María Herrera-Sobek

... well-written and well-documented landmark study... " --Choice This book raises important ideological and esthetic questions about the interpretation of artistic and cultural manifestations in a given society."--Hispanic American Historical Review The present volume is provocative in direction and a refreshing addition to the extant literature on the Mexican corrido genre." --American Ethnologist [Herrera-Sobek's] refreshing approach to analyzing masculine attitudes toward the feminine as expressed in the Mexican corrido is not only insightful but courageous." --Inez Cardozo-Freeman, Southern Folklore ... well-researched, insightful, clearly written, and well-illustrated study of a genre familiar in Hispanic culture." --Journal of the American Studies Association ... provides tantalizing insights into the inner workings and meanings of Mexico's favorite folk ballads..." --Journal of Third World Studies Challenging the stereotypical view of the passive Mexican/Chicana woman of the archetype, the author examines the portrayal of female figures in over three thousand corridos or Mexican ballads and shows that in spite of long-dominant patriarchal ideology, the corridos reveal the presence of self-confident women throughout Mexican history. Included are a discography, a detailed bibliography of corrido collections, and several photographs of soldaderas from the internationally famous Augustin Casasola collection.

A Feminist Analysis

The Mexican Corrido

Helena María Viramontes

Fiction. Since 1982 Maria Herrera-Sobek and Helena Maria Viramontes have been instrumental in bringing together the most salient artists, filmmakers, poets, novelists, as well as literary and film critics in the field of Chicana Studies at the University of California at Irvine. The present volume weaves together, through original work and critique, the cultural production of some of the most important Chicana writers and filmmakers of our time.

On Word and Film

Chicana (w)rites

David R. Maciel

Isidro D. Ortiz

Among the lasting legacies of the Chicano Movement is the cultural flowering that it inspired--one that has steadily grown from the 1960s to the present. It encompassed all of the arts and continues to earn acclaim both nationally and internationally. Although this Chicano artistic renaissance received extensive scholarly attention in its initial phase, the post-Movimiento years after the late 1970s have been largely overlooked. This book meets that need, demonstrating that, despite the changes that have taken place in all areas of Chicana/o arts, a commitment to community revitalization continues to underlie artistic expression. This collection examines changes across a broad range of cultural forms--art, literature, music, cinema and television, radio, and theater--with an emphasis on the last two decades. Original articles by both established and emerging scholars review such subjects as the growth of Tejano music and the rise of Selena, how films and television have affected the Chicana/o experience, the evolution of Chicana/o art over the last twenty years, and postmodern literary trends. In all of the essays, the contributors emphasize that, contrary to the popular notion that Chicanas/os have succumbed to a victim mentality, they continue to actively struggle to shape the conditions of their lives and to influence the direction of American society through their arts and social struggle. Despite decades usually associated with self-interest in the larger society, the spirit of commitment and empowerment has continued to infuse Chicana/o cultural expression and points toward a vibrant future. CONTENTS All Over the Map: La Onda Tejana and the Making of Selena, Roberto R. Calderón Outside Inside-The Immigrant Workers: Creating Popular Myths, Cultural Expressions, and Personal Politics in Borderlands Southern California, Juan Gómez-Quiñones "Yo soy chicano": The Turbulent and Heroic Life of Chicanas/os in Cinema and Television, David R. Maciel and Susan Racho The Politics of Chicano Representation in the Media, Virginia Escalante Chicana/o and Latina/o Gazing: Audiences of the Mass Media, Diana I. Ríos An Historical Overview/Update on the State of Chicano Art, George Vargas Contemporary Chicano Theater, Arturo Ramírez Breaking the Silence: Developments in the Publication and Politics of Chicana Creative Writing, 1973-1998, Edwina Barvosa-Carter Trends and Themes in Chicana/o Writings in Postmodern Times, Francisco A. Lomelí, Teresa Márquez, and María Herrera-Sobek

Contemporary Cultural Trends

Chicano Renaissance

Elitelore Versus Folklore

The Bracero Experience

Latino folklore comprises a kaleidoscope of cultural traditions. This compelling three-volume work showcases its richness, complexity, and beauty. * 300 A–Z entries that describe the myriad topics of Latino folklore * Contributions from distinguished scholars from across the United States * Photographs, paintings, and documents that supplement and enhance the essays * A short bibliography of suggested readings accompanies each essay

An Encyclopedia of Cultural Traditions

Celebrating Latino Folklore

Francisco Lomelí

Luz Angélica Kirschner

This interdisciplinary book explores human rights in the Americas from multiple perspectives and fields. Taking 1492 as a point of departure, the text explores Eurocentric historiographies of human rights and offer a more complete understanding of the genealogy of the human rights discourse and its many manifestations in the Americas. The essays use a variety of approaches to reveal the larger contexts from which they emerge, providing a cross-sectional view of subjects, countries, methodologies and foci explicitly dedicated toward understanding historical factors and circumstances that have shaped human rights nationally and internationally within the Americas. The chapters explore diverse cultural, philosophical, political and literary expressions where human rights discourses circulate across the continent taking into consideration issues such as race, class, gender, genealogy and nationality. While acknowledging the ongoing centrality of the nation, the volume promotes a shift in the study of the Americas as a dynamic transnational space of conflict, domination, resistance, negotiation, complicity, accommodation, dialogue, and solidarity where individuals, nations, peoples, institutions, and intellectual and political movements share struggles, experiences, and imaginaries. It will be of interest to all scholars and students of InterAmerican studies and those from all disciplines interested in Human Rights.

Human Rights in the Americas

Collects essays examining Cisneros' famous novel, citing its original critical reception and its importance in the Chicana and lesbian fiction genres.

The House on Mango Street, by Sandra Cisneros

David Maciel

Primer libro dedicado al análisis de las manifestaciones culturales de la inmigración mexicana en Estados Unidos: arte, literatura, cine, canciones, humor. Muestra cómo los inmigrantes mexicanos han sido y son pintados, y cómo los artistas, escritores e intelectuales, chicanos y otros han utilizado los medios artísticos para protestar contra el injusto tratamiento que reciben por parte de las autoridades de Estados Unidos.

inmigración mexicana y cultura popular

Cultura al otro lado de la frontera

Genaro M. Padilla

Ramón A. Gutiérrez

Presents essays dealing with literature written by Hispanic Americans from the sixteenth century through 1960, evaluates individual authors, and examines the contributions of Latino authors in a multicultural, multilingual society.

Recovering the U.S. Hispanic Literary Heritage

Francisco A. Lomelí

Juan Antonio Perles Rochel

ensayos y creatividad

Perspectivas transatlánticas en la literatura chicana

This volume offers a comprehensive introduction to Sandra Cisneros's acclaimed novel. The opening essays describe the critical reception of the novel and its simple prose and reliance on suggestive metaphors and similes. A collection of classic essays offer a feminist approach to the work, an examination of gender stereotypes, a critique of patriarchy, and the role of female friendships. Other essays examine how Cisneros uses the novel to cross the boundaries of gender, class, language, and genres.

María Herrera-Sobek

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