Manfred Engel

Leben - Werk - Wirkung

Rilke-Handbuch

Rilke hat "das deutsche Gedicht zum ersten Mal vollkommen gemacht", urteilte Robert Musil. Grund genug, Leben und Werk in einem eigenen Handbuch unter die Lupe zu nehmen. Von bleibender Aktualität, skeptisch gegenüber allen einseitig rationalen, psychologisch-soziologischen Welterklärungen entwirft Rilke ein Menschenbild mit rein poetischen Mitteln. Rilkes Biografie, seine Beziehungen z.B. zur russischen Literatur und den Dichterinnen Marina Zwetajewa und Anna Achmatova, zur Psychoanalyse und zu anderen Künsten erschließen das Schaffen in allen Schattierungen.

Leben – Werk – Wirkung

Gerald Gillespie

Bernard Dieterle

In this volume a team of three dozen international experts presents a fresh picture of literary prose fiction in the Romantic age seen from cross-cultural and interdisciplinary perspectives. The work treats the appearance of major themes in characteristically Romantic versions, the power of Romantic discourse to reshape imaginative writing, and a series of crucial reactions to the impact of Romanticism on cultural life down to the present, both in Europe and in the New World. Through its combination of chapters on thematic, generic, and discursive features, Romantic Prose Fiction achieves a unique theoretical stance, by considering the opinions of primary Romantics and their successors not as guiding “truths” by which to define the permanent “meaning” of Romanticism, but as data of cultural history that shed important light on an evolving civilization.SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series’ total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of “irony” as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism’s own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the “Old” and “New” Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.

Romantic Prose Fiction

Ritchie Robertson

Kafka and short modernist prose

Dieter Lamping

Der Sammelband untersucht Kafkas spezifische Stellung innerhalb der Weltliteratur durch eine komparatistische Kontextualisierung seiner deutungsoffenen, modernen Texte. Die einzelnen Beiträge lassen sich drei Themenschwerpunkten zuordnen: Kafkas Lektüren, Kafka und die moderne Literatur, Kafka-Lektüren. In der Sektion Kafkas Lektüren wird der Versuch unternommen, Kafkas produktive Rezeption bedeutender Autoren der Weltliteratur systematisch-vergleichend zu untersuchen. Die Beiträge zum Thema Kafka und die moderne Literatur widmen sich typologischen Vergleichen zwischen Kafka und anderen der Moderne zugehörigen Autoren. Kafka-Lektüren schließlich analysiert die produktiv gewordene Kafka-Rezeption nachfolgender Autoren, um Kafkas spezifische Stellung innerhalb der modernen und postmodernen Literatur aufzeigen zu können.

Franz Kafka und die Weltliteratur

Bernd Auerochs

Der wirkungsmächtigste deutschsprachige Schriftsteller des 20. Jahrhunderts. Franz Kafkas Werk gilt bis heute als Musterfall der ästhetischen Moderne. Das Handbuch präsentiert die Kontexte, in denen Kafka stand und stellt sein Leben sowie die wichtigsten Werke, Fragmente, Tagebücher und Briefe vor. Dabei wird deutlich, welchen Einfluss z. B. der Prager Kreis, Judentum/Zionismus, Philosophie, Psychoanalyse, Film und Fotografie auf Kafkas Texte hatten. Besonderer Wert wird erstmals auf die Entwicklungsgeschichte des Kafka schen Werkes gelegt.

Kafka-Handbuch

Gerald Ernest Paul Gillespie

In this volume a team of three dozen international experts presents a fresh picture of literary prose fiction in the Romantic age seen from cross-cultural and interdisciplinary perspectives. The work treats the appearance of major themes in characteristically Romantic versions, the power of Romantic discourse to reshape imaginative writing, and a series of crucial reactions to the impact of Romanticism on cultural life down to the present, both in Europe and in the New World. Through its combination of chapters on thematic, generic, and discursive features, Romantic Prose Fiction achieves a unique theoretical stance, by considering the opinions of primary Romantics and their successors not as guiding truths by which to define the permanent meaning of Romanticism, but as data of cultural history that shed important light on an evolving civilization.SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series' total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of irony as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism's own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the Old and New Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.

Manfred Engel

About

Books

Join the club