Frederick Burwick

Manushag N. Powell

Fictional or real, pirates haunted the imagination of the 18th and 19th century-British public. British Pirates in Print and Performance explores representations of pirates through dozens of stage performances, including adaptations by Byron, Scott, and Cooper, in a period of maritime commerce, exploration, and naval conflict. Tracking the movement between the pirate on stage and the pirate in print, this book reveals the origins and dramatic developments of the signifiers that audiences attach to piracy, including pirate fashion (from peg-legs to parrots), the Jolly Roger, and walking the plank.

British Pirates in Print and Performance

Jennie Batchelor

This innovative volume presents for the first time collective expertise on women's magazines and periodicals of the long eighteenth century. While this period witnessed the birth of modern periodical culture and its ability to shape aspects of society from the popular to the political, most studies have traditionally obscured the very active role women's voices and women readers played in shaping the periodicals that in turn shaped Britain. The 30 essays here demonstrate the importance of periodicals to women, the importance of women to periodicals, and, crucially, they correct the destructive misconception that the more canonized periodicals and popular magazines were enemy or discontinuous forms. This collection shows how both periodicals and women drove debates on politics, education, theatre, celebrity, social practice, popular reading and everyday life itself. Divided into 6 thematic parts, the book uses innovative methodologies for historical periodical studies, thereby mapping new directions in eighteenth-century and Romantic studies, women's writing as well as media and cultural history. While our period witnessed the birth of modern periodical culture, most studies have obscured the active role women's voices and women readers played in shaping the periodicals that in turn shaped Britain.

The Long Eighteenth Century

Women's Periodicals and Print Culture in Britain, 1690-1820s

This book embraces periodicals across the first two-thirds of the eighteenth century to argue that this mode of writing, packed with humor and verve, originates the figure of the mass market author as a literary character. The author posits that, at the same time, periodicals harbor inescapable doubts as to whether such a character is sustainable.

Manushag N. Powell

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