Marie Arana

An authoritative portrait of the Latin-American warrior-statesman examines his life against a backdrop of the tensions of nineteenth-century South America, covering his achievements as a strategist, abolitionist, and diplomat.

American Liberator

Bolivar

Longlisted for the 2020 Andrew Carnegie Medals for Excellence Against the background of a thousand years of vivid history, acclaimed writer Marie Arana tells the timely and timeless stories of three contemporary Latin Americans whose lives represent three driving forces that have shaped the character of the region: exploitation (silver), violence (sword), and religion (stone). Leonor Gonzales lives in a tiny community perched 18,000 feet above sea level in the Andean cordillera of Peru, the highest human habitation on earth. Like her late husband, she works the gold mines much as the Indians were forced to do at the time of the Spanish Conquest. Illiteracy, malnutrition, and disease reign as they did five hundred years ago. And now, just as then, a miner’s survival depends on a vast global market whose fluctuations are controlled in faraway places. Carlos Buergos is a Cuban who fought in the civil war in Angola and now lives in a quiet community outside New Orleans. He was among hundreds of criminals Cuba expelled to the US in 1980. His story echoes the violence that has coursed through the Americas since before Columbus to the crushing savagery of the Spanish Conquest, and from 19th- and 20th-century wars and revolutions to the military crackdowns that convulse Latin America to this day. Xavier Albó is a Jesuit priest from Barcelona who emigrated to Bolivia, where he works among the indigenous people. He considers himself an Indian in head and heart and, for this, is well known in his adopted country. Although his aim is to learn rather than proselytize, he is an inheritor of a checkered past, where priests marched alongside conquistadors, converting the natives to Christianity, often forcibly, in the effort to win the New World. Ever since, the Catholic Church has played a central role in the political life of Latin America—sometimes for good, sometimes not. In Silver, Sword, and Stone Marie Arana seamlessly weaves these stories with the history of the past millennium to explain three enduring themes that have defined Latin America since pre-Columbian times: the foreign greed for its mineral riches, an ingrained propensity to violence, and the abiding power of religion. What emerges is a vibrant portrait of a people whose lives are increasingly intertwined with our own.

Three Crucibles in the Latin American Story

Silver, Sword, and Stone

A Collection from the Washington Post Book World

The Writing Life: Writers on How They Think and Work 

Compiles ten years of essays from 55 writers, including Ray Bradbury, Stanley Karnow, and John Edgar Wideman, discussing how they write and where their ideas come from.

Writers On How They Think And Work

The Writing Life

Don Victor Sobrevilla, a lovable, eccentric engineer, always dreamed of founding a paper factory in the heart of the Peruvian rain forest, and at the opening of this miraculous novel his dream has come true—until he discovers the recipe for cellophane. In a life already filled with signs and portents, the family dog suddenly begins to cough strangely. A wild little boy turns azurite blue. All at once Don Victor is overwhelmed by memories of his erotic past; his prim wife, Doña Mariana, reveals the shocking truth about her origins; the three Sobrevilla children turn their love lives upside down; the family priest blurts out a long-held secret.... A hilarious plague of truth has descended on the once well-behaved Sobrevillas, only the beginning of this brilliantly realized, generous-hearted novel. Marie Arana’s style, originality, and trenchant wit will establish her as one of the most audacious talents in fiction today and Cellophane as one of the most evocative and spirited novels of the year.

A Novel

Cellophane

“Perfecta representación de la diversidad latina” (The Washington Post), LatinoLand se nutre de cientos de entrevistas y de una prodigiosa investigación para ofrecernos tanto un vibrante retrato como la poco conocida historia de nuestra minoría más numerosa y de más rápido crecimiento, en “una obra de profecía, simpatía y coraje” (Junot Díaz, autor ganador del Premio Pulitzer). LatinoLand constituye una excepcional y completa panorámica de la América hispana basada en entrevistas personales, una profunda investigación y la experiencia vital de Marie Arana como latina. Hoy en día, los latinos representan el veinte por ciento de la población de Estados Unidos, cifra que sigue en aumento. Para 2050, los informes del censo prevén que uno de cada tres estadounidenses será de ascendencia latina. Pero los latinos no son un monolito. No representan a un único grupo. Los más numerosos son los mexicanos, puertorriqueños, dominicanos, salvadoreños y cubanos. Cada uno tiene un trasfondo cultural y político diferente. Los puertorriqueños, por ejemplo, son ciudadanos estadounidenses, mientras que algunos mexicano-estadounidenses nunca emigraron debido a que la frontera entre Estados Unidos y México se desplazó tras la invasión estadounidense de 1848, incorporando lo que hoy es todo el suroeste de Estados Unidos. Los cubanos llegaron en dos grandes oleadas: la de quienes escaparon del comunismo en los primeros años de Castro, muchos de los cuales eran profesionales y ricos, y la de los salieron con permiso en el éxodo del Mariel veinte años después, que representaban a algunos de los cubanos más pobres, incluso los presos. Como lo muestra LatinoLand, los latinos fueron de los primeros inmigrantes que llegaron a lo que hoy es Estados Unidos, algunos en el siglo XVI. Racialmente son diversos: una mezcla aleatoria de blancos, negros, indígenas y asiáticos. Alguna vez abrumadoramente católicos, entre ellos hay cada vez más protestantes y evangélicos. Abarcan desde empleadas domésticas y jornaleros hasta artistas de éxito, directivos de empresas y senadores estadounidenses. Antes demócratas en su mayoría, ahora votan cada vez más por los republicanos. En lo cultural son tan variados como cualquier inmigrante de Europa o Asia.

Un retrato de la mayor minoría de Estados Unidos

LatinoLand (Spanish Edition)

A sweeping yet personal overview of the Latino population of America, drawn from hundreds of interviews and prodigious research that emphasizes the diversity and little-known history of our largest and fastest-growing minority. LatinoLand is an exceptional, all-encompassing overview of Hispanic America based on personal interviews, deep research, and Marie Arana’s life experience as a Latina. At present, Latinos comprise 20 percent of the US population, a number that is growing. By 2050, census reports project that one in every three Americans will claim Latino heritage. But Latinos are not a monolith. They do not represent a single group. The largest numbers are Mexicans, Puerto Ricans, Dominicans, Salvadorans, and Cubans. Each has a different cultural and political background. Puerto Ricans, for example, are US citizens, whereas some Mexican Americans never immigrated because the US-Mexico border shifted after the US invasion of 1848, incorporating what is now the entire southwest of the United States. Cubans came in two great waves: those escaping communism in the early years of Castro, many of whom were professionals and wealthy, and those permitted to leave in the Mariel boat lift twenty years later, representing some of the poorest Cubans, including prisoners. As LatinoLand shows, Latinos were some of the earliest immigrants to what is now the US—some of them arriving in the 1500s. They are racially diverse—a random fusion of White, Black, Indigenous, and Asian. Once overwhelmingly Catholic, they are becoming increasingly Protestant and Evangelical. They range from domestic workers and day laborers to successful artists, corporate CEOs, and US senators. Formerly solidly Democratic, they now vote Republican in growing numbers. They are as varied culturally as any immigrants from Europe or Asia. Marie Arana draws on her own experience as the daughter of an American mother and Peruvian father who came to the US at age nine, straddling two worlds, as many Latinos do. LatinoLand unabashedly celebrates Latino resilience and character and shows us why we must understand the fastest-growing minority in America.

A Portrait of America's Largest and Least Understood Minority

LatinoLand

A Fábrica de Papel

In her father’s Peruvian family, Marie Arana was taught to be a proper lady, yet in her mother’s American family she learned to shoot a gun, break a horse, and snap a chicken’s neck for dinner. Arana shuttled easily between these deeply separate cultures for years. But only when she immigrated with her family to the United States did she come to understand that she was a hybrid American whose cultural identity was split in half. Coming to terms with this split is at the heart of this graceful, beautifully realized portrait of a child who “was a north-south collision, a New World fusion. An American Chica.” Here are two vastly different landscapes: Peru—earthquake-prone, charged with ghosts of history and mythology—and the sprawling prairie lands of Wyoming. In these rich terrains resides a colorful cast of family members who bring Arana’s historia to life...her proud grandfather who one day simply stopped coming down the stairs; her dazzling grandmother, “clicking through the house as if she were making her way onstage.” But most important are Arana’s parents: he a brilliant engineer, she a gifted musician. For more than half a century these two passionate, strong-willed people struggled to overcome the bicultural tensions in their marriage and, finally, to prevail.

Marie Arana

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