Margit Rowell

Ed Ruscha, photographer

Christo

Philip Guston

Georges Braque

Stuart Davis

Raoul Dufy

Juan Gris

Domenico Gnoli

Paul Cézanne

De Chirico, Giorgio

Patrick Henry Bruce

Glenn Lowry

Iwan Babij

Carlo Carra

Andre Derain

Mikhail Fyodorovich Larionov

Henri Laurens

The Modern Still Life

Objects of Desire

Bice Curiger

Sigmar Polke

Works on Paper

Centre Georges Pompidou

Philadelphia Museum of Art

Ann Temkin

Friedrich Teja Bach

In twentieth-century sculpture, one name towers above all others: Romanian-born Constantin Brancusi (1876-1957). This book accompanies a major retrospective exhibition of Brancusi's sculpture, drawings, and photographs, organized by the Philadelphia Museum of Art and the Centre Georges Pompidou, Paris. Profusely illustrated throughout, with photographs by the artist and images culled from a wide range of archival sources, it is the most definitive work yet published on this influential artist. The authors provide a detailed reassessment of Brancusi's work, incorporating and extending the profound revisions in scholarship that have been taking place since the last major retrospective in 1969-70.

Constantin Brancusi, 1876-1957

Julio González

A Retrospective, the Solomon R. Guggenheim Museum, New York

Julio Gonzalez

Museum of Modern Art (New York, N.Y.)

Michael Semff

"This book is published to accompany the first American museum exhibition of Polke's drawings from this period, shown at The Museum of Modern Art in New York in 1999. More than 300 works are illustrated, virtually all of them in color. They include small sketches in ballpoint and felt-tipped pen, larger sheets in watercolor and gouache, and still others stamped with a dot screen process."--BOOK JACKET.

Works on Paper 1963-1974

Edited by Deborah Wye and Margit Rowell. Essays by Jared Ash, Gerald Janecek, Nina Gurianova, Margit Rowell and Deborah Wye.

The Russian Avant-garde Book, 1910-1934

Hayward Gallery (Londres).

This book is the first in-depth study of the still life as interpreted and transformed by avant-garde artists of the 20th century. Published to accompany a major exhibition opening in May 1997 at The Museum of Modern Art, New York, Objects of Desire traces a radical rethinking iof the genre ion terms of subject matter and formal invention.Through unprecedented juxtapositions of works by 56 artist, Objects of Desire profiled the changing cultural values that are patently evident in the still life, reflected in the choice of objects -- from pitchers to bicycle wheels to soup cans -- and their perceptual or conceptual, objective or subversive representations.

Margit Rowell

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