Mark Binelli

A Rolling Stone reporter and Detroit native traces the city's demise and recovery efforts, evaluating the ambitious plans of urban developers, speculators, politicians, agriculturalists and utopian environmentalists to transform Detroit into a viable, unsegregated and economically diverse post-industrial region. 50,000 first printing.

The Afterlife of an American Metropolis

Detroit City Is the Place to Be

Mark Binelli turns his sharp, forceful prose to fiction, in an inventive retelling of the outrageous life of Screamin' Jay Hawkins, a bluesman with one hit and a string of inflammatory guises He came on stage in a coffin, carried by pallbearers, drunk enough to climb into his casket every night. Onstage he wore a cape, clamped a bone to his nose, and carried a staff topped with a human skull. Offstage, he insisted he'd been raised by a tribe of Blackfoot Indians, that he'd joined the army at fourteen, that he'd defeated the middleweight boxing champion of Alaska, that he'd fathered seventy-five illegitimate children. The R&B wildman Screamin' Jay Hawkins only had a single hit, the classic "I Put a Spell On You," and was often written off as a clownish novelty act -- or worse, an offense to his race -- but his myth-making was legendary. In his second novel, Mark Binelli embraces the man and the legend to create a hilarious, tragic, fantastical portrait of this unlikeliest of protagonists. Hawkins saw his life story as a wild picaresque, and Binelli's novel follows suit, tackling the subject in a dazzling collage-like style. At Rolling Stone, Binelli has profiled some of the greatest musicians of our time, and this novel deftly plays with the inordinate focus on "authenticity" in so much music writing about African-Americans. An entire novel built around a musician as deliberately inauthentic as Screamin' Jay Hawkins thus becomes a sort of subversive act, as well as an extremely funny and surprisingly moving one.

A Novel

Screamin' Jay Hawkins' All-Time Greatest Hits

Once America's capitalist dream town, the Silicon Valley of the Jazz Age, Detroit became the country's greatest urban failure, having fallen the longest and the furthest. The city of Henry Ford, modernity, and Motown found itself blighted by riots, arson, unemployment, crime and corruption. But what happens to a once-great place after it has been used up and discarded? Who stays there to try to make things work again? And what sorts of newcomers are drawn there? Mark Binelli returned to his native Detroit to explore the city's swathes of abandoned buildings, miles of urban prairie, and streets filled with wild dogs, to tell the story of the new society emerging from the debris. Here he chronicles Detroit with its urban farms and vibrant arts scene, Detroit as a laboratory for the post-industrial, post-recession world, Detroit reimagined as a city for a new century.

Motor Cars, Motown and the Collapse of an Industrial Giant

The Last Days of Detroit

He came on stage in a coffin, carried by pallbearers, drunk enough to climb into his casket every night. Onstage he wore a cape, clamped a bone to his nose, and carried a staff topped with a human skull. Offstage, he insisted he'd been raised by a tribe of Blackfoot Indians, that he'd joined the army at fourteen, that he'd defeated the middleweight boxing champion of Alaska, that he'd fathered seventy-five illegitimate children.The R&B wildman Screamin' Jay Hawkins only had a single hit, the classic "I Put a Spell On You," and was often written off as a clownish novelty act-or worse, an offense to his race-but his myth-making was legendary.In his second novel, Mark Binelli embraces the man and the legend to create a hilarious, tragic, fantastical portrait of this unlikeliest of protagonists. Hawkins saw his life story as a wild picaresque, and Binelli's novel follows suit, tackling the subject in a dazzling collage-like style.

What if Laurel and Hardy were anarchists? This novel reanimates real-life accused anarchists Sacco and Vanzetti, sent to the electric chair in 1927, in the guise of an Italian-American slapstick duo whose waning fame blurs comedy and creative destruction. Ascending from vaudeville to the big screen with brilliantly subtle pie fights (Sacco and Vanzetti Dessert the Cause) and other radically physical comedy.

Mark Binelli

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