Margherita Dore

This book offers a comprehensive account of the audiovisual translation (AVT) of humour, bringing together insights from translation studies and humour studies to outline the key theories underpinning this growing area of study and their applications to case studies from television and film. The volume outlines the ways in which the myriad linguistic manifestations and functions of humour make it difficult for scholars to provide a unified definition for it, an issue made more complex in the transfer of humour to audiovisual works and their translations as well as their ongoing changes in technology. Dore brings together relevant theories from both translation studies and humour studies toward advancing research in both disciplines. Each chapter explores a key dimension of humour as it unfolds in AVT, offering brief theoretical discussions of wordplay, culture-specific references, and captioning in AVT as applied to case studies from Modern Family. A dedicated chapter to audio description, which allows the visually impaired or blind to assess a film’s non-verbal content, using examples from the 2017 film the Big Sick, outlines existing research to date on this under-explored line of research and opens avenues for future study within the audiovisual translation of humour. This book is key reading for students and scholars in translation studies and humour studies.

Theories and Applications

Humour in Audiovisual Translation

This book explores an important aspect of human existence: humor in self-translation, a virtually unexplored area of research in Humour Studies and Translation Studies. Of the select group of international scholars contributing to this volume some examine literary texts from different perspectives (sociological, philosophical, or post-colonial) while others explore texts in more extraneous fields such as standup comedy or language learning. This book sheds light on how humour in self-translation induces thoughts on social issues, challenges stereotypes, contributes to recast individuals in novel forms of identity and facilitates reflections on our own sense of humour. This accessible and engaging volume is of interest to advanced students of Humour Studies and Translation Studies.

Humour in Self-Translation

Andrea Ruthven

Alexandra Assis Rosa

Julia T. Williams Camus

Cristina Gómez Castro

Carmen Camus Camus 

Javier Franco Aixelá

Ángeles García Calderón

Paloma Pizarro Seijas

Paloma Tejada Caller

Gora Zaragoza Ninet

Ilaria Zarrelli

This volume includes a collection of chapters dealing with a number of aspects pertaining to the intersection between translation studies and gender studies. Although these disciplines have received the attention of numerous scholars since the 1970s, the current multidisciplinary approach in the humanities and social sciences involves the use of new methodological and analytical tools, which undoubtedly enrich and provide new insights in these fields. The articles in the present monograph represent the current state of translation studies from a gender perspective. From diverse methodological and ideological approaches, they deal with important aspects related to the construction and the representation of gender identity in processes of intersemiotic adaptation, of interlinguistic transfer and intercultural re-creation. Este volumen incluye una selección de capítulos que versan sobre diferentes aspectos de la intersección entre los estudios de traducción y los estudios de género. Aunque estas disciplinas han recibido la atención de numerosos investigadores desde la década de los 70, la actual aproximación multidisciplinar en las humanidades y ciencias sociales implica el uso de nuevos enfoques metodológicos y analíticos, que sin duda enriquecen y aportan nuevas lecturas en estos ámbitos. Los artículos de la presente monografía representan el estado actual de los trabajos en traducción desde una perspectiva de género. Desde diversas aproximaciones metodológicas e ideológicas, abordan importantes aspectos relativos a la construcción y la representación de la identidad de género en procesos de adaptación intersemiótica, de transferencia interlingüística, así como de re-creación intercultural.

Translation and Gender: Discourse Strategies to Shape Gender

This volume seeks to investigate how humour translation has developed since the beginning of the 21st century, focusing in particular on new ways of communication. The authors, drawn from a range of countries, cultures and academic traditions, address and debate how today’s globalised communication, media and new technologies are influencing and shaping the translation of humour. Examining both how humour translation exploits new means of communication and how the processes of humour translation may be challenged and enhanced by technologies, the chapters cover theoretical foundations and implications, and methodological practices and challenges. They include a description of current research or practice, and comments on possible future developments. The contributions interconnect around the issue of humour creation and translation in the 21st century, which can truly be labelled as the age of multimedia. Accessible and engaging, this is essential reading for advanced students and researchers in Translation Studies and Humour Studies.

Humour Translation in the Age of Multimedia

At Master’s level, students in Translation Studies may choose to complete their course by compiling a dissertation by commentary. Such projects involve detailed discussions of the strategies and procedures that students opt for when translating a source text of their choice (be it literary, audiovisual, or technical). However, the vast majority of these dissertations by commentary usually remain stored in university libraries. Achieving Consilience: Translation Theories and Practice brings to the fore the theoretical and practical potential of these dissertations by commentary. It demonstrates how theories in Translation Studies can be fruitfully, consciously and systematically applied during the translation practice, thus helping to transcend the received wisdom according to which theorists and practitioners share little common ground. Additionally, the contributors to this volume evince their ability to apply a research-driven approach to their analysis by comparing their work with official translations or other field-related texts. As such, this essay collection will contribute to a better understanding of the translator’s decision-making process, and will offer future students valuable guidelines regarding the procedure normally followed in completing a dissertation by commentary.

Margherita Dore

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