Mario Telò

Sarah Olsen

Re-Readings in Greek Tragedy

Queer Euripides

International Relations: A European Perspective presents the main schools of international relations while underlining the added value of the European approach. Contrary to US or East Asian perspectives, a European viewpoint adopts a more critical and innovative approach to traditional divides.

A European Perspective

International Relations

This volume is the first attempt to reconsider the entire corpus of an ancient canonical author through the lens of queerness broadly conceived, taking as its subject Euripides, the latest of the three great Athenian tragedians. Although Euripides' plays have long been seen as a valuable source for understanding the construction of gender and sexuality in ancient Greece, scholars of Greek tragedy have only recently begun to engage with queer theory and its ongoing developments. Queer Euripides represents a vital step in exploring the productive perspectives on classical literature afforded by the critical study of orientations, identities, affects and experiences that unsettle not only prescriptive understandings of gender and sexuality, but also normative social structures and relations more broadly. Bringing together twenty-one chapters by experts in classical studies, English literature, performance and critical theory, this carefully curated collection of incisive and provocative readings of each surviving play draws upon queer models of temporality, subjectivity, feeling, relationality and poetic form to consider "queerness" both as and beyond sexuality. Rather than adhering to a single school of thought, these close readings showcase the multiple ways in which queer theory opens up new vantage points on the politics, aesthetics and performative force of Euripidean drama. They further demonstrate how the analytical frameworks developed by queer theorists in the last thirty years deeply resonate with the ways in which Euripides' plays twist poetic form in order to challenge well-established modes of the social. By establishing how Greek tragedy can itself be a resource for theorizing queerness, the book sets the stage for a new model of engaging with ancient literature, which challenges current interpretive methods, explores experimental paradigms, and reconceptualizes the practice of reading to place it firmly at the center of the interpretive act.

Thomas Meyer

José Luís de Sales Marques

This edited book focuses on the dynamic balance between global cultural diversity and multilateral convergence in relevant policy areas that involve actual and potential policy convergences (and divergences): the environment, trade, peace and security, and human rights. It offers theoretical reflections about the impact of the concept of multiple modernities on new ideas, cultural backgrounds, and/or national or regional particularities. An interdisciplinary team of authors combines comparative policy analysis with theoretical dialogue about the conceptual, institutional, normative, and political dimensions of a new kind of multilateral cooperation. Finally, the book concludes that by stimulating an intercultural dialogue which goes beyond a mere "rational choice" approach, we can foster progress through a better understanding of the opportunities and limitations offered by a pluralist, varied, post-hegemonic, and multilayered form of multilateral cooperation. This book will be of key interest to scholars and students of European/EU studies, economics, human rights, climate change, history, cultural studies, international relations, international political economy, security studies, and international law.

Cultural Divergence and Political Convergence?

Towards a New Multilateralism

Lucia Prauscello

Emmanuela Bakola

Recent scholarship has acknowledged that the intertextual discourse of ancient comedy with previous and contemporary literary traditions is not limited to tragedy. This book is a timely response to the more sophisticated and theory-grounded way of viewing comedy's interactions with its cultural and intellectual context. It shows that in the process of its self-definition, comedy emerges as voracious and multifarious with a wide spectrum of literary, sub-literary and paraliterary traditions, the engagement with which emerges as central to its projected literary identity and, subsequently, to the reception of the genre itself. Comedy's self-definition through generic discourse far transcends the (narrowly conceived) 'high-low' division of genres. This book explores ancient comedy's interactions with Homeric and Hesiodic epic, iambos, lyric, tragedy, the fable tradition, the ritual performances of the Greek polis, and its reception in Platonic writings and Alexandrian scholarship, within a unified interpretative framework.

Greek Comedy and the Discourse of Genres

Melissa Mueller

Situated within contemporary posthumanism, this volume offers theoretical and practical approaches to materiality in Greek tragedy. Established and emerging scholars explore how works of the three major Greek tragedians problematize objects and affect, providing fresh readings of some of the masterpieces of Aeschylus, Sophocles, and Euripides. The so-called new materialisms have complemented the study of objects as signifiers or symbols with an interest in their agency and vitality, their sensuous force and psychosomatic impact-and conversely their resistance and irreducible aloofness. At the same time, emotion has been recast as material "affect,†? an intense flow of energies between bodies, animate and inanimate. Powerfully contributing to the current critical debate on materiality, the essays collected here destabilize established interpretations, suggesting alternative approaches and pointing toward a newly robust sense of the physicality of Greek tragedy.

Objects and Affect in Aeschylus, Sophocles, and Euripides

The Materialities of Greek Tragedy

What is the European Union international role and identity becoming after the cold war, September 11th and the transatlantic rift? Is the second global actor challenging the trends towards a 'pax americana'? EUROPE: A CIVILIAN POWER? provides an original account of the features and the external relations of the EU as a civilian power in the making. It addresses the key questions on the new security threat, world emergencies challenging the EU, not only as a peace and democracy stablizer on a continental scale, but also as an actor which shares responsibility for global governance and world order. MARIO TELO provides a comparative analysis of regional cooperation in Europe, Africa, Asia and Latin America and focuses on the interregional relations with the EU. He highlights the international relevance of the current EU constitutionalization process and gives a critical review of the concepts of civilian power, soft power, civilizing power, multilateralism, multipolarism, international fragmentation, empire, hegemonic stability and global legitimacy. Analysis of the best literature on international relations and European integration is completed by MARIO's practical experience as an advisor to the EU institutions and a lecturer in Asia and Americas.

European Union, Global Governance, World Order

Europe: A Civilian Power?

Stemming from an international and multidisciplinary network of leading specialists, this best-selling text is fully updated with new chapter additions. With the first edition prepared at the end of the last century and the second edition adding inter-regional relations, this new edition focuses on competing models of regional cooperation within a multipolar world and the role of European Union. This new edition offers: - A comparative analysis of regional cooperation and of both US-centred and EU-centred interregionalism. - A fresh exploration of key issues of regionalism versus globalization and the potential for world economic and political governance through regional cooperation, notably in hard times. - A vigorous response to conventional wisdom on the controversial EU international identity - An appendix on regional and interregional organizations. - A key resource for postgraduate or undergraduate study and research of international relations, European integration studies, comparative politics and international political economy. Taking into account both the expanded European Union and regional cooperation in every continent, this multidisciplinary volume comprises contributions from established scholars in the field: A. Gamble, P. Padoan, G. Joffé, G. Therborn, Th. Meyer, R. Higgott, B. Hettne / F. Ponjaert, F. Soederbaum, Ch. Deblock, K. Eliassen / A. Arnottir, S. Keukeleire / I. Petrova, S. Santander and M. Telò (editor).

Competing Regionalism and Global Governance in a Post-Hegemonic Era

European Union and New Regionalism

Jean-Frédéric Morin

Frederik Ponjaert

Tereza Novotná

By focusing on the wider process of negotiations, this novel volume presents the first systematic analysis of the Transatlantic Trade and Investment Partnership (TTIP). The authors include outstanding scholars and relevant practitioners from across disciplines and various academic institutions around Europe and North America, but also from outside of the transatlantic basin. While presenting a thorough examination of the process of TTIP negotiations, the volume is divided into four parts with each part examining a broader theme and offering three or four shorter exploratory chapters that are accessible to academics, students, policy-makers and a wider audience. The volume explores historical and theoretical aspects of TTIP (with chapters by Gamble, Keohane and Morse, Telò), the beginnings of the TTIP talks and the role of individual actors (Mayer, Novotná, Dür and Lechner, Strange), TTIP’s possible knock-on effects and consequences for third parties (Aggarwal and Evenett, Duchesne and Ouellet, Zhang, Ponjaert) as well as impact on multilateral institutions and regimes complexes (Mavroidis, Mortensen, Meunier and Morin, Pauwelyn). The authors highlight dynamics which underline the relationship between the United States and the European Union and argue that TTIP promises to have vast implications not just for economics but global governance and international system.

TTIP in a Globalized World

The Politics of Transatlantic Trade Negotiations

A very timely and topical volume concerned with the impact of the Lisbon Treaty on the European Union’s (EU) capacity to further develop a distinctive foreign policy in accordance with the various policy instruments necessary to fulfil its role as a global actor. This edited volume brings together a host of scholars in the fields of European Studies and International Relations whose contributions offer both innovative theoretical perspectives and new empirical insights. Overall, the book emphasizes the question of the EU’s evolving legitimacy and efficiency as a foreign policy and diplomatic actor on the regional and global stage. This shared concern is clearly reflected in the book’s three-pronged structure: Part 1 - the EU a controversial global political actor in an emergent multipolar world with contributions from A.Gamble, M.Telò and J.Howorth; Part 2 - After the Lisbon Treaty: the Common Foreign and Security Policy and the European External Action Service, includes chapters from C.Lequesne, C.Carta and H.Mayer; Part 3 - R.Gillespie, F.Ponjaert, G.Grevi, Z.Chen, H.Nakamura and U.Salma Bava assess the CFSP and the EU’s external relations in action. Foreword by S.E.M P. Vimont. As a result, the book is a useful and relevant contribution to European Union studies and International Relations’ research and teaching. It offers any interested party informed and comprehensive insights into EU foreign policy at a time when it seeks to undertake an increased role in World affairs and this despite economic crisis.

What Kind of Power and Diplomatic Action?

The EU's Foreign Policy

Brexit confirms that the EU is not a super-state in the making but rather an advanced regional organization. This book bridges the gap between EU studies and international relations by providing a student-friendly presentation of regional, multidimensional cooperation among neighbouring states and societies, its four epochs and relevant variations and similarities across five continents, its interplay with globalization, and the changing post-hegemonic and post-Cold War international order. This text secondly focuses on the question of regionalism in hard times: whether the global financial crisis and multipolar power politics are leading to more competitive and political forms of instrumental regionalism and interregionalism in Europe, East-Asia and the Americas. It does this by addressing the political and strategic dimensions of changing regional/interregional arrangements and their current and potential impact on global governance, notably on trade and security challenges.

Competitive and post-liberal trends in Europe, Asia, Africa, and the Americas

Regionalism in Hard Times

Aristophanes and the Generation of Greek Comedy challenges the ways in which both ancient and modern scholarship have created the figure we know as Aristophanes and it builds on Telo's the long-term project to study the genres of ancient Greek literature (particularly plays) as well as genre theory more generally.Telo asks, how did the image we know of Aristophanes arose? Aristophanes' supremacy is traced, by Telo, back to the playwright himself. Early scholars presented Aristophanes' work as a prestigious object, an expression of supposedly transhistorical values of dignity (semnotes) and self-control (sophrosune). This construction of the merits of Aristophanic comedy over that of other varieties depends on its textual connections with other works, particularly tragedies. Telo shows, through close readings of Wasps and Clouds, for example, how the Aristophanic style is actually figured in the plays as the tactile experience of a garment, a soft, protective cloak intended to shield an audience from the debilitating effects of competitors' comedies during the Dionysia. Aristophanes' narratives of sons and fathers, poet and audience, is thus at the center of the discourse that has shaped his canonical dominance ever since.

Affect, Aesthetics, and the Canon

Aristophanes and the Cloak of Comedy

Situated within contemporary posthumanism, this volume offers theoretical and practical approaches to materiality in Greek tragedy. Established and emerging scholars explore how works of the three major Greek tragedians problematize objects and affect, providing fresh readings of some of the masterpieces of Aeschylus, Sophocles, and Euripides. The so-called new materialisms have complemented the study of objects as signifiers or symbols with an interest in their agency and vitality, their sensuous force and psychosomatic impact-and conversely their resistance and irreducible aloofness. At the same time, emotion has been recast as material “affect,” an intense flow of energies between bodies, animate and inanimate. Powerfully contributing to the current critical debate on materiality, the essays collected here destabilize established interpretations, suggesting alternative approaches and pointing toward a newly robust sense of the physicality of Greek tragedy.

Mario Telò

About

Books

Join the club