Maria Reva

A brilliant and bitingly funny collection of stories united around a single crumbling apartment building in Ukraine that heralds the arrival of a major new talent ("Reva is a miracle writer...You've never read anything like [these stories]."--Elizabeth McCracken, author of Bowlaway) A bureaucratic glitch omits an entire building, along with its residents, from municipal records. So begins Reva's ingeniously intertwined narratives, nine stories that span the chaotic years leading up to and immediately following the fall of the Soviet Union. But even as the benighted denizens of 1933 Ivansk Street weather the official neglect of the increasingly powerless authorities, they devise ingenious ways to survive. In "Bone Music," an agoraphobic recluse survives by selling contraband LPs, mapping the vinyl grooves of illegal Western records into stolen X-ray film. A delusional secret service agent in "Letter of Apology" becomes convinced he's being covertly recruited to guard Lenin's tomb, just as his parents, not seen since he was a small child, supposedly were. Weaving the narratives together is the unforgettable, chameleon-like Zaya: a cleft-lipped orphan in "Little Rabbit," a beauty-pageant crasher in "Miss USSR," a sadist-for-hire to the Eastern Bloc's newly minted oligarchs in "Homecoming." Good Citizens Need Not Fear tacks from moments of intense paranoia to surprising tenderness and back again, exploring what it is to be an individual amid the roiling forces of history. Inspired by her and her family's own experiences in Ukraine, Reva brings the black absurdism of early Shteyngart and the sly interconnectedness of Anthony Marra's Tsar of Love and Techno to a collection that is as clever as it is heartfelt.

Stories

Good Citizens Need Not Fear

In the absurdist literary tradition of George Saunders and Percival Everett comes a brilliant debut about a biologist in Ukraine battling to save the country’s snail species from the brink of extinction.

Ukraine, 2022. Yeva is a loner and a maverick scientist who lives out of her mobile lab. She scours the country’s forests and valleys, trying and failing to breed rare snails while her relatives urge her to give up, settle down and finally start a family of her own. What they don’t know: Yeva already dates plenty of men—not for love, but to fund her work—entertaining Westerners who come to Ukraine on guided romance tours believing they’ll find docile brides untainted by feminism and modernity.

Nastia and her sister, Solomiya, are also entangled in the booming marriage industry, posing as a hopeful bride and her translator while secretly searching for their missing mother—a flamboyant protestor who vanished after years of fierce activism against the romance tours.
So begins a journey of a lifetime across hundreds of miles: three angry women, a truckful of kidnapped bachelors, and Lefty, a last-of-his-kind snail with one final shot at perpetuating his species.

But their plans come to a screeching halt as Russia invades. In a stunningly ambitious and achingly raw metafictional spiral, Endling brilliantly balances horror and comedy, drawing on Reva’s own experiences as a Ukrainian expat tracking her family’s delicate dance of survival behind enemy lines. As fiction and reality collide on the page, Reva probes the hard truths of war: What stories must we tell ourselves to survive? To carry on with the routines of life under military occupation? And for those of us watching from overseas: can our sense of normalcy and security ever be restored, or have they always been a fragile illusion?

Endling is a tour de force from an author on the cutting edge of fiction, weaving a story of love, loss, humor, and devastation that only she can tell.

Endling

Endling: Brilliant ... Funny and Smart, Full of Science, Longing and Adventure (Ann Patchett)

Endlings

"Bright, funny, satirical and relevant. . . . A new talent to watch"--Margaret Atwood "These immersive linked stories grapple with Ukrainian history through the waning years of the USSR and birth pangs of democracy...Reva's characters spark off the page as they confront a brutal bureaucratic past with the only tool they possess--hope."--O, The Oprah Magazine A brilliant and bitingly funny collection of stories united around a single crumbling apartment building in Ukraine. A bureaucratic glitch omits an entire building, along with its residents, from municipal records. So begins Reva's "darkly hilarious" (Anthony Doerr) intertwined narratives, nine stories that span the chaotic years leading up to and immediately following the fall of the Soviet Union. But even as the benighted denizens of 1933 Ivansk Street weather the official neglect of the increasingly powerless authorities, they devise ingenious ways to survive. In "Bone Music," an agoraphobic recluse survives by selling contraband LPs, mapping the vinyl grooves of illegal Western records into stolen X-ray film. A delusional secret service agent in "Letter of Apology" becomes convinced he's being covertly recruited to guard Lenin's tomb, just as his parents, not seen since he was a small child, supposedly were. Weaving the narratives together is the unforgettable, chameleon-like Zaya: a cleft-lipped orphan in "Little Rabbit," a beauty-pageant crasher in "Miss USSR," a sadist-for-hire to the Eastern Bloc's newly minted oligarchs in "Homecoming." Good Citizens Need Not Fear tacks from moments of intense paranoia to surprising tenderness and back again, exploring what it is to be an individual amid the roiling forces of history. Inspired by her and her family's own experiences in Ukraine, Reva brings the black absurdism of early Shteyngart and the sly interconnectedness of Anthony Marra's Tsar of Love and Techno to a "bang-on brilliant" (Miriam Toews) collection that is "fearless and thrilling" (Bret Anthony Johnston), and as clever as it is heartfelt. "You've never read anything like them"--Elizabeth McCracken

Maria Reva

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