Marcus Wood

Sara Salih

Deirdre Coleman

Diana Paton

Felicity Nussbaum

Maroula Joannou

George Boulukos

Lincoln Shlensky

Gerald M. MacLean

Slavery as depicted in literature and culture is examined in this wide-ranging collection.

Essays Marking the Bicentennial of the British Abolition Act of 1807

Slavery and the Cultures of Abolition

This volume collects the most important works of poetry generated by English and North American slavery, mixing poetry by the major Anglo-American Romantic poets with curious, and sometimes brilliant, verse by a range of now forgotten literary figures.

An Anglo-American Anthology, 1764-1865

The Poetry of Slavery

The Black Butterfly focuses on the slavery writings of three of Brazil's literary giants--Machado de Assis, Castro Alves, and Euclides da Cunha. These authors wrote in the late nineteenth and early twentieth centuries, as Brazil moved into and then through the 1888 abolition of slavery. Assis was Brazil's most experimental novelist; Alves was a Romantic poet with passionate liberationist politics, popularly known as "the poet of the slaves"; and da Cunha is known for the masterpiece Os Sertões (The Backlands), a work of genius that remains strangely neglected in the scholarship of transatlantic slavery. Wood finds that all three writers responded to the memory of slavery in ways that departed from their counterparts in Europe and North America, where emancipation has typically been depicted as a moment of closure. He ends by setting up a wider literary context for his core authors by introducing a comparative study of their great literary abolitionist predecessors Luís Gonzaga Pinto da Gama and Joaquim Nabuco. The Black Butterfly is a revolutionary text that insists Brazilian culture has always refused a clean break between slavery and its aftermath. Brazilian slavery thus emerges as a living legacy subject to continual renegotiation and reinvention.

Brazilian Slavery and the Literary Imagination

The Black Butterfly

A study of Atlantic slavery generated by the visual arts. It considers in detail four sites which have generated particularly influential imagery: the middle passage; flight/escape; slave torture/punishment; and the popular imagery which evolved around Stowe's classic abolition text, Uncle Tom's Cabin.

Visual Representations of Slavery in England and America, 1780-1865

Blind Memory

Black Milk is the first in-depth analysis of the visual arts that effloresced around slavery in Brazil and North America in the eighteenth and nineteenth centuries. Exploring prints, photographs, paintings, sculptures, ceramics, and ephemera, it will change everything we knew, or thought we knew, about the visual archive of Atlantic slavery.

Marcus Wood

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