traditional Palestinian architecture jostling against aspirational developments and cultural initiatives, a thriving nightlife in one district, with much more conservative, religious attitudes in the next. Most striking however – as these stories show – is the quiet dignity, resilience and humour of its people; citizens who take their lives into their hands every time they travel from one place to the next, who continue to live through countless sieges, and yet still find the time, and resourcefulness, to create.

A City in Short Fiction

The Book of Ramallah

By turns bleak, nostalgic, and lighthearted, Jerusalem Stands Alone explores the interconnected lives of its mostly Palestinian cast. This series of quick moving vignettes tells the story of occupied Jerusalem—tales of the daily tribulations and personal revelations of its narrators. The stories, entwined around themes of family and identity, diverge in viewpoint and chronology but ultimately unite to reveal the tapestry of Palestinian Jerusalem. The settings evoke the past—churches, alleys, and people who are gone but whose spirits yearn to be remembered. The characters are sons and mothers, soldiers and wives, all of whom unveil themselves in sometimes poignant, sometimes bittersweet memories. As its history rises up through the present struggles and hopes of its people, the deepest, most personal layers of Jerusalem are revealed.

Jerusalem Stands Alone

Shortlisted for the International Prize for Arabic Fiction 2016. In the wake of resettlement from the desert to the hills overlooking Jerusalem, aging Bedouin patriarch Mannan wants his son Muhammad al-Asghar (the Youngest) to take on leadership and hold the clan together. But the youngest of eighteen sons is unable to follow in his father’s footsteps. Like others in the al-Abd al-Lat clan, he is torn between old customs and new choices. Muhammad al-Asghar is married—with affection and loyalty—to open-minded Sanaa, a childless divorcee. He works as a clerk in a sharia court, recording marriage contracts and divorce papers. But he wants to become a writer and gets drawn into stories: of his mate, of unhappy co-wives in the sharia court, of his storytelling mother Wadha (his father’s sixth wife), of his brothers and relatives. Listening to them, he becomes aware of the impossibility of equality for women in a clan culture caught in the grip of a suffocating foreign occupation, following the Palestinian exodus of 1948. And while he fails to bring the clan together, as his father had hoped, he manages to honor Mannan’s legacy request and record the life of the clan. A family album imbued with disaster, warmth and humor, Praise for the Women of the Family captures vivid snapshots of shifting intimate bonds, taken in the shadow of the patriarch by a youngest son, in search of his ­people’s story. The Al-Abd al-Lat clan has left the desert and is preparing to leave its Bedouin customs behind. Some of the women of the clan are drawn to the allure of modern life, while others scorn it and fear the loss of their traditional lifestyle and values. When Rasmia accompanies her husband to a party, Najma wears a dress and Sana gets a tan on her white legs, they set malicious tongues wagging. Meanwhile, Wadha, the sixth wife of Mannan, the chief of the clan, still believes that the washing machine and television are inhabited by evil spirits. Set in the tumultuous time after the nakba (the Palestinian exodus from what is now Israel), Praise for the Women in the Family portrays the rapid advance of modernity and the growing conflict in 1950s Palestine. It also reveals the impossibility of political equality in a society that treats its women unjustly and denies them the right to dignity and equality with men.

A novel

Praise for the Women of the Family

Mahmoud Shukair

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