Maria Tureaud

Last Hope of Hopetown

The Last Hope In Hopetown

Stranger Things meets Fake Blood in this deliciously charming and spooky debut novel about one girl’s choice to save her vampire parents or do what’s right for the greater good. Twelve-year-old human Sophie Dawes lives a good life in Hopetown. There, vampires and humans live in harmony and Sophie and her adoptive vampire moms are living (or unliving) proof. There are a lot of rules that vampires must follow to keep the humans they live around feeling safe, but if regular visits from child protective services and abiding by a nightly curfew keeps their family together, Sophie will do anything to stay with her loving vampire parents. But then, normal, law-abiding vampires begin to go rogue. After Sophie’s own mother— the sweetest person she knows— goes rogue, Sophie decides it’s up to her to find a cure. But taking matters into her own hands might be way more than she bargained for if it means braving a secret council of vampires, executing epic heists, and facing the true bad guys head on. With her best friend by her side, Sophie will fight for hope, freedom and a family bonded by a love that’s thicker than blood.

The Last Hope in Hopetown

Amidst the devastation of Ireland’s Great Famine, a young woman is salvaged from certain death when offered a mysterious position at a remote manor house haunted by a strange power and the horror of her own memories in this chillingly evocative historical novel braided with gothic horror and supernatural suspense for readers of Katherine Arden’s The Warm Hands of Ghosts and The Silence Factory by Bridget Collins.

County Clare, 1848: In the scant few years since the potato blight first cast its foul shadow over Ireland, Maggie O’Shaughnessy has lost everything—her entire family and the man she trusted with her heart. Toiling in the Ennis Workhouse for paltry rations, she can see no future either within or outside its walls—until the mysterious Lady Catherine arrives to whisk her away to an old mansion in the stark limestone landscape of the Burren.

Lady Catherine wants Maggie to impersonate her late daughter, Wilhelmina, and hoodwink solicitors into releasing Wilhelmina’s widow pension so that Lady Catherine can continue to provide for the villagers in her care. In exchange, Maggie will receive freedom from the workhouse, land of her own, and the one thing she wants more than a chance to fulfill the promise she made to her brother on his deathbed—to live to spite them all.

Launching herself into the daunting task, Maggie plays the role of Wilhelmina as best she can while ignoring the villagers’ tales of ghostly figures and curses. But more worrying are the whispers that come from within. Something in Lady Catherine’s house is reawakening long-buried memories in Maggie—of a foe more terrifying than hunger or greed, of a power that calls for blood and vengeance, and of her own role in a nightmare that demands the darkest sacrifice . . .

Maria Tureaud

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